I wonder if it's possible to build a version of Germany's Berghain in Lagos. What a concept.
I recall getting into Berghain around 2016/2018, seeing Elijah Wood play DJ in a dark cavernous hall, and eventually missing the way to my apartment in Neukolln around 3am. Crazy times.
My experience partying all night at Berghain in Berlin made me think of how we're lacking this experience in the San Francisco tech scene. We can literally become the coolest, most tasteful social scene on Earth if we had our version of Berghain, but better. So let's build it. The best aspect of Berhain is how they select who gets in. The club has a vibe and atmosphere, and if you aren't wearing the right clothes or have the right demeanor, you don't get in. That's how you cultivate a tasteful crowd. We can improve on this by only letting in high agency, talented operators in the tech scene who can still pull off dope outfits, so no geeks. SF is in dire need of late night venues, and Berghain goes until 8am. That's a little too crazy for high net worth operators who are changing the world so we could do something like 2am. Berghain also is kinda dark and in a weird building so we'd put the club in a SoMa corporate office that we convert to speakeasy or barcade vibe. Maybe add a quiet area for people to bring their laptops and work? I honestly feel like we're improving on the Berghain form here, especially by swapping out the crowd of weird partiers in inappropriate clothes (or lack there of) with insanely cracked founders and engineers. I'm super stoked about this idea, SF tech could really run the dopest parties on the planet.
"The literary world has yet to agree on where [AI] assistance ends and authorship begins." - Tope Folarin
theatlantic.com/books/2026/1…
From bad to worse for Thélyson Orélien.
But someone needs to explain the proper use of AI in literature. This guy says he used AI for research; the publisher is cutting ties because they found traces of AI in his manuscript.
Is there fair AI use or no?
theguardian.com/culture/2026…
"You pay attention to his attention." - AO Scott on John Berger
nytimes.com/2026/10/18/magaz…
Someone had to give us a Fleetwood Mac docu at some point. And I will need to be there.
Some bonds can never be broken.
#FleetwoodMacTheChain, a new documentary film, is streaming January 29 on Apple TV.
That's a lot of big hitters.
OPEN LETTER: Sally Rooney is a writer, not a terrorist. Her books must be available to the public. Their withdrawal from sale, on the basis of ill-conceived and draconian anti terror legislation, is an affront to basic principles of free speech and expression so long taken for granted in this country. We categorically reject censorship - whether direct or indirect - and urge the government to change course, amending the legislation which has led us to this point of repressive absurdity.
Arteta's inability to craft a decent attacking team will hurt Arsenal this season. These guys are so slow and bereft of ideas going forward against quality opponents like Bayern.
This FT report is something:
"Yet even cities of the scale and frenetic energy of Lagos can feel like villages in parts, particularly on their periphery. In many cities, it is not unusual for people to keep goats or sheep or for herders to graze cattle beneath flyovers."
African leaders don't care:
'Academics call this kind of urbanisation “fast, late and poor”. With a few exceptions, most of Africa’s cities are unplanned...They lack public transport, reliable power &...basic services like sewerage, rubbish collection or even a land registry.'
In 1950, there were 228mn people living in Africa, with about 33mn in cities. Today there are 1.6bn Africans, 19% of the world’s total, of whom 670mn live in cities. Almost unnoticed, Africa has become an urban story, explains the FT's David Pilling. ft.trib.al/XZw6TGM
This should have included what he said about "About Schmidt". Massively underrated film with a great Jack Nicholson performance—as usual.
Adam Sandler Reveals Jack Nicholson Gave Him a Standing Ovation at Cannes for ‘Punch-Drunk Love’ Then Showed Up at His Door the Next Morning Asking for Croissants
“I look over, Nicholson’s there, he’s like maybe 10 seats over.”
“The wild movie’s going and he’s leaning back and looking at me and he’s going like that, I’m going like this, all right.”
“And then at the end of the movie, Nicholson jumps on his feet.”
“Nicholson likes it, so they gave us a big standing ovation. I’ll never forget that.”
“And I’ll never forget that the next morning he came over and I was tired ’cause my body wasn’t on French time yet, and his body can adapt to anything.”
“And he knocked on my door like 8:30. He goes, ‘Croissants?’”
My man Lemohang Mosese on his latest:
"I think Ancestral Visions is probably going to be my last essay film for a long time, because this essay work is exhausting. It’s too costly. It’s like a well that drinks from you. "
mubi.com/en/program-notes/po…
"Stephen King, like the universe he’s constructed, contains multitudes. Every bit of praise bestowed upon his fiction is true; every criticism levied against it is also true."
nytimes.com/2026/10/07/books…
“If you think it so easy to be a critic, so difficult to be a poet or a painter or film experimenter, may I suggest you try both? You may discover why there are so few critics, so many poets.”
You people should send birthday boy Ernest some cash. We need more brilliant essays.
It’s my birthday today and I debut in the @spectator. It’s a commentary on the latest AI accusation involving the Caine Prize.
Say a prayer for me, or send me money, or get me an OED subscription, and read the piece:
spectator.com/article/did-th…
Ahead of @CanexAfrica 2026, I write about the business of African food—following a conversation with Khanyi Mashimbye, manager of Creative and Cultural Industries at AFREXIM Bank (African Export-Import Bank):
african.business/2026/10/art…
One of Jay-Z's best verses—with a line I'm often tempted to say out loud these days:
"Allow me to retort: You cowards is just now learning the sh*t that we taught..."
Ezra Pound: “‘You’re never going to be any good as a poet. Why don’t you take up something useful?’”
nytimes.com/2026/10/09/books…













