Congratulations to our editor Harriet Rix, who has been selected as one of London’s leading emerging writers.
Thrilled to be part of this and hope to be able to finish some projects using the incredible collections @TheLondonLib
Brand new Pericles at Play! A SPECIAL EDITION on "Natural Histories", with zinging poems, translations, and prose from @nicohhhlette, @LJTodd, @rix_harriet, @arabellacurrie, @Joshuabtbarley and more...
periclesatplay.com/natural-h…
One of our editors talking this evening about queerness in W. H. Auden's 'Daphnis and Chloe'.
Dear all, @sofbongy and I warmly invite you to this term's last UCL Lyceum Seminar @GrandLat (online, on Weds at 5pm)! Tom Willis (UCL) will kindly present on ‘W. H. Auden's Daphnis and Chloe.’ To attend please email [email protected] / [email protected] .
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Delighted to have 'Network (Woven Words)' accompany
@LJTodd's brilliant poem 'Care Crosses the River' published today @AtPericles Issue 5 periclesatplay.com/natural-h…
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✨ It's here!!✨
If you missed our fantastic event last week with the ever-brilliant @theoctopiehole and @YungHumanist, you can watch it on YouTube here.
Subscribe to our YouTube channel to be notified in the future when our talks are published online!🎉 youtube.com/watch?v=pko77qV2…
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The second book we're publishing this month is Isobel Williams's Catullus: Shibari Carmina, a translation of Catullus through the art of Japanese rope bondage, shibari. ➰
Open this thread to read the introduction and some poems. We're launching the collection on March 24th!
You don't wanna miss Phiroze Vasunia talking about decolonisation!
What’s on this March at LCOC? Read through to find out all about the amazing events we have lined up for you this month! For more info, visit our website at ldnclassicistsofcolour.weebl…
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The most recent Runciman Lecture, delivered by Professor Emeritus David Ricks at @kingsCHS, is now easily accessible on YouTube. A rich and absolutely delightful lecture!
(4 Feb. 2021, intro: Gonda Van Steen) @AngHellenLeague
youtube.com/watch?v=CtF6Vn1W…
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Some poems I love for how they shift in the light, year after year. Like this Auden, for instance.
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"The explosion happened one mid-morning at the Swan Custard Factory."
A treat for the holidays: new fiction from Camilla Grudova
thewhitereview.org/fiction/t…
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📚 Fantastic to see our @Hercules_Leeds book, *The Modern #Hercules: Images of the Hero from the Nineteenth to the Early Twenty-First Century*, out now - just in time for a #classicalreception Christmas 🎁
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This is an absolutely effing phenomenal story and a one-stop demonstration of why we need Arts/Humanities researchers (or, even better, since there's some geology in there too, why the STEM/SHAPE divide is doing nobody any favours)
Replying to @latifnasser
Ok here we go.
Look at the electoral maps by county for the last few decades of US presidential elections. You’ll notice that the South goes almost uniformly Republican red every time.
Duh.
But if you look closer, there’s something else there ...
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This week for #HellenicFridays we’re recommending Joshua Barley’s translation of a Greek folk song, published in the latest issue of 'Pericles at Play'. Grab yourself a cup of tea and enjoy ‘The Return of the Long-Lost Husband’ here: periclesatplay.com/the-retur…
@KingsAHRI
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Our good friends @AtPericles have just released their fifth issue, which includes a poem and translations by Stephanie Burt (Harvard) plus a Greek folk song translated by @Joshuabtbarley
Read the latest issue here: periclesatplay.com/issue-5
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New Issue of "Pericles at Play" - Issue 5, October 2020 @AtPericles periclesatplay.com/issue-5 #classicalreception "fiction, poetry, and translations with a relation to the ancient world and/or its reception"
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A nice new bright red #classicalreception book. Framing Classical Reception Studies! Thanks to the editors :) – at Saint Andrews, Scotland
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There's a Tony Stark-Peter Parker poem which makes me see the point of Horace and I didn't think anyone could do anything else with Catullus 51/Sappho fr 31, but @AnnaJacksonSt has given me goosebumps. And it's so PRETTY.































