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‘There’s no point in us giving people what we think they want. Let’s give them what we want to do and see how they like it.’ Ciarán Hinds, Daily Telegraph, on Glasgow Citizens Theatre ethos.
AllertonComms retweeted
This hurts to write (let’s call it tough love), but I believe that in full transparency, in advocating for EVs one must also acknowledge the downsides. My company leases a BYD Sealion (and other EV’s on the fleet) - on paper, it’s great value for money. A Chinese car @BYDCompany leased via @santanderuk But then we had an issue with a door harness - took the car to Hartwell Bracknell; they can’t fix the car - it’s been off the road 71 days chasing faults around the car. Santander don’t want to answer the phone (2.5hrs on hold today) and BYD are unhelpful with a car that has a seemly a catastrophic fault.
The cars a lemon (and frankly so are the leasing company and the dealer), the question really is, are all their cars lemons or is this a one-off?
Clearly BYD aren’t ready for scale in U.K. and don’t have the dealer back up you’d expect of a mass brand - so as much as I advocate for low cost EVs, my advice at least in the short term, is steer clear of the BYD! The same might be said of Santander leases and Hartwell dealers!
I will of course update you on any progress!
A big problem using @LastPassHelp is that when a website presents you with a 'new password' option, not only does lastpass not offer a pw generator, you must move away from the page, open another lastpass page, try to find the generator (impossible, even using help)... & give up
Thanks to Chris Curry for making this photo available on @unsplash 🎁 unsplash.com/photos/man-sits…
"..the problem is cultural: in going out of its way to continually spare pupils, France has abandoned the pursuit of excellence. Restoring it would require a cultural revolution." @AgnesCPoirier @thetimes
Sadly, employing anyone in 🇬🇧 is considered a considerable risk, to be avoided if at all possible. Latest example digitaleditions.telegraph.co…. Makes no sense.
Top thinking by @KallumPickering Our political leaders must stop putting false choices to the electorate
telegraph.co.uk/business/202…
#wordle in 6 doesn't mean you're thick. You just know more words than other people.
AllertonComms retweeted
1968, The Moody Blues, and the Moment Everything Changed
The studio lights of the 1960s flick on, the colorful geometric backdrop comes alive, and The Moody Blues dive straight into “Ride My See-Saw” with an energy that catches me completely off guard. Those clear, bright harmonies ring out, the rhythm pulls me in, and within seconds I’m fully immersed in the free-spirited, joyful atmosphere of 1968.
“Ride My See-Saw” is the song that opened a new era for The Moody Blues. Written by bassist John Lodge, it appears on the 1968 album In Search of the Lost Chord. The album is a concept piece centered on the theme of quest and discovery. On the record, the track is preceded by Graeme Edge’s spoken-word piece “Departure,” creating the feeling of stepping into a brand-new world. Released as a single in October 1968, it reached number 42 in the UK and number 61 on the Billboard Hot 100 in the US. It was also one of the first singles recorded on 8-track multi-track tape, reflecting the technical advances of the time.
The story of how it was written is pretty interesting. Justin Hayward recalls that it began as a studio jam. Graeme Edge laid down that distinctive snare pattern, a guitar riff locked in, and the band sat with it for a while until John Lodge returned with the lyrics and the basic structure of the song. The words talk about leaving school, stepping out into the world, and realizing that life is bigger and more complicated than what you were taught. The “see-saw” metaphor stands for the ups and downs of life—the constant rising and falling—and the need to find balance. John Lodge has said the song is about growing up, carrying the tools you learned in school but having to discover reality for yourself.
Before that, The Moody Blues had been an R&B band with the 1964 hit “Go Now.” In 1966, after some members left, Justin Hayward and John Lodge joined. There’s a great story behind their transformation: during a cabaret gig, an angry audience member told them they were the worst band he’d ever seen and that they’d ruined the entire evening. On the drive home, Graeme Edge admitted the guy was right. They decided to ditch the blue suits, stop doing R&B covers, and play only their own material. The 1967 album Days of Future Passed marked the real turning point with its rich Mellotron textures and layered harmonies. In Search of the Lost Chord and “Ride My See-Saw” continued to solidify their inventive progressive-rock sound, blending driving rock energy with a sense of wonder.
Watching the video, I’m drawn in by the perfect blend of melody and harmony. Close-ups of their faces while singing and the way they glance at each other reveal genuine joy. This isn’t a big-stage concert—it’s a television studio performance—yet it still radiates the vibrant energy of 1960s rock.
I always think of that golden era as a special time. Music was expanding its boundaries, moving from psychedelic into progressive territory. The Moody Blues stood at the forefront, using multi-layered harmonies and storytelling melodies to take listeners on inner journeys. “Ride My See-Saw” has a lively, foot-tapping groove, but underneath it carries a quiet reflection on life. That’s why it became one of the band’s most beloved live songs, often saved for the encore with an extended instrumental section before the full group comes back onstage.
My own feeling when I rewatch this video is a mix of nostalgia and pure excitement. You can see the camaraderie in the way they look at each other and smile while singing. The melody isn’t complicated, yet it has real pull; the lyrics are simple but touch something universal. Those 1960s TV performances still captivate because they feel so authentic—no heavy effects, just the music, the colorful lights, and the human energy.
For me, “Ride My See-Saw” isn’t just a fun rock song. It marks the moment The Moody Blues truly found their own identity, moving from their R&B years into a new era of exploration. This video feels like a small window into that world, where melody and image together tell a story that still holds up all these years later.
AllertonComms retweeted
Everyone loves devolution until they live under it. It hollows out the centre, weakens the whole, answers to nobody, buries the voter in tiers, and rewards the chancers. A romantic ideal with a complicated core that doesn’t always deliver. Scotland and Wales living examples.
AllertonComms retweeted
Labour’s education policy is an act of vandalism
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Green switch powers M&A boom in grid-infrastructure supply chain allertoncomms.substack.com/p…
Speaking of the 1970s, same! And who knew (like many insightful people) he was so funny?
AJP Taylor - the man, the historian, the legend.
So glad that I studied politics at a time when he was still on the required reading list!
youtu.be/kzwODBAjNCs?si=FM5P…
AllertonComms retweeted
This is one of thre most pressing questions in our politics now.
Where is the serious debate in this country about being dragged ever deeper into this war? dailymail.com/news/article-1…
Why is @UKLabour clobbering pensions ... again... when they always bang on about how Norway, Australia etc save to invest in future prosperity? They do it through pensions!
AllertonComms retweeted
Replying to @alexrubner
It’s just a difference between the two countries’ cultural norms when it comes to university administration, I think. This kind of thing has been an enormous issue in the US, too—think Claudine Gay.
Some Americans are also no doubt delighted a British university that routinely beats their Ivies in various league tables is in the mud.
AllertonComms retweeted
Not enough prison places, hospital beds, electric, water, cops, roads, tanks, destroyers, carers for old folks...
But we're paying more tax and higher prices than ever.
Has anyone had a quick squint at the books, because I reckon someone's on the fiddle.
















