Proprietor of St. Louis microcinema @Arkadin | Film & Blu-ray reviews @Slant_Magazine | Bane of @SarahMBaraba's existence
St. Louis, MO, United States
Joined March 2010
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Keith Watson retweeted
Throughout #BobsBurgersMovie, the quick-hit jokes from the show’s rich cast of oddballs serves to suggest a vibrant world outside of the Belchers. Read @wolfmansrazor's review. slantmagazine.com/film/the-b…
Keith Watson retweeted
Richard Linklater's APOLLO 10½: SPACE AGE CHILDHOOD is undoubtedly an affectionate nostalgia-fest, but it’s also a sneakily perverse reflection on the limitations of human remembrance. Read @wolfmansrazor's review. slantmagazine.com/film/apoll…
Keith Watson retweeted
Slant sez the Ken Jacobs Collection I produced for @KinoLorber is one of the 25 best home video releases of 2021: slantmagazine.com/features/t…
Check out @Slant_Magazine's list of the 25 best home video releases of 2021, featuring words from me on @KinoLorber's "Ken Jacobs Collection Vol. 1" and @Criterion's "The World of Wong Kar-Wai"! slantmagazine.com/features/t…
As always, I'm extremely proud to be a contributor to @Slant_Magazine's year-end film list. Check it out, with words from me on EL PLANETA, AZOR, and WHAT DO WE SEE WHEN WE LOOK AT THE SKY? slantmagazine.com/film/the-5…
Keith Watson retweeted
Throughout #TheHumans, Stephen Karam orchestrates the highs and lows of a family reunion with Chekhovian subtlety. Read @wolfmansrazor's review. slantmagazine.com/film/the-h…
Keith Watson retweeted
Writer-director Mike Mills is a scavenger of often pithy moments that distill an incident, conversation, or life-changing event to its emotional essence. Read @wolfmansrazor on C'MON C'MON. slantmagazine.com/film/cmon-…
Keith Watson retweeted
There’s a haunting beauty to Tatiana Huezo’s depiction of the gradual cross-contamination of childhood innocence and criminal aggression. PRAYERS FOR THE STOLEN drops on Netflix tomorrow. Read @wolfmansrazor's review. slantmagazine.com/film/praye…
Keith Watson retweeted
#RedNotice is sludge waiting to be compartmentalized by the Netflix algorithm. Read @wolfmansrazor's review. slantmagazine.com/film/red-n…
Keith Watson retweeted
Though eerie and quietly deadpan, Valdimar Jóhannsson’s LAMB circles its grab bag of themes for so long that it also becomes tedious. Read @wolfmansrazor's review. slantmagazine.com/film/lamb-…
Keith Watson retweeted
Michelangelo Frammartino’s IL BUCO meticulously evokes a 1961 speleological expedition, but its search for thematic resonance is frustratingly general. Read @wolfmansrazor's review. #NYFF59 slantmagazine.com/film/il-bu…
Keith Watson retweeted
Amalia Ulman’s EL PLANETA is a bittersweet comedy of human behavior observed with a relaxed yet intently focused eye. Read @wolfmansrazor on the film. slantmagazine.com/film/el-pl…
Keith Watson retweeted
YAKUZA PRINCESS is a grimly self-serious tale of violent destiny that's consistently drowned out by its overreaching visual style. Read @wolfmansrazor's review. slantmagazine.com/film/yakuz…
Keith Watson retweeted
#Candyman doesn’t merely note the connection between fear and remembrance, it also interrogates it from every possible angle. Read @wolfmansrazor's review of Nia DaCosta’s film. slantmagazine.com/film/candy…
Keith Watson retweeted
Criterion’s dazzlingly immersive presentation of LA PISCINE offers the next best thing to a vacation on the French Riviera. Read @wolfmansrazor on Jacques Deray’s 1969 hothouse psychodrama. slantmagazine.com/dvd/la-pis…
Keith Watson retweeted
When Jennifer Hudson is singing her heart out in #RespectMovie, not so much approximating Aretha’s voice as channeling her soul, the effect is transportive. Read @wolfmansrazor's review. slantmagazine.com/film/respe…
Keith Watson retweeted
Photos from the set of David Lynch's ERASERHEAD
Screening this Friday, with Suzann Pitt's psychedelic animated short ASPARAGUS and a couple early Lynch shorts. Get your tickets now! arkadincinema.com/event/eras…
Keith Watson retweeted
A methodical, if largely allegorical, exploration of its main character’s psyche, #TheGreenKnight smooths out the enduring mysteries, opaque psychology, and narrative idiosyncrasies of its source material. Read @wolfmansrazor's review. slantmagazine.com/film/the-g…
Keith Watson retweeted
In the moments when #OldTheMovie works, it’s because M. Night Shyamalan embraces the inherent weirdness of his material. Read @wolfmansrazor's review. slantmagazine.com/film/old-r…
