
half misanthrope, half Amélie Poulain. Programmer @sourafilmfest @oslofilmfest @athenshortff Selection Team: @berlinaleforum Words @cinema7Arte @journey_cinema
Berlin
Joined July 2008
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Wellington Almeida retweeted
So many movie-world interviews seem mostly promotional; this one, with Chris Rock, is different—one of the most interesting, insightful, and revealing I've
read in a while; not sure how I missed this when it came out, glad to have caught up with it now:
variety.com/2026/film/featur…
Wellington Almeida retweeted
I wish I could fall into a deep, peaceful sleep and wake up only when the words La Bola Negra have more or less been completely wiped from collective memory—which will probably be around, what, March 16 next year?
Wellington Almeida retweeted
O New York Times teve a coragem de fazer algo que nenhum local teve:
Eles convidaram o Flávio para uma entrevista sem censuras, deixaram ele falar e, na reportagem completa, apontaram todos os absurdos logo depois de cada citação e, ainda, pintaram ele de fujão e a família de conspiracionista. E ainda expuseram todas as acusações que ele, o irmão e o pai enfrentam.
De cabo, aproveitaram pra lembrar aos leitores que o pai dele está preso por (com todas as letras) tentar dar um golpe de Estado após perder as eleições para Lula, e que ele alimentou teorias da conspiração sobre o sistema eleitoral.
Num truque de mestre, toda a reportagem foi iniciada e conduzida por um plano de fundo de crítica ao Trump e a forma como ele está lidando com a situação. Quase num lembrete ao leitor de que “esse é o tipo de coisa que o presidente permite que aconteça com a ajuda do governo dos EUA”.
Deram corda pro cara se enforcar e ele caiu igual um pato.
nytimes.com/2026/11/05/world…
Wellington Almeida retweeted
Sim, a informação transforma. Ela achava que era Flávio, mas na verdade era Lula.
Wellington Almeida retweeted
The New York Times just published an editorial admitting something remarkable: Lula da Silva is the most important political leader in the Americas in the 21st century.
For a media outlet that traditionally champions the Western establishment, this is a profound shift. Why is the institutional voice of the liberal world suddenly praising a former factory worker from the Global South?
They aren't doing it out of charity. They are doing it because they are witnessing the undeniable force of the Brazilian working class.
When the algorithms and the polls said he would lose, millions of ordinary people—from the favelas of Rio to the small towns in the Northeast—took to the streets. They didn't just vote for a politician; they mobilized for their own dignity. They voted for public hospitals that actually work, for wages that cover the cost of living, and for a country that belongs to its people.
Lula represents a vision of the world that the old powers are struggling to accept.
He represents a Latin America that is not a backyard, but a sovereign partner. A vision where a nation's wealth—its oil, its rare earth minerals—is used to build local infrastructure and fund social programs, rather than being quietly extracted to feed foreign supply chains. A vision where a country can advocate for peace, stand in solidarity with Palestine, and help build a multipolar world.
The Western establishment is realizing they can no longer dictate Brazil's future through economic pressure, digital censorship, or proxy politicians. They are forced to respect Lula because the people who elected him refuse to be marginalized.
But the true measure of Lula’s importance isn't found in the praise of foreign newspapers.
It is found in the missing finger from a metalworking press. It is found in the millions who organized digitally to bypass censorship. It is found in a working class that looked at impossible odds and decided to build a better world.
When the world's most powerful institutions have to acknowledge a metalworker, you know the old order is changing.
And it is the people who are leading the way.
Wellington Almeida retweeted
Hoje é o dia de assistir a A Lua Luta por Lula (1981), de Jomard Muniz de Britto e Eduardo Lima, se inspirar e sair para votar 13! 🦑 🌖
cinelimite.com/mostras/a-lua…
Wellington Almeida retweeted
Lula deu um esporro na Band achando inadmissível o comportamento do Flávio de intimidar o lula fisicamente.
Flávio foi para cima do lula e ficou de deboche e a Band só se mexeu pq o lula deu um esporro em todos mundo
Os jornalistas da Band estão fazendo um debate vergonhoso
Wellington Almeida retweeted
Trechos das conversas entre Daniel Vorcaro e Fred Kachar, CEO da Editora Globo, responsável pelos jornais “O Globo” e “Valor Econômico”. Na pauta - além de muita intimidade e afagos - conversa com Malu Gaspar a comentários sobre Deborah Secco, Sabrina e Monique.
Wellington Almeida retweeted
Esse é o vídeo que eu to vendo mais furar q bolha e virar votos. Ta insano. Espalhem!
Wellington Almeida retweeted
A lucidez de uma jovem de 21 anos, eleita a deputada federal do PT mais votada do país.
Lucidez que falta em alguns "caciques", lacradores e usurpadores de prestígio.
Wellington Almeida retweeted
Parfois le hasard fait bien les choses, et en ce mois d’octobre, il associe quatre très beaux films de jeunes cinéastes.
📢 En kiosque le 7 octobre : cahiersducinema.com/fr-fr//b…
Couverture : La Gradiva de Marine Atlan (2026).
© Les Films du Poisson/Bibi Film TV/Arte France Cinéma
What Comes Next for Brazil After ‘I’m Still Here’ and ‘The Secret Agent’? International Co-Productions Point Towards a Strong Future variety.com/2026/film/global…
Wellington Almeida retweeted
The new show from the creator of Black Mirror is Blackmere, which certainly sounds like a spin-off the tech satire. avclub.com/charlie-brooker-b…
Wellington Almeida retweeted
the history of meaningful film criticism has always been about taking films that are “not that serious” extremely seriously. so with all due respect: the least convincing argument you can make is to say “this movie is dumb why are you taking it so seriously?”
Red Sea Film Festival Cancels 2026 Edition, Will Return Next Year variety.com/2026/film/festiv…
Wellington Almeida retweeted
Paul Schrader Says He Turned To AI Because “No Black Actors Wanted To Play In A Movie Where There Are No Good Black People” dlvr.it/TVLyv6

























