The invideo MCP is live. With this you can generate images, videos, audio using 250+ SOTA models, and edit on a free timeline to go from idea to finished output. Build base edits, build sound beds, create any effect or transition as a custom shader, color grade, across any video you create. Full stack video production looks like this.

The invideo MCP is now live. Connect your Claude, GPT, or any other agent you already work with, control the entire editor from your own console, and generate images and videos as well. The editing workflow just got a lot more flexible.

Limited time offer: you now get up to 50% off on purchase of any invideo annual plan. If you're a serious creator or editor, this one's for you. Go crazy.

The era of manually building sound beds is ending. Launching: Agentic Sound Design on the invideo editor. The online invideo editor + editing agents can access all the music and sound in the world, or generate it from scratch, auto-place it on the timeline, mix + master, and build a entire sound bed that adheres to your vision and direction.

Traditional manual editing is dying. GPT-6 Astra + the invideo Editor changes the way you build your timelines - turn footage to base cuts, build cool effects and transitions, create mixed and mastered sound beds - all online, collaboratively, and using agents that let you focus on direction.

OpenAI launched GPT‑Image‑2.5 Sunburst a few days ago. We stress-tested it's object-swap capabilities using the the invideo editor to create this cool match-cut video. Why? The biggest unlock with Sunburst is that when you edit images - NOTHING except the item you're swapping changes in your frame. Most models before this would do a good job editing images, but the rest of the frame changed ever so slightly. With 2.5 Sunburst, that doesn't happen anymore. Combine that with an agent building your timeline and lining up your edited images for that perfect match cut feel - without you having to manually line-up, cut, and re-insert edited images on the timeline at the exact right spot, is where the biggest unlock is. We created this in a few hours, with our in-house creator directing the idea and an invideo editing agent building and polishing the timeline.

Launching the invideo editor. The future of editing looks something like this. Agents taking care of the grunt and execution, so that editors focus on their craft and skill. Link to the editor in the comments below.

Introducing the invideo x @SonyPictures partnership. You can now stream invideo originals on @SonyLIV . The barriers and gates to showcase your craft no longer exist. If you have an idea for a film, you can now show it to the world.

Created this mixed media video using the 'invideo editor', just by chatting with an editing agent. ~ Asked the agent to break up the original video into individual frames (for this one it was 12 fps) ~ Described the mixed media style we wanted in detail to the agent (you could also give the agent reference images and videos that you feel work best for the video you're creating), ~ And then asked it to generate each frame using an image-gen model and line it back up in the right place as a separate layer. Did all this in ~30 minutes.

"I always knew the dream was a feature film, what I didn't know was what would make it possible. Turns out it was the technology catching up, and invideo saying three words nobody in this industry says easily: "Go make it." So we're making it. Real actors, a growing crew, entire worlds and their lighting built with AI. Nobody has a playbook for this, so we're writing one, in public. Follow us if you want the honest version: the tests, the failures, the breakthroughs, posted as they happen. And by the end you won't have just watched a film get made, you'll know how to make one yourself." - Hridaye Nagpal (@HridayeN ), Resident Filmmaker

Day 12 of 12 Days of Agent Two. Months of work by engineers and filmmakers, all leading here. The same platform Fortune 500s, global agencies, and film studios use is now in your hands. These 12 days were never about what we built. They're about what you'll make with it.

Today is Day 11 of 12 Days of Agent Two. Agent Two isn't just Claude under the hood - we get asked this a lot. The truth is - while we use all the state of the art models out there, the Agent's real intelligence comes from its harness: a domain-specific layer built from continuous creative research that shapes how every model is actually used - more about this in the video. But this harness is what makes Agent Two frontier intelligence for creative work - at 4x the speed, and half the price.

Launching invideo for Enterprise. Day 9 of 12 Days of Agent Two. Large organizations around the world, studios, production houses, and brands leverage Enterprise to scale their creative needs. You never have to worry about your data being used for any model training, all IP stays yours, and we've signed contracts with every model provider out there so your legal team doesn't have to individually. GDPR, SOC2, penetration testing, audit trails - all compliant. Enterprise gives you: infinte seats, credits that never expire, multiplayer for internal and external teams, clear budget controls per project and per user, and infinite memory. Whether you come back on day 1 or day 720, the agent remembers everything. And when you're stuck, your point of contact is a filmmaker on the other end. So we've got all your technical and creative issues handled. Agent Two is frontier intelligence for creative work. 4x faster, at half the price.

TORONTO—Nolia Studios, a new AI-native film studio has launched under the leadership of award-winning filmmaker Bob Gaudette and veteran TV producer and creative director Kirk Hipkiss. tvtechnology.com/production/…