Poetry, Art, Music, Performance—wherever the various arts intersect/collide

Ann Arbor, MI
Joined March 2009
“Then I just stopped listening to everybody, and everybody stopped talking to me,” she said. “I was getting very little feedback.” nytimes.com/2026/01/01/arts/…
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When a flood damaged years’ worth of artworks kept in storage, Sophie Calle decided to embrace the decay. Art21 goes underground to attend the funeral for Calle's pieces.
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"All contradictions are to be found in me in some shape or manner....[W]hoever studies himself very attentively finds in himself, even in his judgment, a mutability and discord. I have nothing to say about myself absolutely, simply or solidly." — Montaigne, Inconsistency (1588)
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Helene Schjerfbeck: Still Life with Blackening Apples, 1944
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Join us TONIGHT, May 7 for the Poetry Out Loud National Finals w/ host Mac Barnett webcast live at 7 pm ET at arts.gov/poetry-out-loud. Finalists from Alaska; Washington, DC; Georgia; Kentucky; New Jersey; New Mexico; Oklahoma; Pennsylvania & South Dakota will compete for $20K!
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Anthony Hecht
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William Carlos Williams, from "The Orchestra":
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A terrific sentence by Loren Eiseley, from "The Firmament Of Time" (1960):
In Paradise Lost, Satan lamented upon seeing the first human: "Oh, Hell! What do mine eyes with grief behold?"
A terrific sentence by Loren Eiseley, from "The Firmament Of Time" (1960):
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Brian Doyle's essay "Playfulness" opens with an exuberant 100+ word/single sentence definition of "the essay," followed by a one-word imperative: "Discuss." Discuss.
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Wolfgang Tillmans: Freischwimmer 4
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“A flame to melt—a wind to freeze; Sad patience—joyous energies; Humility—yet pride and scorn; Instinct and study; love and hate; Audacity—reverence. These must mate, And fuse with Jacob’s mystic heart, To wrestle with the angel—Art.” #MelvilleMonday 🐳
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"we see them say of the world there is nothing to say"— from "The Beautiful Wall, Machu Picchu" by William Bronk
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unheard footfalls only sound till at last halt for good, absent for good from self and other then no sound then gently light unfading on that unheeded neither unspeakable home —Samuel Beckett, from "Neither"
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“Language is not a tool for me, but a medium infinitely larger than my intention. What will find resonance is out of my hands. If the poem works … it will set off vibrations in the reader, an experience with language—with the way it defines us as human beings.” Rosmarie Waldrop
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Scarlatti, Sonate K.141 - Martha Argerich youtu.be/Gh9WX7TKfkI?si=IJ6a… via @YouTube Joyeux Anniversaire Martha Argerich...💐🥂🎹🎂
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Phonometrician, gymnopedist, surrealist, eccentric, theatre lover, minimalist, cabaret pianist, composer of beloved melodies: Erik Satie was born #onthisday in 1866. 🎧 Celebrate with us and listen to his great recordings: dgt.link/satie-grtrec
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