Just keeping time in the Parade of Unpainted Dreams Native TX➡️VA

Limbo
Joined January 2010
Pinned
Symbol of a failed presidency: This door into the US House, barricaded by armed security against a delusional mob, is the door that Presidents enter for the State of the Union.
4
2
14
Barbara Steakley retweeted
“(McConaughey) wants to be everything for everyone, and he ends up as nothing instead.”
Blogged about Matthew McConaughey's deeply exhausting schtick of saying a whole lot about absolutely nothing and also sort of bizarrely plugging Joe Manchin's new think tank: chron.com/culture/article/ma…
6
55
1
641
8,478
Barbara Steakley retweeted
Imagine if in 1943 FDR had decided that the US would stop helping Britain and instead would side with the Third Reich. That's a bit like what President Trump is now doing by cozying up to Russia as it tries to destroy Ukraine. Utterly shameful. A humiliating moment for the US.
1,031
3,043
173
10,269
148,742
"The harmonic and melodic combinations that are going on in 'She Loves You' are just sick. The Beatles are so ahead of the game in pop at that moment. If that’s all they ever did, you’d still hear it on the radio. "Another sick thing about the Beatles is they make almost everything the chorus. You think you’ve heard all the hooks, and then some hook that really sells you on the song surfaces in the middle, only lasts a few seconds and disappears, never to return again. "The Beatles set the rock pop paradigm we are in. If you go from 'Love Me Do' to 'Helter Skelter', that covers about 85-90 percent of popular rock music. "I wanted a band that could play any style of music, and they were the model. Why can’t you have an alternative band that’s the Beatles? Why can’t you do the rock n’ roll album then do the acoustic-ish album? If the Beatles can do it, we can do it. Although you could never be as good as the Beatles. "They are the best band ever. You can debate me all you want, but they’re the best band ever." --#BillyCorgan #SmashingPumpkins #TheMagnificentOthers @BillyCorganTMO #Alternative #Grammys #AMAs #Beatles #TheBeatles #Influence #GOAT Sources: Rolling Stone, 2001; Gigwise, 2014; Mojo, 2012; CBS, 2025
17
97
7
857
38,122
Barbara Steakley retweeted
Elliott Smith’s Figure 8 is one of the great examples of a record totally indebted to an artist’s heroes without ever descending into rip-off territory. Everyone says it’s Beatlesesque. You can hear a mile off he’s a Beatles fan. But he’s not trying to be them. It’s Elliott Smith channelling his love of the Fabs into an album that evokes rather than steals. That’s why it’s one of my favourite Beatlesy records. What Smith understood is that trying to sound like the Beatles is to miss what made them so special in the first place. There is no single Beatles sound. They were constantly moving through music with their antennas up, an endless evolution of both themselves and their songs. Their defining characteristic was that they never stood still. And that’s the paradox of paying tribute to them. To do it right, you can’t simply copy what they did. You have to take their spirit of adventure, melodic imagination and willingness to push at the boundaries of pop music, and refract it through your own sensibilities. You might want the world to know you’re a massive Beatles fan, but, c’mon, if you really love them, you know you have to sound like yourself. That’s what makes Figure 8 such a great record, both as an Elliott Smith album and as a love letter to his heroes. You can hear the Beatles all over it, but you can also hear Elliott Smith in every note: his melancholy, his melodies, a fragile soul with his own peculiar way of looking at the world. Smith understood what made the Beatles so great, drawing on that power as catalyst for creation, not recreation, sprinkling a little of their magic into his own music. It’s a lesson those who plunder their legacy often seem to forget. Inspiration is always better than imitation.
38
23
2
286
8,085
Barbara Steakley retweeted
99% of Americans know nothing of this. I re-post similar features frequently as civic education, especially for students. Also as a small tribute to my late father who was drafted in June 1940 (before Pearl Harbor). He trained, served, and fought all the way to Berlin to defeat the fascists of his era. Released from Army/Navy Signal Corps in October 1945 (after Japan’s surrender) to lead a long, productive, patriotic life in Norfolk, Virginia.
May 5, 1945. A minister and his pregnant wife take five kids from their Sunday school on a picnic in the woods near Bly, Oregon. Within minutes, six of them are dead. They were killed by a weapon launched from Japan, more than 5,000 miles away. Most Americans have never heard of it. By late 1944 Japan was losing badly. It wanted a way to hit the American mainland, and it came up with one of the strangest weapons of the war. Balloons. Huge ones, more than 30 feet across, made from thin paper glued together in layers. A lot of that work was done by Japanese schoolgirls. The balloons were filled with hydrogen and loaded with bombs and incendiaries. Then they were released into the jet stream. Riding winds high over the Pacific, they could cross to North America in about three days. A clever system of sandbags and altitude sensors kept them at the right height. When the ballast ran out, the bombs dropped. The goal was to start massive forest fires and spread panic. Japan launched around 9,000 of them. Hundreds reached North America. They turned up in Oregon, Washington, California, Montana, Canada, even as far as Michigan and Mexico. And Americans heard almost nothing about them. The US government asked newspapers and radio to stay quiet. If the Japanese never heard about balloons landing, they'd assume the program had failed and stop. It worked. Japan eventually did shut it down. But the silence had a cost. That morning in Oregon, Reverend Archie Mitchell stopped the car to park. His wife Elsie, five months pregnant, walked ahead with the kids. They were between 11 and 14 years old. They found something strange in the woods. A big deflated balloon with a strange device hanging from it. Archie heard someone call out to him to come look. Then it exploded. Elsie and all five children were killed. Archie survived. Nobody had ever warned them, because nobody in America was supposed to know these things existed. Elsie Mitchell, Joan Patzke, Dick Patzke, Jay Gifford, Edward Engen, and Sherman Shoemaker became the only people killed by enemy action on the American mainland in all of World War Two. Only after their deaths did the government start warning the public not to touch strange objects in the woods. The story doesn't end there. Archie Mitchell later remarried. His new wife was the older sister of two of the children who died that day. They became missionaries and moved to Vietnam to work at a leprosy hospital. In 1962, Viet Cong guerrillas raided the hospital and took Archie away. He was never seen again. Decades after the war, a group of Japanese women who had built the balloons as schoolgirls learned what their work had done. They folded a thousand paper cranes and sent them to Bly, Oregon, with an apology. There's a monument in the woods today, at the spot where it happened.
43
119
2
568
36,829
Barbara Steakley retweeted
The tools of conquest do not necessarily come with bombs and explosions and fallout. There are weapons that are simply thoughts, attitudes, prejudices. And the pity of it is that these things cannot be confined to the Twilight Zone. Rod Serling "The Monsters are Due on Maple St."
52
343
11
1,072
12,380
Barbara Steakley retweeted
If you're not concerned by this, GET concerned. "MAGA activists are pushing for President Trump to resort to extraordinary measures — including martial law — if they believe the midterm elections are "rigged." axios.com/2026/10/16/trumps-…
121
600
38
1,058
29,234
Barbara Steakley retweeted
ESPN went from the Worldwide Leader of Sports to the Worldwide Ruiner of Sports quickly
27
165
3
2,378
16,481
Barbara Steakley retweeted
Out here lying about parents sending their children to school and having their children come back home a different gender when the real problem is parents sending their children to school and having them return home in a coffin!
123
3,269
93
14,280
121,813
"In high school, there was so much going on musically — disco, folk-rock, progressive rock, heavy metal — but I would go back to the Beatles all the time. They were always such an incredible musical journey I wanted to take. I was already playing guitar and singing, so I was really appreciating the artistry. The sort of level of intricacy of what they got up to was just astounding, really. It’s just unbelievable. "That was the sort of glue in our initial meeting [of The Bangles], our profound love of the Beatles. The imprint that hearing that music leaves on you — most of the music I've ever wanted to make has been inspired by the Beatles. "They were life changing. I really do credit the Beatles with my whole life trajectory, really. I mean I always loved music, but their music in particular resonated with me . . . it’s been kind of the through-line, I would say, of my musical journey. And my life. Touchstones, all along the way. "I watched the Peter Jackson film, Get Back, and you feel like you're a foot away from them. I found it mesmerising. It's so transporting, there's so much humanity and brotherly love there . . . also so much conflict, yet somehow they’re brothers. When Billy Preston walks in with that smile, you can see it written all over his face — 'I’m in this room with the Beatles and they want me to come back tomorrow.' It was so joyful. I will always love the Beatles." --#SusannaHoffs #Bangles #TheBangles @SusannaHoffs #Musician #ASCAPAwards #Brits #ThisBirdHasFlown #Songwriting #Beatles #TheBeatles #Influence Sources: Music Radar, 2012; SiriusXM, 2018; Interview with Ed Nash, 2023
1
32
3
214
4,333
Barbara Steakley retweeted
“I don’t think the robots are taking over. I think the men who play with toys have taken over. And if we don't take the toys out of their hands, we're fools.” — Ray Bradbury
39
2,166
99
6,053
66,266
Barbara Steakley retweeted
Sports betting is a form of brain rot, as a UFC fighter describes it: “The saddest thing in the world is you get done with a fight, you're in the airport, and no one just comes up to you to say they're a fan or ‘great work.’ They say, ‘You hit my parlay,’ or, ‘Man, we cashed out.’
7
6
28
4,277
Barbara Steakley retweeted
We stand with Nicole Noren!!!
After a decorated 24-year run at ESPN, Nicole Noren resigned in protest. She couldn’t go along with the network’s all-out embrace of gambling. For the first time publicly, in @CJR, Noren shares the deeply personal reasons behind her decision. cjr.org/the-interview/nicole…
4
75
5,117
Barbara Steakley retweeted
Teams used to be the strongest voices against, arguing, correctly, the risks of cheating, and the social harm. We've seen the cheating. Now we have a DraftKings bar inside Wrigley Field (and in Columbus) and ad inundation with every event. I'm just waiting on DraftKings Stadium.
After a decorated 24-year run at ESPN, Nicole Noren resigned in protest. She couldn’t go along with the network’s all-out embrace of gambling. For the first time publicly, in @CJR, Noren shares the deeply personal reasons behind her decision. cjr.org/the-interview/nicole…
6
28
700
Barbara Steakley retweeted
Shame on Adam Silver and Roger Goodell. Gambling is a cancer. One that destroys people and poisons athletics and too many athletes.
Good for her. Her family's story is so sad, and it's happening in other families all across America.
6
77
2
439
11,371
Barbara Steakley retweeted
The question to ask any media company with business ties to gambling is this: Would you run a piece investigating whether Gambling is Bad for Sports"? Because the perception is that you never would. That you have been compromised. That you have been bought off.
1
3
10
1,023
Barbara Steakley retweeted
Nicole Noren spent 24 years at ESPN as a decorated producer, earning Emmy, Murrow, and Peabody awards. But when the network integrated predatory gambling apps into its network, she walked away, boldly declaring, 'I’m not going to have blood on my hands.'" This is what living by the values we say we believe in looks like. @dannyfunt @CJR
3
33
3
212
2,287
"What troubles me most is the disconnect at the ESPN executive level between making money and caring about the human impact of constantly bombarding fans with betting odds and talk." An absolutely raw, must read interview.
After a decorated 24-year run at ESPN, Nicole Noren resigned in protest. She couldn’t go along with the network’s all-out embrace of gambling. For the first time publicly, in @CJR, Noren shares the deeply personal reasons behind her decision. cjr.org/the-interview/nicole…
7
129
1
1,000
11,849
Barbara Steakley retweeted
When they tell you sports gambling is harmless: no it isn't. Nicole Noren on why she left ESPN.
130
1,739
84
14,696
563,358
cjr.org/the-interview/nicole… Important report from @dannyfunt. @Nicole_Noren: "What bothered me most was a seeming disregard for the dangers and not thinking about the ramifications of ESPN normalizing gambling for an audience that looks to ESPN as sort of their sports guide, essentially—not looking down the road at the parallels between gambling and other addictive things in our country that have been normalized, such as opioids and cigarettes, that ended up becoming major public health crises."
11
36
654