The Ordinary Affair of Being Human (2025) @AkashicBooks/@AfricanPoetryBF • In: @The_Rumpus @BlackWarriorRev @CincinnReview @ndrmag

Joined April 2016
Hi guys, I have a story out—my first in two years! I'm so excited to share it with you all. It's an experimental fiction piece about a world where suddenly people's sins began to play over their heads in a hologram. It is published on @Iskanchipress iskanchi.com/magazine-posts/…
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Remember Name, Animal, Place, Thing? One sheet of paper, one biro, and somebody arguing that "Kangaroo" was a place? I built it as a daily game. And I made three other word games to go with it. Wordle for Africans, Lada, Kaba and Stop. Play here: agarau.dev/wordu
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This is exceptionally disappointing. Vauhini Vara has been treading a fine line using AI in her writing as a “critique” of tech, first in Ghosts then in her memoir, where she raised good questions about how tech shapes our personhood, knowledge, and episteme. Until this moment:
Exclusive: Another prestigious award has gone to a writer who seems to have used AI as the crisis of trust in the literary world intensifies, @vauhinivara reports: theatlantic.com/books/2026/1…
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Y'all let me know when the Lagos Life inflation is solved. For now, it has no play value—just a dating app with extra steps.
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Oh Rilke.🥹
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A new literary prize is in town. ✍🏾 Open to African writers. Submissions open October 10. Poets and writers, you don't want to miss this one.😊 obibiezennaprize.com/apply
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Crying real tears. I admire children so much and how sincere they are in communicating their own perspectives.
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1. Dear @akefestival, I am sending this pitch as both a dedicated writer who is committed to the literary community and even more, a big fan of the work that you have been doing at showcasing the wide expanse of African creatives and their work. My work "In Defense..." was..
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Ammu died in a grimy room in the Bharat Lodge in Allepey...She died alone. With a noisy ceiling fan for company and no Estha to lie at the back of her and talk to her. She was thirty-one. Not old, not young, but a viable, die-able age. — the god of small things, arundhati roy
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Won't you celebrate with me for I have won the 2026 Fare Forward Poetry Competition. My sincere gratitude to @Fare_Fwd and the judges for thinking my poem worthy of first place. Congratulations also to all my fellow winners, and my brotherrr, Chiwenite @Chiwenite_O
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Hii. I created a campaign for donations to go back to school. I have seen 50% of the funds needed. I would be so glad if you would help me with any. Thanks a lot oncrowdr.com/explore/c/help-…
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Sealey Challenge — Day 14 The Ordinary Affair of Being Human by Timi Sanni @timisanni is deeply rooted in memory, culture, & the body. The poems are a meditation on being human—our mortality, pride, resilience, & the music that keeps us dancing. #SealeyChallenge #FelisCatusPress
📚 GIVEAWAY FOR THE SEALEY CHALLENGE! This August, read one poetry collection every day and stand a chance to win 3 poetry books from Felis Catus Press. Check the flyer for details. The CHALLENGE begins today 🔥 Happy reading! 📖 ✨ #SealeyChallenge #FelisCatusPress #Giveaway
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hi festival curators! my calendar is light this year. invite me to read poetry, & to engage poets in conversation on contemporary Nigerian poetry. perks: top tier fits, good cologne, & a poetry reading that’d hold a room! ❣️
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Seeing my book for the first time. 🤗 Send me a direct message to buy a copy of "The Psalmic Field". Preorders are going out already. Get your copiessssssss today. For you and your friends. SUPPORT A WRITER TODAY!
My first chapbook is out here in the world. Grateful to @feliscatuspress for picking this up for pub. Grateful to everyone who has contributed to my literary journey. I'm nothing without you all and my readers. Send me a message or drop a comment to get a copy of my book today.
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1. Let me re-introduce myself. My name is Carl Terver, founder and editor of the literary magazine, @Afapinen (afapinen.com) Starting today, I shall begin a 100-day of funding campaign for my magazine. 2. Afapinen began publication since 2021, with great success so far. I have published over 100 critical essays, some of which made it to “Best Essays of the Year” lists. Many of our writers debuted in Afapinen and their experience from this has taken them further in their careers. This keys into my vision “to platform new voices in critical writing on visual art, literature, and music, in defining a new age.” 3. So far, I have achieved this from pocket. But one of the major problems facing literary magazines, especially in the continent, is the lack of funding. I, too, suffer the same fate. 4. I am doing this funding campaign so that “I don’t go home,” but go harder—to deliver better, and to expand my magazine’s potential and vision. If you see this on your timeline, whether you are into arts or not, this is about supporting a Nigerian dream. It may be difficult to understand what a literary magazine does in the larger society, but it matters so much in the long run. We document history. 5. Support your local cultural entrepreneurs. Support literature. Support Afapinen. Share this post. Mention anyone in the CS you think can support. I love you all. Thank you in advance. 2 options to send support: a. Use our secured Paystack page here: paystack.shop/pay/support-af… b. Make a direct bank transfer to: 6740744975 Afapinen Media Enterprise Moniepoint Microfinance Bank If you are partial to crypto, here is a Bitcoin address: bc1q7jcuxs3usm6h6z2tp7g56ucpde8ahuha8adsyt #Day1AFC
🤖 Made with AI
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Only a few days left to enter for the $2000 poetry prize. Submit 💫
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A Norwegian neuroscientist spent 20 years proving that the act of writing by hand changes the human brain in ways typing physically cannot, and almost nobody outside her field has read the paper. Her name is Audrey van der Meer. She runs a brain research lab in Trondheim, and the paper that closed the argument was published in 2024 in a journal called Frontiers in Psychology. The finding is brutal enough that it should have changed every classroom on Earth. The experiment was simple. She recruited 36 university students and put each one in a cap with 256 sensors pressed against their scalp to record brain activity. Words flashed on a screen one at a time. Sometimes the students wrote the word by hand on a touchscreen using a digital pen, and sometimes they typed the same word on a keyboard. Every neural response was recorded for the full five seconds the word stayed on screen. Then her team looked at the part of the data most researchers had ignored for years, which is how different parts of the brain were communicating with each other during the task. When the students wrote by hand, the brain lit up everywhere at once. The regions responsible for memory, sensory integration, and the encoding of new information were all firing together in a coordinated pattern that spread across the entire cortex. The whole network was awake and connected. When the same students typed the same word, that pattern collapsed almost completely. Most of the brain went quiet, and the connections between regions that had been alive seconds earlier were nowhere to be found on the EEG. Same word, same brain, same person, and two completely different neurological events. The reason turned out to be something nobody had really paid attention to before her work. Writing by hand is not one motion but a sequence of thousands of tiny micro-movements coordinated with your eyes in real time, where each letter is a different shape that requires the brain to solve a slightly different spatial problem. Your fingers, wrist, vision, and the parts of your brain that track position in space are all working together to produce one letter, then the next, then the next. Typing throws all of that away. Every key on a keyboard requires the exact same finger motion regardless of which letter you are pressing, which means the brain has almost nothing to integrate and almost no problem to solve. Van der Meer said it plainly in her interviews. Pressing the same key with the same finger over and over does not stimulate the brain in any meaningful way, and she pointed out something that should scare every parent who handed their kid an iPad. Children who learn to read and write on tablets often cannot tell letters like b and d apart, because they have never physically felt with their bodies what it takes to actually produce those letters on a page. A decade before her, two researchers at Princeton ran the same fight using a completely different method and ended up at the same answer. Pam Mueller and Daniel Oppenheimer tested 327 students across three experiments, where half took notes on laptops with the internet disabled and half took notes by hand, before testing everyone on what they actually understood from the lectures they had watched. The handwriting group won by a wide margin on every question that required real understanding rather than surface recall. The reason was hiding in the transcripts of what the two groups had actually written down. The laptop students typed almost word for word, capturing more total content but processing almost none of it as they went, while the handwriting students physically could not write fast enough to transcribe a lecture in real time, which forced them to listen carefully, decide what actually mattered, and put it in their own words on the page. That single act of choosing what to keep was the learning itself, and the keyboard had quietly skipped the choosing and skipped the learning along with it. Two studies. Two countries. Same answer. Handwriting makes the brain work. Typing lets it coast. Every note you have ever typed instead of written went into your brain through a thinner pipe. Every meeting, every book highlight, every idea you captured on your phone instead of on paper was processed at half depth. You did not forget those things because your memory is bad. You forgot them because typing never woke the part of the brain that would have made them stick. The fix is the thing your grandmother already knew. Pick up a pen. Write the thing down. The slower road is the faster one.
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This fall, Mustapha Enesi (@Eneessi) will be heading to the University of Mississippi (Ole Miss) to begin a fully funded MFA in Fiction. To make this transition possible by his June deadline, a GoFundMe has been launched to cover the final logistical hurdles—specifically his SEVIS fee, visa, and airfare. Kindly make support his studies by making donations through the link below or sending a direct message to him @Eneessi. Donation link: gofundme.com/f/help-me-get-t… #creativewriting #fiction #gofundme #mustaphaenesi
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—Gregory Orr
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