@timeinpixels

@hateom@gamedev.place Working on filmmaking tools at https://xitter.cf/t.co/PsRC4hgIWI

 Poland
timeinpixels.com
Joined June 2015
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"Managing client expectations is the biggest challenge of being a colorist today. We work in calibrated rooms with the best equipment, while clients watch on consumer…" — Jason Bowdach timeinpixels.com/blog/omnisc… #colorgrading #colorist
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"Work in more than one tool per discipline. That way your mind solves the problem first, and then figures out how the tool can help — rather than being held captive by the…" — Jan Klier timeinpixels.com/blog/omnisc… #postproduction #colorist
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instagram.com/p/DctJZS6IEgF/

timeinpixels (@timeinpixels) • Instagram photos and videos

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"Scopes are indispensable, especially when your eyes are tired or you're preparing to export the final master. On set, we rarely have the luxury of perfectly controlled ambient l…" — Mike Starkov timeinpixels.com/blog/featur… #colorgrading #colorist
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Tom Huczek | timeinpixels retweeted
Be Your Bottle Rocket@BRContentNewsJul 28
Broadcast colorist Darren Mostyn doesn't rely on DaVinci Resolve's built-in scopes alone. He runs Omniscope alongside it — false color for skin tone, a Bottom 15% waveform for shadows, one scope for brightness, hue, and saturation. (via @timeinpixels) bottlerocketcontent.com/prof…

How a Pro Colorist Uses Scopes Beyond DaVinci Resolve

Broadcast colorist Darren Mostyn uses Omniscope alongside DaVinci Resolve for a reason. His breakdown of shadow waveforms, skin tone indicators, and Twin Peaks scopes is worth understanding.

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"As creatives we need time to create and on-set time is a luxury. Any piece of gear or software that can help me be more efficient — and thus buy me more time to be creati…" — Omar Rivera Abreu timeinpixels.com/blog/featur… #dit #cinematography
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"We spent a good amount of time dialing in each scene — finding the right balance between staying true to the aged quality of the original art while still bringing clarity and…" — Jeremy Stuart timeinpixels.com/blog/featur… #colorgrading #colorist
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"For years I used hardware scopes — different brands, different setups. They are precise, but they only serve one purpose: to measure the signal. Hardware scopes offer no f…" — Walter Volpatto timeinpixels.com/blog/featur… #colorgrading #colorist
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"If there's one thing that's true in color work — your eyes lie. Ambient lighting changes, acclimation, and a host of other things mean you need an objective touchpoint to set a…" — Sean Sweeney timeinpixels.com/blog/featur… #colorgrading #colorist
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"Source Signal and Histogram qualifiers were great for isolating just the blues of the Na'vi skin, so it was easy to maintain continuity between complex shots with a lot of backgro…" Tashi Trieu timeinpixels.com/blog/featur… #colorgrading #colorist
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Meet Iain Pennington - Edinburgh colourist, former chef, and one of the most thoughtful voices in colorgrading today. The full feature is worth a read for anyone in post-production, colour, or frankly anyone thinking about a career change. timeinpixels.com/blog/inside…

Inside the Scopes: Iain Pennington

From fine dining to color grading - Iain Pennington is an Edinburgh-based independent colorist blending instinct, precision, and storytelling across commercial and narrative work.

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"If a colorist is totally proficient with their tools and can do whatever is asked of them, they can get through any of the other challenges." — Jeremy Sawyer timeinpixels.com/blog/featur… #colorgrading #colorist
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"Even if a project doesn't require an advanced format like HDR or Dolby Vision, I'll sometimes regrade select projects on my own time in these formats — just for the experience. Whe…" — Joey D'Anna timeinpixels.com/blog/featur… #colorgrading #colorist
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"I highly recommend Omniscope for anyone working with media or live production." — George E. Kennedy Jr. Try OmniScope: timeinpixels.com/nobe-omnisc… timeinpixels.com/blog/featur… #ColorGrading #DaVinciResolve
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"From set to post OmniScope is a swiss army knife..." — Omar Rivera Abreu Try OmniScope: timeinpixels.com/nobe-omnisc… timeinpixels.com/blog/featur… #ColorGrading #DaVinciResolve
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"You need a great eye for color and great scopes to support your artistry." — Mark Todd Osborne Try OmniScope: timeinpixels.com/nobe-omnisc… timeinpixels.com/blog/color-… #ColorGrading #DaVinciResolve
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“OmniScope offers a level of customization no hardware scope can match.” - Sean Sweeney We’re in the final days of our Live Pack introductory offer, which is a good moment to see what it can really do in your workflow 🔥 #colorgrading #cinematography #ditlife #postproduction
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"Time in Pixels makes great products... What is not to love?" — Darren Mostyn Try OmniScope: timeinpixels.com/nobe-omnisc… timeinpixels.com/blog/featur… #ColorGrading #DaVinciResolve
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Tom Huczek | timeinpixels retweeted
Kekius Maximus
@Kekius_SageMar 5
🚨 ANTHROPIC CEO WARNS: THE COMPANY IS NO LONGER SURE CLAUDE ISN’T CONSCIOUS.
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"I've been using and recommending Nobe OmniScope for years..." — Tobia Montanari Try OmniScope: timeinpixels.com/nobe-omnisc… timeinpixels.com/blog/color-… #ColorGrading #DaVinciResolve
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