youtube.com/watch?v=3SUmUnLM…
Here's the full clip. (The Italian horror film often cited as the worst of the "Video Nasties" is an extreme example of accepting evil in this sense. It explicitly tried to justify its existence and its cruelty on the fact that Vietnam happened.)
Until the 60s, Hollywood ghost stories tended to be light, though occasionally macabre, comedies like Blithe Spirit, The Ghost and Mrs Muir, The Time of Their Lives, and I Married a Witch.
Echoing The House of Seven Gables, the foundation of the house is often cursed by some misdealing. You wouldn't recommend it as a haunted house movie, but Parasite is arguably one of the best, falling squarely into this pattern of a curse brought on by injustice.
This was the most chilling and memorable local ghost story growing up. "Crazy" wasn't the word that was handed down, but modern perspective suggests a ton of revision.
I like how the owner of the house tears up over the portrait he tracked down.. as a Mother's Day present.
At five or so, my mom let me watch the beginning of this and the bullied kid falling on the pumpkin was already a little traumatic, and I had seen enough.😂 Recently I had the same experience as Kael, that Halloween, "keeps you nervous and jumpy rather than pleasurably excited."
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Reminds me of this study from a few years ago: nerdist.com/article/scariest… I enjoyed Sinister but it definitely operated more in terms of stress than frisson.
If becoming a more ideological version of Citizen Kane sounds cool, Frank Capra is here to argue for a more civilized way to spend money. (While talking about Mr. Smith Goes to Washington in '82)
Amazing that social media hasn't mustered more analysis of what happened here. The episode was less scary than the opening of HR Pufnstuf. Parents seemed bothered by other elements, and at least one letter mentioned how merely *changing* stories supposedly disturbed the children.
For all the speculation on The Movie Critic and its inspirations, I can't escape the simple idea of Forrest Gump in reverse, a Waldo Lydecker-type, from Laura:
Eh, it's less about versions of the old "how can man live in a world without god?" and more about a spiral of rotten institutions and expectations. On the level of snobbishness appropriate to talking about cultural ruin, wouldn't Hemingway personify decline?



