Today, NEORT++ is honored to present Quietus Machine at @artblocks_io , for one day only. *Appreciate this great opportunity Quietus Machine asks a simple question: what do we see when worlds we have drawn digitally are computed continuously and carried out in the world we actually live in? Through the machines the artists have built, the outputs they produce, and the thinking behind them, each visitor is invited into a moment of their own to look and to feel. Artists Takens Theorem @takenstheorem Rudxane @rudxane1 Satoshi Aizawa @satoshi_aizawa Installing outside the white cube has been refreshing. The Donald Judd tour with Chinati Foundation showed us a world where Lights, nature, design, matrials and thought are sharpened to their essence, and that experience stays with us as we open today. Our three artists have done remarkable work. Their inspiration and craft are what make today’s presentation possible. Bringing an exhibition we envision from Tokyo to Texas is no small undertaking. It means working closely with partners, shipping artworks and equipment across the Pacific, and staying on top of communication at every step. Anyone who has done this knows how much care it takes. This time was no exception. Shipping was a real challenge: our plinths were held at customs, and the screens wouldn’t display. But the team never gave up. They solved each problem one by one and gave their best until the very end. The energy of this community, NEORT included, is extraordinary. This journey has given us new energy and inspiration. Among old friends, familiar faces, and new encounters, we’ve begun to see what our next stage should look like. We are deeply grateful. It has been a year since @toshiaki_takase first came to Marfa. The time we spent with @ArtOnBlockchain in Tokyo and the strength @KZ_LAB_E has given us all lead to today. That is what this day means to us. *maybe even before when @takawo first came in 2023 Please join us at Art Blocks Gallery, 11:00–19:00.

Happy to share @glimmerdao collected Paru-paro (Butterfly) (2026) by Chia Amisola 🦋 @nonperformant Shown at WWW! — ARTXCODE × Rhizome, New York. @rhizome @artxcode_io @fellowshiptrust Why we collected it: • It re-sorts impersonal imagery (platforms, satellites, stock photos) into an intimate encounter with memory, myth and grief by an interactive playable experience • Chia’s life’s work is preserving the Philippine internet, the same mission Glimmer holds for Asian digital art • A work about internet space, collected with its domain, files and Rhizome archive so it can outlast the platforms it draws from Congratulations👏 again to Chia for all the great works she has done and welcome to the collection！ Shout out to LAN Party for curating this @benoit_tokyo_ @bennavkim

📝ブログ更新 / Blog Update mole^³《meta-landscapes: extension》 @moled 多色摺り版画の原理をコードに置き換え、渋谷の風景を色ごとに分解・再構築。街そのものを版木に見立て、コードというバレンで摺り上げた、もうひとつの風景。 Translating multicolor woodblock printing principles into code, decomposing and reconstructing Shibuya's landscape by color. Another landscape printed with code as baren, treating the city itself as the printing block. #SCREENSCONTEXUALIZED @neort_io <Blog Link Below> open.substack.com/pub/nori/p…