Sonic splitter @AudioshakeAi. Author of The Big Disruption. Fiction in @nytimes @VICE @WIRED. Mostly noise, some signal.
San Francisco
Joined April 2008
- Tweets394
- Following1K
- Followers4.9K
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jessica powell retweeted
THE INTERNET IS DEAD! I made a plugin that lets your computer sing to you. I used it to make this song. You can try it yourself, it's opensource and free: songaday.studio/plugins
bid on the 1/1:
songaday.world/6501
jessica powell retweeted
Most audio in the world was never recorded on separate tracks.
@themoko breaks down source separation on @Dell's #ReshapingWorkflows with @LoganatDell, starting with how we pull vocals, instruments, or a single speaker out of a finished mix.
jessica powell retweeted
Dialogue RT isolates dialogue from a live feed in 11 ms end to end — measured model input to isolated output.
That's not noise suppression. It's two stems: dialogue, and everything else.
On NVIDIA DGX Spark and Blackwell architecture GPUs. audioshake.ai/post/isolating…
jessica powell retweeted
Four days at IBC, hundreds of conversations. The question we heard most:
“Can it run on the feed, not the file?”
Answer: yes. Live, less than 11 milliseconds. Another great year in the books.
jessica powell retweeted
Here's where to find us at IBC all week!
AudioShake — 14.F46 (live Dialogue RT demos)
AI-Media – 5.C34
Dell — 14.D43
Ortana — 1.C37h
ScorePlay — 1.D47
Telos Alliance — 8.D37
Book time now: tidycal.com/audioshake/ibc26
jessica powell retweeted
"Music is more durable than more strictly cognitive tasks like coding."
Why? The core of music lives in live performance, learning an instrument, and the artist-fan connection. The stuff that's hardest to automate is exactly the stuff we value most.
Great clip from @trapital 👇
jessica powell retweeted
CEO @themoko on the distinction that keeps coming up: @AudioShakeAI isn't generative AI — and why that matters more for media + entertainment workflows in 2026 than it did even a year ago.
jessica powell retweeted
"I'm going to Disney World" is almost synonymous with winning the @SuperBowl. @ESPN wanted the original Phil Simms clip for their 2026 ad — but the music was baked in. We pulled his voice from the mix. Watch: youtube.com/watch?v=w1l3z-tm…
jessica powell retweeted
Don't miss this free talk at SF Music Week on Friday 🎶
@AudioShakeAI Founder + CEO @themoko will be on stage at #SFMusicWeek for "Innovation and the Technology Shaping the Future of Music" alongside incredible minds from @noisepop, @chartmetric, @splashmusicco, + @sonos 🎼
jessica powell retweeted
Can’t hear what the ref said over the crowd? Need a live translation in a noisy room? Now you can. 🎧The AudioShake #SDK is here—real-time audio separation, on-device. Proud to launch with our partners @TunedGlobal, @accessinclusion, @MashAppMusic, @VolocoApp, and @AntaresAudio👇
jessica powell retweeted
Check out this free to use AI Stem Splitter powered by @AudioShakeAI ⬇️
🎵 Pull tracks from your Audius profile
🎚️ Automatically split vocal, instrumental, or drum stems from your track
🔁 Re-upload them to Audius
🔗: stemsplitter.audius.communit…
We're excited to share audius.community: a growing directory of community-built projects that tap into the Audius protocol.
Whether it’s something you whipped up during a hackathon or a fully-fledged app built around Audius data, we want to showcase it all!
jessica powell retweeted
I can’t wait to bring a taste of the desert to @litcrawl SF with S’mores & Stories 🔥🌵
Join us on October 26 for tales from the edges of California by @TanyaZilinskas, @themoko, Billy Song, and Katie Wheeler-Dubin, along with delicious s’mores, courtesy of Mojave Mallows.
jessica powell retweeted
AQR Vol. 40, 1 & 2 is now available and free to read in our online archive! Work from @MaxineScates, @xiankiefer, @themoko, @haharuffo @R_Turkewitz, @JesseLKercheval, @YPPLaureate, @will_richter, Mistee St. Clair, @ok_maksymchuk, and many more:
aqreview.org/archive/aqr-vol…
jessica powell retweeted
See you at @ISMIRConf 2024! @AudioShakeAI 's Research team will present its research on lyrics transcription in San Francisco in November.
Looking forward to presenting our lyrics transcription benchmark at #ISMIR2024 in San Francisco! Our paper grew from last year's LBD to a full paper with more results, which has now been accepted, so stay tuned!
audioshake.github.io/jam-alt…
jessica powell retweeted
Loved the story. Though I have to say it threw a wrinkle into my plan to one day retire as a lampshade.
jessica powell retweeted
Save the dates! In May we'll be releasing readings from Debbie Urbanski (5/4) and @themoko (5/11) on our YouTube channel. In the meantime, you can watch Jessica and Debbie's conversation about AI, science fiction, and the future of writing & technology:
youtube.com/watch?v=tw9ZsEYC…
Now live! A conversation between Debbie Urbanski and @themoko about science fiction, writing, the state of technology, the development of AI, and its impact on human life and ideas about what it means to be human. Watch here:
youtube.com/watch?v=tw9ZsEYC…
jessica powell retweeted
To all my art/music/scene-building interested friends,
this @themoko piece on generative AI and music is what so many of us have been talking about.
You have to read this one. A snip below,
I got tired of constantly hearing that generative music is the next Napster, so I wrote something with exactly that title for legendary @RuncieDan and @TrapitalMedia
trapital.co/2024/03/08/is-ge…
jessica powell retweeted
It’s true—our new issue, AQR Vol. 40 No. 1 & 2, Winter/Spring 2024, is here! 🌱 Featuring work from @xiankiefer, @JesseLKercheval, @YPPLaureate, @themoko, @ok_maksymchuk, @haharuffo, @saraelizaj, @CCitroPoet, @R_Turkewitz, and many more. Get your copy:
aqreview.org/aqr-issues/p/aq…
jessica powell retweeted
If we made a mixtape of our projects in 2023, I have to say it would sound pretty good 🪩@WeAreDeLaSoul, @Sia, @NinaSimoneMusic, @SZA – and that’s just our work with the music industry. Take a look at our 2023 highlights and hopes for 2024: audioshake.ai/post/2023-reca…
