Massachusetts chorus disc offers ideal introduction to Arvo Pärt theclassicalreview.com/2020/…
Live music returns to Washington, offering a preview of the new concert normal theclassicalreview.com/2020/…
Eighty-eight reasons to seek music online during the shutdown theclassicalreview.com/2020/…
What will the fall music season look like? Smaller, less epic and more soloistic—if it happens theclassicalreview.com/2020/…
Ten Recordings to get you through the shutdown (Part II) theclassicalreview.com/2020/…
Ten Recordings to get you through the shutdown (Part I) theclassicalreview.com/2020/…
Streaming links to get your music fix during the COVID-19 quarantine theclassicalreview.com/2020/…
Strong libretto, uneven music make “Marian’s Song” a mixed tribute to an opera pioneer theclassicalreview.com/2020/…
Composer Zwilich adds to her musical legacy with Cello Concerto premiere theclassicalreview.com/2020/…
Trifonov’s rare artistry illuminates Bach’s rarely heard “Art of Fugue” theclassicalreview.com/2020/…
Yuja rocks a full house in Chicago with keyboard fireworks and artistry theclassicalreview.com/2020/…
Bell’s Paganini stands out with Academy concert in Miami theclassicalreview.com/2020/…
George Crumb Festival closes with a varied feast theclassicalreview.com/2020/…
The lines hum in Telegraph Quartet’s crackling Chamber Music Houston set theclassicalreview.com/2020/…
Kentridge’s “Wozzeck” paints a militarized nightmare in Met premiere theclassicalreview.com/2019/…