Word-lover, walker. Manager Duff Cooper Prize, board member MPT mag & Knowledge Schools Foundation. Former dir. of Forward Arts Foundation. Views mine own.

London
Joined May 2009
Susannah Herbert retweeted
Some sanity at last from @edballs after a whole lot of nonsense from the PM and others . I don't know when it is exactly but happy Ed Balls day!
Ed Balls not holding back on Europe (podcast with George Osborne)
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Fascinating listen (esp. yr call to repeal Climate Change Act) but what did you make of @mgshanks attempt to reassure? a) polls support us b) everything we need is being built, folks.
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Strong recommend ... especially worth hearing for @Dieter_Helm truthbomb in last minutes...
My first documentary for Radio 4 is out this Sunday at 1.30pm bbc.co.uk/programmes/m0031h8… It unpicks what’s driving our electricity bills up and up, making energy intensive industry so uneconomic. Is it volatile gas? Or the less easy-to-see fixed costs we are piling on the system?
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Looking forward to hearing Hilary Cremin's response to this. And that of Cambridge's education dept ...
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Susannah Herbert retweeted
X - I need your urgent help. My new film 5 SOLDIERS is due to screen at Hereford Military Festival at The Courtyard on Sunday 27 September. It has been on sale since 7 May. I have just been told it has sold ZERO tickets. Zero. This is a film about soldiers’ bodies, training, injury, courage, fear, comradeship, trauma, recovery and service. It was made after years of working with soldiers, veterans and military families. It is not party political. It is humane, serious and, I believe, necessary. If we cannot sell tickets, the screening may not go ahead. So I am asking directly: please help me save this screening. Buy a ticket. Bring someone. Share this. Tag anyone in Hereford, the Armed Forces, veterans’ networks, military history circles, dance, film, culture or anyone who believes that art about soldiers still matters. Zero tickets is not normal. Let’s change that. Hereford, Sunday 27 September, 2.30pm. Booking link: courtyard.org.uk/events/5-so… Please RT and share!
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UK publishers! Nominate yr best non-fiction of 2026 for the 71st Pol Roger Duff Cooper Prize so our eminent judges - led by @artemis_cooper (below, with latest winner @TimPBouverie ) - can choose what to call in. The form is here: send it in soon 🍾📚🍾duffcooperprize.org/about/ho…
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Susannah Herbert retweeted
One for discerning book lovers everywhere. Volumes signed by Giorghiu-Dej, Honecker, Brezhnev, etc
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Top investigation into the phenomenon that is #DaleVince by @Grepsul
If there is one thing you need to know about Dale Vince, the renewable energy entrepreneur, it’s that he takes a very dim view of both capitalism and wealth accumulation. Now, The Telegraph takes an in-depth look at the finances of the Ecotricity boss and Labour donor ⬇️ telegraph.co.uk/news/2026/04… 📸: Jack Kenyon
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Susannah Herbert retweeted
My latest Business Adventure is on Kodak, the powerhouse that invented mass market photography and flourished for a century. Then in 1975, a young engineer created a fatal product, the digital camera. open.substack.com/pub/jonath…
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Graceful, witty & sobering speech at the 70th anniversary @PolRoger @DuffCooperPrize from the historian Tim Bouverie. I wish I had been there, but this little film makes me feel I was...(to be enjoyed with a glass of 🍾)
"We need more history, not less..." 2026 winner Tim Bouverie speaks at the award ceremony last night where he won this year's prize for Allies At War @NewCollegeOx @PolRogerEpernay @HeywoodHill @TimPBouverie
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Congratulations to 'brilliant young historian' @TimBouverie on winning the 70th #DuffCooperPrize for the fast-paced, wide-ranging & resonant Allies At War: The Politics of Defeating Hitler. duffcooperprize.org @PolRogerEpernay @NewCollegeOx
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Susannah Herbert retweeted
Keith the Apocalypse Bringer is a three-year-old Anglo-Nubian goat in a field in Devon. Keith should not be underestimated. Keith has been systematically dismantling the ecosystem since approximately 7am, when he ate a bramble. This is significant because bramble is an invasive scrub species that outcompetes wildflowers, reduces biodiversity, and creates dense monoculture thicket that nothing else can use. Keith ate it. Keith does this every day. Keith does not charge for this service. 8:15am - Keith ate a thistle. Thistles are also considered invasive scrub in managed pasture. Goldfinches eat thistle seeds, but Keith's grazing will ensure the pasture remains open enough for the ground-nesting birds that can't use dense scrub. Keith has not attended a conservation workshop. Keith arrived at this conclusion by being a goat. 9:00am - Keith dismantled a section of hedge. This was less helpful. Keith does not have a perfect record. 10:30am - Keith escaped the field. He was in the road for eleven minutes. He ate a neighbour's rose. This is not being counted in Keith's environmental impact assessment. 11:00am - Keith was returned to the field. Keith regarded the farmer with the specific expression of an animal that does not recognise the concept of property. 12:00pm - Keith ate more bramble. His digestive system: four stomachs, a rumen full of specialised microorganisms, the ability to extract nutrition from lignified plant matter that would defeat any other animal on this field, is converting scrub vegetation into milk with a fat content of approximately 4.5%. The milk will become cheese. The cheese will be sold at the farm shop. The farm shop is four miles away. The cheese food miles are: four. 3:00pm - Keith produced manure. The manure will grow the grass. The grass will grow the bramble. The bramble will be eaten by Keith. This system has no inputs. It has been running since goats were domesticated approximately ten thousand years ago. Keith is not aware he is saving the planet. Keith is thinking about whether the fence on the north side has a weak point. It does. Keith found it at 4:45pm. Keith got out again.
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Our judges highly recommend A Scandal in Königsberg by @Clarkstopher and congratulate its publisher @AllenLaneBooks on its shortlisting for the 70th @DuffCooperPrize duffcooperprize.org/portfoli…
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Shout out for @mrianleslie & the shortlisting of his captivating take on the relationship that powered the #Beatles John and Paul: A Love Story in Songs @FaberBooks duffcooperprize.org/portfoli…
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And three cheers for wilderness, as explored by #AdamWeymouth in his tremendous Lone Wolf: Walking the Faultlines of Europe @HutchHeinemann @CWAgencyUK duffcooperprize.org/portfoli…
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Read the great non-fiction authors on our 70th anniversary shortlist. Heartiest congrats to @TimPBouverie @Clarkstopher @mrianleslie #AdamWeymouth #RichardHolmes 🍾📚🍾
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Susannah Herbert retweeted
On the 7th of May, 1977, the poet Philip Larkin gave Monica Jones the book 'Thorburn's Mammals' for her 55th birthday. Inside the flyleaf, he wrote: 'The little lives of earth and form, Of finding food, and keeping warm, Are not like ours, and yet A kinship lingers nonetheless: We hanker for the homeliness Of den, and hole, and set. And this identity we feel - Perhaps not right, perhaps not real - Will link us constantly; I see the rock, the clay, the chalk, The flattened grass, the swaying stalk, And it is you I see.' The poem was not published in his lifetime, but it was offered by Monica to Anthony Thwaite for the first edition of Collected Poems in 1988. Since then, it has become one of Larkin's best loved poems. Larkin usually worked over his poems for weeks and months, but just a single draft of this one exists, dated 6 May 1977 (the day before Monica's birthday), inserted as a loose sheet into the back of one of his workbooks. There are just a few minor differences to the final text. (Reference Burnett, 2014). Archibald Thorburn was an artist who specialised in paintings of wildlife. His 'Thorburn's Mammals', originally published in two volumes in 1920 and 1921, contains fifty colour prints depicting almost all the species of mammals in the British Isles. The 1974 reissue has an introduction by David Attenborough. And here are two geese, two hares, a rabbit and a mouse at the feet of St Francis, a detail of glass by Powell & Sons, 1920 at Aldborough, Norfolk. A partridge looks in from the top. Little lives.
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