@strangeslate

From the gods who sit in grandeur grace comes somehow violent

Below the Palace of Minos
Joined October 2025
William Blake, peace be upon him
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A> The Odyssey is in the mind. Period. End of story. B> How do you know? A> Homer used a special subset of noun-symbols that bards have always used to speak to other bards in deep time for the purposes of transcending the degradation of normal language. This was enough proof for me. But then I found out Homer ran his story in parallel to the Epic of Gilgamesh in the exact same manner that Shakespeare did with his source texts like Ovid so that they juxtaposition can hold on to another layer of meaning, often esoteric. B>Sounds intriguing, or even intriguing by its own internal logic, but I've read many commentaries on Homer and have never seen this. A> It doesn't exist in modernity because we come at the texts in a way that the original bards did not intend or by which they specifically barred access. Several semi-modern bards have signaled that they know of this interpretation, the most direct of which was James Joyce. But the few in modernity who know, Chaucer, Dante, Shakespeare, Milton, Tennyson, Melville, Hemingway, choose to use the symbols themselves rather than use them to decipher old texts for those who don't know how. B> Are you going to write a book about this? A> No. There's no audience for it. It's a miracle works of this erudition even see the light of day. There's not even a market for basic Old Man and the Sea analysis, for example, let alone analysis for people who have read it more than twenty times. I've read it fifty times. I plan on tweeting about it. And all my tweets are public domain. The old man and the sea is also called Proteus. He sits in the middle of the ocean by himself, and if you want to ask him questions you can.
Holy moly I deduced this interpretation of the odyssey by translating the interpochal symbolism without knowing it had a parallel construction in the epic of gilgamesh. 11/10 excited right now.
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Strange Slate retweeted
Theology must be reinstated as queen of the sciences
Replying to @iamjustapeater
C.S. Lewis, Abolition of Man
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Carl Jung talked about this.
The best thing I ever did was reclaim the enthusiasm and energy I had as a kid and now people think I do cocaine
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"The earth womb is the perilous land of the dead through which the deceased must pass, either to be judged and arrive at a chthonic realm, or to pass through to a new and higher existence." — Erich Neumann #MythologyMonday
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Thus the cynical view of the premodern shared by the vast majority of historians is in fact naïveté. The only non-naive approach is taken by historians who read eg Ancient Greek history as if the gods etc were real. (For Schelling there was a sense in which they were real.)
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A pumpkin lit from inside is an image of life persisting through winter and through death. #FairyTaleTuesday
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Dawn, with her rosy-colored fingers, was a young, beautiful, and predatory seductress, according to ML West. Just as the dawn sun stirs up the winds and therefore the waters, she is a source of turbulence in the waters, the waters being a symbol of mind. Her fingers the red sunrise jostling the water surface.
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SERPENTS & DEMETER (Gaia?) Serpent was sacred to her, winged Drakones drew her chariot, and the serpent Kykhreides was counted among her attendants. Skaði likewise embodies a darker, avenging aspect: she places a venomous serpent above Loki, whose agony makes the Earth QUAKE.
Replying to @gegenprxss
In Arcadia, Demeter appears as Erinys: and as Black Demeter; At Phigalia, Pausanias describes Demeter Melaina; Black Demeter. Her image stood in a cave and was depicted w a horse’s head and mane, while serpents and other animals grew from her head... Black. Chthonic. Serpentine
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“To the crowd this matter is vile, exceedingly contemptible and odious, but to the philosophers it is more precious than gems or gold.” - Arthur Edward Waite, Appendix III: “A Short Lexicon of Alchemy” in The Hermetic and Alchemical Writings of Paracelsus (1894)
Replying to @angelaramblings
Esoterism was a very common norm in ancient christianity
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"Werewolves" The most studied ancient Roman festival is the Lupercalia, for reasons that will become clear. By the late Republic, the festival was understood as a purification ritual for the protection of the city of Rome, but certain aspects give it the flavor of an initiation instead. The priesthood, the Luperci, which conducted the Lupercalia, was composed of two colleges from two patricians gens, the Quinctia & the Fabia. They met in a grotto supposed to be the place where the she-wolf suckled Romulus & Remus, sacrificed a goat & a dog, used the sacrificial blade to wipe blood on two Luperci, & then cleaned them with wool soaked in milk. The Luperci then laughed. The Luperci made strips from the goat's hide, & ran around the perimeter of the Palatine hill nearly naked, with wolfskins on (the Augustan reforms may have added loincloths), whipping women with the goatskin thongs, returning to the grotto after their circuit run was complete. The antiquarian Varro wrote that the Luperci's run traced the boundary of the antiquum oppidum Palatinum, when the city of Rome itself was confined to just the Palatine Hill. The Palatine was occupied by clusters of huts from the early Iron Age in the late 10th & 9th centuries BC, & so were other hills in what would become Rome—the Capitoline, Esquiline, etc. Some archaeologists see a proto-urban center forming across these villages already, but some date a recognizable Palatine 'town' to the 8th c. In 1988, Andrea Carandini discovered a clay-&-timber wall built on virgin soil on the north slope of the Palatine dating to the early 8th century, around the time of Rome's legendary foundation in 753 BC. It's unclear what the function of the wall was—the remains are just ankle-high—& it could be something as simple as a terrace, not a defensive or ceremonial boundary. The other really archaic aspect of the ritual is the dog sacrifice, an uncanny echo of the Bronze Age steppe wolf & dog sacrifices discovered by David Anthony at Krasnosamarskoe on the Russian steppe. Anthony didn't hesitate to describe the midwinter dog sacrifice as an 'initiation'—the canines were butchered & eaten in a way that differed materially from the normal diets & cooking of the broader culture. Even in ancient Rome, the ritual actions of the Lupercalia seemed intended to deliberately contrast with the taboos & regulations surrounding the flamen Dialis or priest of Jupiter (who couldn't touch dogs, appear naked, etc). In that context, the Lupercalia resembles a remembrance of the founding of Rome by a Männerbünde-wolfpack, youths who took on the aspect of the wolf to run free, outside the city, & take brides & cattle. More recent scholars have read the Lupercalia alongside similar Vedic rituals. But does that make sense for an 8th c BC founding of the city? Were Indo-European wolfpack warbands really running around Latium like that? The steppe genes associated with the Latins arrived in central Italy in roughly 1,700 to 1,600 BC, 800 years before. What's odd is that the Etruscans (speaking a non-IE language) have about the same steppe ancestry as the Latins, & are descended from the same material culture complex, the proto-Villanovan. It's almost as if IE speakers & steppe gene carriers came into Italy, merged with the population, Etruscans kept their old language, but the Latins didn't. & of course the linguistic evidence only dates from later--inscriptions from the 7th & 6th centuries. To further complicate things, let's remember the basic aristocratic paradigm from Costin Alamariu's _Selective Breeding & the Birth of Philosophy_: a savvy, cruel race of nomadic pastoralists conquers a community of sedentary agriculturalists & installs themselves as aristocrats, understanding the power of their own breeding & blood through an analogy to the livestock they rear. The 'laws of nature' embodied by the aristocrats stand in contrast to the mores, nomos, & wisdom of the elders that govern the farmers. Alamariu argues that the Greeks invented philosophy as a way to encode & defend the traditional aristocratic teachings about nature in a democratic age. So how are we to understand the Roman patriciate--which according to Fustel de Coulanges was defined by its monopoly of priesthoods in certain state cults? According to Coulanges, the patricians were the men descended from the ancestor who had founded the cult. They alone had the right to recite the prayers & touch the sacred objects, & that right passed in the blood. A plebeian, on his account, was not a poorer citizen, but just a man outside the religion of the family & outside the religion of the city, without sacra & forbidden the rites. The 'elders', the 'fathers' who held a monopoly over access to the gods, seem more like the oppressive, suffocating voice of the ancestors than the disruptive warband, & so the Lupercalia encodes a transition rather than just a memory of a founding—perhaps a change from anarchic warrior to pious priest. The Lupercalia then as a kind of ritual containment, a frozen commemoration, frieze-like, of a nearly forgotten style of manhood, seems to bridge this contradiction. Maybe it's even a warning about the dangerous of such unbridled, overweening spirit. One of the great legends of the Fabii (one of the two gens permitted to celebrate Lupercalia) suggests we could be on the right track here. Livy tells the story about how after seven successive consulships, the Fabii wanted to take over full responsibility for defending Rome against the Veientes, but were lured into a trap chasing cattle across fields, & were nearly destroyed at the Battle of the Cremera in 477 BC... 306 Fabii died, & a single Fabius lived to tell the tale... that anecdote seems to be a warning about vestigial aristocratic impulses to take over the state, monopolize warmaking, & form clannish berserker warbands rather than disciplined armies of the Roman state. In other words, some of the most powerful rituals & myths of early Rome seem to be more about suppressing aristocratic vitality rather than leveraging it... the Roman state wanted masses of disciplined farmer-soldiers, not recklessly exuberant & superhumanly brilliant aristocrats... & I think we will have to look elsewhere than even the founding of Rome for the terrible wolfpack.
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There's a striking similarity between Nietzsche's cosmology of Will-to-Power and Aztec philosophy. Basically Aztec philosophy is a kind of process philosophy where everything is just differing intensities of a power or energy called teotl; an agonistic pantheism where things cyclically coalesce on the basis of the constant push-and-pull of said agonisic energy. Everything feeds on everything else.
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Theology without devotion is merely trivia.
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I am all that has been and is and shall be; and no mortal has ever lifted my garment.
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Philosophical and theological interest, reading, writing, posting - all of this is vain and worthless if it is not accompanied by a spirit of devotion and a habit of prayer.
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"Every noble crown is, and on Earth will forever be, a crown of thorns." Thomas Carlyle
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Allegory is monovalent. Symbols, however, are polyvalent, and always contain in them a rather mysterious ambiguity that is owed to their “weird-boundedness”—they reveal deeper structures of the world to be explored, like a nested labyrinth of noetic associations with your intuition as the only thread.
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The conflation of "reason" (dianoia, discursive) and "intellect" (nous, contuition) from early modern philosophy onwards snowballed hard into a grand trainwreck. The ramifications of denying that mind operates no higher than propositional knowledge is disastrous.
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Traditional stone granaries in the village of Soajo, Portugal. 17th-18th century
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Four paintings by Jean Delville (1867-1953), one of the greatest esoteric painters and a major figure of Belgian Symbolism. The first, La Mort d’Orphée (The Death of Orpheus), is particularly remarkable:
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