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I'm back! - my 6th company JUMP//CUT begins - an AI Film Studio making franchise episodic films for television.
stevenewcomb.substack.com/p/…
A hard truth that I’ve realized while tying to make Shepard’s Tone, I do daily “audience” tests per scene and it’s amazing how just a little glitch or inconsistency can make a scene unsellable to an audience. You must have the re-roll, in-fill, or fix it in post commitment to nail a scene. Here are my top 10 that I worry about most:
Fantastic work by @RuairiRobinson. I’ve been battling Runway Gen3 on a couple of scenes that just aren’t working. Hoping Veo generates better results.
That feeling you get when you are about to roll your first test on a new AI film platform. Thanks @motionphi for a great video.
For those that would like to see the output of my new AI film workflow and tech stack you can sign up for early access at Shepardstone.com
Today I'm announcing that I'm starting a new journey as an AI filmmaker and I'm relaunching this space as a hub for exploring AI-driven filmmaking. Follow along as I share insights, tools, and projects shaping the future of cinema.
In the era of AI, where the US currently attempts to limit access to computing power, likening freedom of compute to freedom of speech will become an important debate.


