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Scooter really thought he can cripple Taylor’s career by getting hold of her old masters, but it only allowed Taylor to reintroduce her iconic catalog to the newer generation and expand her audience larger than ever.
No one wins against Taylor Swift. NO ONE.
Artists who write great lyrics, in a way, will always be superior to those who don’t. They form a much deeper connection to their audience and that’s why they have the most loyal fanbase and unmatched longevity other artists can only dream of.
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1989 didn’t just break records, it changed the course of pop music.
It led to the rebirth of poptimism, played a key role in the growing trend of 80s sound today, became the most awarded pop album ever, and is regarded as one of the most successful crossover albums of all time.
I hope Swifties realize that the re-recordings are NOT an opportunity for them to attribute every lyric of these albums to her exes.
The whole point of this project is slowly being overshadowed (as we've seen in RED TV) because a lot of you won’t stop mentioning them for clout.
Taylor’s rollout for folklore & evermore is a product of pandemic. They are thematically and marketed as sister albums, while Sweetener and TUN are not.
Taylor won the AOTY. The other lost most of its nominations to an 18-year-old. They are nothing alike.
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it's hilarious how adele fans always come for taylor lately when their fave is one of the biggest swifties out there
She flawlessly crossed three genres, sought to fight for artists rights throughout her career, became the best-selling artist from from this century, changed the pop music landscape forever, and continuously bend the industry to her will to this day.
Happy 32nd birthday, Taylor.
Taylor’s longevity game is so strong that she’s still up there on top of charts along with the next-gen artist she directly inspired. Insane.
JAMES retweeted
.@theweeknd’s "Blinding Lights" has officially been crowned the #1 biggest Hot 100 hit in @billboard chart history.
Getting a song debut to #1 *along* with its album is hard since the former tends to be overshadowed. But Taylor did it THREE times, with the latest being a 10-minute song from a re-recorded 2012 album.
She doesn't just break records. She rewrites and invents a new set of them.
There were NO five versions, and almost every artist out there released multiple remixes of their song but ONLY Taylor Swift managed to make a 10-minute song go #1 with very low airplay. She can be as surprised as she wants. CRY.
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folklore (surprise drop) & RED tv (rerecording) pulling such historic debut streams prove that Taylor Swift is the new streaming supreme, the sooner stan twitter accepts this the better and there will be no need for them to token stan other artists.
Taylor Swift hops on genres like a pro and is busy winning AOTY in EACH of them, all while consistently raking both critical acclaim and commercial success for over 15 years.
I agree, do not compare her to other current artists. She’s in her own league.
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‘All Too Well’ is currently a strong frontrunner for a #1 debut on Billboard Hot 100 setting new all-time chart records, but we need to secure more sales — RT & REPLY ‘BUY ALL TOO WELL’.
Spotify Global Streams
folklore
Day 1: 80,594,418
Day 2: 54,753,477 (-32.06%)
Fearless TV
Day 1: 50,831,769
Day 2: 31,631,383 (-37.77%)
#RedTaylorsVersion
Day 1: 90,634,046
Day 2: 64,035,277 (-29.34%)
RED TV’s stability is great, esp for a re-recording. Keep on streaming.
Put ‘All Too Well (Ten-minute version)’ on Today's Top Hits @taylorswift13 @treepaine @RepublicRecords @Spotify!
















