
25 | Filmmaker, Writer, Composer, Madman | Creator of @365Infantry & WILD EYE ARCHIVE | Handyman for @AnvilMagazine & @GoWestMagazine
Connecticut, USA
Joined May 2017
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🚨 ONLY ON BANDCAMP! 🚨
My DEBUT ALBUM is up for preorder! THROUGH FIRES FORGED is my unique spin on dungeon-synth, melding my love of Vangelis, my work in the world of sword-and-sorcery & my symphonic stylings into an adventure like no other! ORDER NOW!
jacobcalta.bandcamp.com/albu…
Jacob Calta retweeted
Born 100 years ago on this day (October 18, 1926) Happy Birthday to actor Klaus Kinski; creepy is an understatement. Equally renowned for his intense performance style and notoriously eccentric and volatile personality off-screen and on; especially in the 1979 Nosferatu remake.
I genuinely think this and TARGETS are the best things Boris Karloff did in his late career. TARGETS afforded him one last great dramatic role, while MAD MONSTER PARTY? let him out to play in that sweet, buoyant style of performance Rankin/Bass brought out of Golden Age talent.
Hey Halloweenies & monster kids! 🎃
Rankin/Bass’s Mad Monster Party? (1967) is absolute peak seasonal perfection—the ultimate stop-motion monster mash that still hits harder than most modern Halloween fare. While the studio is forever linked to Christmas, this one was built for October: a full-on gathering of the classic monsters on the Isle of Evil, with that cheeky, winking, Famous Monsters energy.
The opening sequence is solid gold. Over the credits you get that Bond-style theme “Mad Monster Party,” written by composer Maury Laws (music) and Jules Bass (lyrics), and belted out by jazz singer Ethel Ennis channeling Shirley Bassey at full volume. It’s sultry, dramatic, and instantly sets the “this is going to be a party” tone while the Animagic puppets do their thing.
The whole film was brought to life with Rankin/Bass’s signature Animagic stop-motion process, supervised by Tadahito Mochinaga and the crew at MOM Productions in Tokyo. Character designs came from MAD Magazine/Tales from the Crypt legend Jack Davis (those big heads, expressive faces, and slightly exaggerated monster looks are classic Davis), with storyboards/continuity by Don Duga. Directed by Jules Bass, produced by Arthur Rankin Jr., and featuring Boris Karloff as Baron Boris von Frankenstein (with Allen Swift doing most of the other monster voices, plus Phyllis Diller as the Monster’s Mate and Gale Garnett as Francesca).
It’s the kind of film that feels like it was made by people who actually loved the Universal monsters and wanted to throw them a wild party. Perfect companion viewing when you want something fun, musical, and full of practical stop-motion charm instead of another straight horror marathon.
Who else grew up rewatching this one (or discovering it later and immediately putting it on the annual rotation)? Drop your favorite Rankin/Bass monster moment or song below. 🍂🍫
Stay spooky.
— Cap’n Retrovania
#MadMonsterParty #RetroHorror
#StopMotionAnimation
🚨 NEW EPISODE! 🚨
New York jazz clubs, an anxious Chicago stage, and a tour of America and Europe. All powered by the World Wide Web. All that and more on WILD EYE ARCHIVE!
youtube.com/watch?v=bII3Pu5V…
Jacob Calta retweeted
Jacob Calta retweeted
Born 100 years ago on this day (October 17, 1926) Happy Birthday to film and television ingenue Julie Adams. Next to Bend of the River, no one (especially the Gillman) will soon forget her lovely iconic bikini clad scream queen image in Creature from the Black Lagoon.
Jacob Calta retweeted
"Neons, nighttime and wet down streets" is the Konami code for cool.
Jacob Calta retweeted
Doc Savage absolutely deserves to be adapted into an animation at least once. It’s such a shame that the animation project by Format Films—the studio behind the 1966 animated The Lone Ranger—fell through.
thepulp.net/pulp-links/doc-o…
Replying to @ToonHive @AnimationOnMax
Indeed this is great news. If successful, this could bring a revival to pulp comics/fiction old and new. Because there is definitely alot of material to make into cool animated series.
Jacob Calta retweeted
“He asked me out to the feedbag and tells me I eat like a horse." #GallopinGals won’t go down with the PC crowd, but MGM’s animation is still gorgeous; #Ultraforce shouldn't be forgotten, Prime had potential; #YoungJustice really brought the best of ‘90s DC to animated life.
Jacob Calta retweeted
#SaturdayMorningCartoons today:
#GallopinGals: these gossipy fillies ain’t no ladies.
#ArabianKnights: Bakar blames the Knights for the gold heist he pulled.
#Ultraforce: Anybody remember Malibu Comics?
#YoungJustice: DC’s sidekicks strike out on their own to show up the JL.
I get the best of both worlds by bumping early Soundgarden and Alice in Chains lol. "Hunted Down" and "Man in a Box" still shred. If you knew where to look, early 90s must've been a wild time having all of these on store shelves at once.



































































