Susan Potter (@specksofthings) header
Susan Potter (@specksofthings) profile picture

early cinema | history of sexuality | queer theory | documentary theory & practice | occasional tweeter 🚵‍♂️🐕

Gadigal Land, Sydney
Joined October 2011
Photo by Susan Potter (@specksofthings)Photo by Susan Potter (@specksofthings)Photo by Susan Potter (@specksofthings)Photo by Susan Potter (@specksofthings)Photo by Susan Potter (@specksofthings)Photo by Susan Potter (@specksofthings)Photo by Susan Potter (@specksofthings)Photo by Susan Potter (@specksofthings)Photo by Susan Potter (@specksofthings)
Wow, my book is the recipient of this year's @pcaaca John Leo & Dana Heller Award, for scholarship that makes a significant contribution to studies in the understanding and representation of LGBTQ people in popular culture. 🙏 @ArtSS_Sydney
QUEER TIMING: THE EMERGENCE OF LESBIAN SEXUALITY IN EARLY CINEMA by @specksofthings is this year’s winner of the @pcaaca 's John Leo & Dana Heller Award. Congratulations Susan! tinyurl.com/yxqt4h9k
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Susan Potter retweeted
With Goddess season in full bloom at @ACMI, I wrote about The Love Witch, by the incomparable @missannabiller, and the occult origins of glamour 💅✨ acmi.net.au/stories-and-idea…
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"'I decided a painter named "Cézanne" would be my mascot; I would assume Cézanne was unquestionably a woman.'" Quoted in Patrícia Mourão de Andrade, "Schneemann’s Doubt" from Framework 61.2, available from @wsupress.⁠ ⁠ Carolee Schneemann: Newspaper Event (1963)⁠
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"Excess and Ethics: The Queering of Fascism from Luchino Visconti to Ivo van Hove" by @JuliaSirmons, in Framework 61.1, available from @wsupress or on FrameworkNow.com.⁠ ⁠ Still from The Damned (Luchino Visconti, 1969) ⁠ #visconti #excess #thedamned
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We're excited to announce that the groundbreaking television series Tangata Whenua (1974) will be available to watch online in time for Matariki. Newly digitised and preserved by Ngā Taonga, all episodes can be viewed on TVNZ+ from midday today. 📷 Eva Rickard & Herepo Rongo.
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Thoroughly enjoyed presenting JOSEPHINE BAKER'S CINEMATIC PRISM in Paris, France May 30, 2023 re: Baker as film pioneer, a revelatory, risky figure of early 20th century cinema ENDURING BLACKNESS: A Decade of Black Portraiture[s]: Paris 2013 –2023 youtu.be/pWpUDrzUMNQ
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Replying to @alixbeeston
So sorry to hear this. Take care and as someone else has said don't go back until you're well and ready.
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Susan Potter retweeted
This program’s got the whole town talkin’!
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Replying to @bicycleuser
I'm really sorry to hear this. I have lots of thoughts but too many (and possibly garbled) for a tweet or thread right now. It's hard when its impacting different institutions and people in different ways.
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Special issue of Early Popular Visual Culture on marginalised spectatorship (1910s to 1930s) is finally out! Including articles by Caroline Damiens, Karina Pryt, @aladyofchance, @PDabashi, @ProfessorMorton, and my own @HoMER_Network tandfonline.com/toc/repv20/2…
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Susan Potter retweeted
The series I spent nearly two years sweating over as series producer – with legend director @LarissaBehrendt – hits screens tomorrow! The First Inventors tells the 65,000+ year story of science, ingenuity and invention here in Australia. Starts Thurs 830pm AET on NITV and Ten
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BREAKING: The Queensland parliament has just passed new laws that remove cruel barriers to updating birth certificates! This a momentous day for trans and gender diverse people in the Sunshine State and follows many years of advocacy. We share your joy and celebrate your win 🏳️‍⚧️ – at Brisbane, Queensland
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Submit to Framework: digitalcommons.wayne.edu/fra… Framework is also seeking reviewers for films, film festivals, books, and conferences. Send your CV and two examples of your relevant work in the field to editors@frameworknow.com to be considered ✏️
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Are you a #cultural or #digital #heritage expert? In partnership with @CHCInetwork we are offering funding for international and local scholars to attend @Icomos_GA2023 in #Sydney this year! Applications due 21 June 👉tinyurl.com/y2pdd683
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RIP Fassbinder Superstar Margit Carstensen, dead at 83. She was a German theatre and film actress best known outside Germany for roles in the works of film director Rainer Werner Fassbinder, most famously in the lesbian melodrama "The Bitter Tears of Petra Von Kant" (1972)
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DYING for you all to see this absolute beauty!
See our new commission at the movies with us –– for the full cinematic experience (!) – before we screen it on our platform. Launch screenings in June and July for UK auteur Peter Strickland's BLANK NARCISSUS in Sydney, Melb and Bris! WOAHHH! youaretheprototype.art/event…
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Belatedly reading Cáel M. Keegan's chapter "Mirror Scene: Transgender Aesthetics in The Matrix and Boys Don’t Cry" in The Oxford Handbook of Queer Cinema - wow, what stunning work.
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Susan Potter retweeted
Delighted to award Australian media icon, Margaret Pomeranz, a Doctor of Letters at @Sydney_Uni for her passionate support of the Australian film and arts industry – congratulations Margaret! sydney.edu.au/news-opinion/n…
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