“Sometimes when we see dinosaurs represented on screen they can look a bit too perfect and groomed,” explains ILM supervising art director Jason Horley about The End of Oak Street, “so it was nice this time to be able to try varying levels of grime and dirt just as you would see on any wild animal.” Horley and his colleagues from our London, San Francisco, and Vancouver studios discuss their concept art from Oak Street in our latest article on ILM.com. Read here: ilm.com/inside-the-ilm-art-d…