@setlisting

Browse and add setlists for your favorite artists and see your concert history. Support on Patreon: https://nitter.cf/t.co/jbJPXfPNr7

Joined March 2009
Setlisting agrees.
“I know a lot of people that don’t agree with me that [“No Rain”] is a great song and a good video, and they can all go to hell— because I think it’s great. Shannon, the singer, is a good friend of mine.” Layne Staley October 28, 1993
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The best albums released in 1992
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Setlisting retweeted
American singer Dave Matthews raises signs calling for an end to the “genocide” and the “killing of children” in Gaza during a Dave Matthews Band performance.
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Setlisting retweeted
Nothing is better than discovering a band you never heard of and realizing you like all their music. It’s like finding lost treasure.
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For those Pearl Jam haters: suck on this incredible rendition of The Star Spangled Banner by Mike McReady from the NFL pregame between Seattle and New England.
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“Ten” by Pearl Jam was released 35 years ago today.
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MTV’s Unplugged series was a real test for the musicians of that era. Sure, you sound huge wired up to stacks of amps with distortion and effects stacked on top of each other. But can you do it in a small room, up close to the audience, without all the gear to hide behind? Stripped naked of the electricity. Just the songs, the voices, and whatever you could pull out of an acoustic guitar and bongos. The Stone Temple Pilots walked into that room in 1993 and passed the test. Scott Weiland sat in a rocking chair like he owned the place. No theatrics, no wall of sound to lean on. Just the band and the material. “Plush,” “Creep,” “Wicked Garden,” and the first public airing of “Big Empty.” It held up. The songs didn’t need the volume to work. That was the point of the whole series. Some bands just got quieter. The ones that mattered found a different kind of power when everything else was taken away. “Plush” STP
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Pearl Jam in 1991 a few days before Ten is released
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Michael Stipe has repeatedly singled out “Country Feedback” as one of his favourite R.E.M. songs, and on this night it gained another extraordinary voice. Neil Young joined the band at the Shoreline Amphitheatre in 1998, adding an extended guitar solo that pushes the song far beyond the restraint of its studio recording. Originally released on Out of Time, the track was built around heartbreak, regret and emotional collapse rather than a conventional chorus. As Young stretches the final section into a roaring wall of sound, the performance becomes less like a guest appearance and more like two generations meeting inside the same song.
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This was absolutely incredible. Eddie Vedder with Markéta Irglová at Glen Hansard’s funeral.
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I can imagine Glen's amazement and bemusement if he could see this
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Absolutely brilliant, In her own recognisable style and quite possibly better than the original.
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Olivia Vedder, daughter of Pearl Jam frontman Eddie Vedder, called Glen Hansard "an uncle, collaborator, friend, bonus dad, and favorite singer" in a tribute post.
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A fan was bullying a woman in the crowd and Iron Maiden's lead vocalist Bruce Dickinson stopped the whole show to kick him out.
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This week, we're celebrating 30 years since the release of our Unplugged album. Join us as we look back on one of the most memorable performances in our history.
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"Painkiller" is one of the hardest songs in metal to play and an almost impossible one to sing. Here it is at a park festival in Japan, in daylight, next to a road sign, with the bass player in shorts. They absolutely go for it.
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stadiumvagabond - Eddie Vedder! instagram.com/p/DaeTV3yRXhL/
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Few songs captured the intensity of early Smashing Pumpkins quite like "Geek U.S.A.". Performed at Rock am Ring in 1994, the track came from Siamese Dream, an album created during a notoriously difficult recording process that placed enormous pressure on the band and particularly Billy Corgan.
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Never seen this before - Neil Young in rehearsals for the Bob Dylan 30th Anniversary Celebration doing "Forever Young" solo on pump organ and harmonica. Wow! (When the camera zooms out at the end you can see a young Eddie Vedder looking on)
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Club music rarely translated this well to television. Performed on Later... with Jools Holland in 1997, “Insomnia” showcased the track that helped turn Faithless into one of the defining dance acts of the decade. Later included on the album Reverence, its mix of driving beats and Maxi Jazz’s spoken word delivery made it a global anthem.
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