i watched satantango in the *cinema*

jeanne moreau was directed by malle, antonioni, duras, fassbinder, truffaut, buñuel, welles, richardson, godard, demy, renoir, wenders & herself. she was one of the absolute greats. nobody walks as good on film as jeanne. <3

barbara hammer’s "exit interview" is a poignant, crushing read. she's one of the first filmmakers to receive acclaim for her work made as a lesbian, often (mostly) about lesbians. radical, pioneering, brilliant barbara. newyorker.com/culture/the-ne…

is anybody working on an english language translation of chantal akerman's ma mère rit? #chantalakerman

#bfiKR luxuriating in kelly reichardt symposium. (or reich💛as coined by @tr0ublemayer)

when the credits roll on a thoughtful, moving film, i don't get how some people can just start chatting shit about what they ate for dinner.

listening to so many papers on chantal Akerman this weekend has been a real privilege/joy. thank you @UniWestminster & @a_nos_amours 💛

leg arm head screens w/ daisies (vera chytilova!) tonight as part of the #directedbywomen strand of @Scalarama screeningfilm.com/events/dai…

scenes from a divorce.

agnès varda, chantal akerman, anna karina and susan sontag went skinny dipping together in the val d’aosta mountains...

"i applied me imagination to me observation" - queen of salford, shelagh delaney. (youtube.com/watch?v=SM22loR5…)

the pleasing sound of a can rolling along the street against a backdrop of lovely colour = a joyous moment of cinema

4-4. ⚽️🔥💪🏼👏🏼😴

"they were my lovers, those women, but nobody had taught us to swim."

"the warm soup is tempting, but i know i must choose from now on to eat the soup, or to film the soup."

doing some late night lunges in preparation for @a_nos_amours's screening of sátántangó tomorrow.

"kirsten dunst was unable to locate an email that gives advice." wethinkalone.com