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Releasing a first look at LEGEND’s next entry, created entirely with @Kling_ai native 4K output and images with @LumaLabsAI Agents. The universe is getting bigger and the tools to explore it are getting better everyday. Very excited for this brave new world 🚀.
Meet Nano Banana 2.1, our latest image generation and editing model 🍌
This upgraded version outperforms our previous models across the board, with notable leaps in visual design, mask-based editing, and subject consistency to help you create more natural-looking images.
Keeping your own voice when AI is in the room
Following the Magnific Original premiere
A fireside chat between Ryan Patterson with Javi Lopez
And an all women panel with Lianne Baron, Dorothy Pang, Tiffani Lee Joseph and Jasmine El Kurd
Live from Magnific
Ryan Patterson retweeted
TALES OF GRIMWICKE — Chapter I is 22 minutes of AI fantasy animation inspired by the many anthropomorphic animal stories I read as a kid, with a dark twist:
The model: Seedance 2.5 (@ByteDanceSeed_ ) via @Segmind_ai. 847 takes generated, mostly 30-second multi-shot prompts, over 5 hours of footage. 127 clips made the cut. About $4.5k in generation, four weeks from first take to publish.
Characters and locations came out of @midjourney. Using MJ for the location plates was a revelation: the cinematography and art direction are a level above, and it renders far better as a plate than Nano Banana or GPT Image. Nano Banana (@GoogleDeepMind run on @fal) did the heavy lifting editing those plates, building anchor frames and turning MJ characters into turnaround sheets. Then I let Seedance do as much of the framing and camera operating as possible. That gave the best results.
A lot of what I do in my Unreal Engine films came with me: a handheld, imperfect camera operator instead of smooth moves, focus hunting, and above all weather and atmospherics. The model does water, snow, smoke and rain really well, and leaning into that is what keeps it from looking like a Temu Pixar film.
The tools I built: a portal (Node on @flydotio) that holds the bible, the refs, every prompt and every take, with a Claude agent (@claudeai) that writes the prompts to the house rules. A Premiere Pro (@AdobeVideo) panel that browses the archive, drops selects on the timeline, versions the project, strips music, and sends fixes back to Seedance. Everything is done in 720p with no upscaling, because it looks terrible. Narration is my own voice through @ElevenLabs speech-to-speech. Music from @Artlist_io.
None of this would exist without @PJaccetturo and @Kavanthekid. Their narrative work, Nexus and Chronicles of Bone, proved long-form AI film was possible, and their podcasts, newsletters and X posts, updated constantly as the workflow changes under everyone's feet, showed how to actually do it.
Chapter II is currently in the works and I will release it initially on my YouTube channel, The Darkest Age (@CharlieDriscollAI). Consider subscribing there to see it as soon as it drops!
Ryan Patterson retweeted
Thank you @capcutapp !!! It was amazing!!! Here with @javilopen, @ryanwpatterson and @JustinHackney33 🤩
Ryan Patterson retweeted
The new trailer for Mike Flanagan's ‘CARRIE’ series has been released.
Releasing October 7 on Prime Video.
Ryan Patterson retweeted
“The Miracle” Premieres Now:
I gave this film everything I had. Pushed myself creatively and technically, experimented a ton with new tools + models and at times got stuck, started over and wondered if I could pull it off. Excited + nervous to finally share it with you. Enjoy!
As someone who works with @magnific’s tools everyday, I’m very excited to be a part of this Magnific Originals world premiere from @javilopen at TIFF this year 🎬
🤖 Made with AI
Sneak peek of Legend Part II ⚔️. Made with @LumaLabsAI agents and Seedance 2.5 via @runwayml and @dreamina_ai
Ryan Patterson retweeted
Are you going to the Toronto International Film Festival?
Please leave me a comment. I have something for you… There's a... premiere... I'd love to invite you to.
I can't share the link publicly, but if you're really coming, I can send you an invitation!
Ryan Patterson retweeted
📢 Big release: New video model 🚀
Introducing Hyperion 2.5: convert 8-bit AI video into true HDR - ProRes 10-bit, EXR 16-bit, H.265 10-bit. AI footage can finally sit alongside live action in professional and VFX pipelines. Available now in Astra, coming soon to Topaz Video
An unlikely artist shares the beauty of the ocean with an unsuspecting fisherman 🧜🏼♀️
Our entry for the #RunwayBigAdContest @runwayml
Ryan Patterson retweeted
Higgsfield just sent out a new Terms and Conditions & Privacy Policy Agreement. I know most people just sign off on those without ever looking-- but, here's some stuff you should know.
Read to the bottom before you "Bro" me.
Ryan Patterson retweeted
🚨So excited to support @Gossip_Goblin announcing in @Variety @IndieWire @Forbes @DEADLINE 🚨
AI FEATURE FILM HEADING TO CINEMAS OCTOBER 30
Comment "Gods" for a peek
It's a crazy longshot experiment from genius filmmaker: an AI film for a ticket buying public in cinemas...🧵
Ryan Patterson retweeted
NIGHTBORNE is the first full test AI film I have made. It was made using Seedance 2.0.
I've been experimenting with AI for a couple of years, and it's now at the point where I want to tackle a full feature in this format. This is a 13-minute test start.
It was made with real concept artists, and features the faces and voices of 32 real people.
Barley Studios will be my new AI studio for creating my own films, the way Oats Studios was for traditional film and VFX. @Barleystudiosai
Full film in the reply.
George Lucas says AI makes it "much easier for us to make movies" and "there’s nothing you can do about it. That’s progress, it’s the future.”
“Artificial intelligence means it’s much easier for us to make movies. It’s very much like sitting here saying, ‘Well, I believe the horse and the buggy is really where it’s at. These cars, they break down, they need gas, there’s all kinds of problems with them and pretty soon they’ll be making them into tanks, and then they’ll be killing people. It’s terrible.’ There’s nothing you can do about it. That’s progress, it’s the future.” (via A Rabbit's Foot)
variety.com/2026/film/news/g…
Ryan Patterson retweeted
We're making a 90-min feature film.
Real actors, real sets, real crew, and AI filling in only what the budget can't cover. The one thing we don't have yet is a script. If you've written one, polished it, pitched it, and watched it go nowhere, we want to read it. If we love it, we buy it, and you're in on the whole thing. We want to build it with people who care about it, as much as we do. The whole production runs in public - every workflow, every breakthrough, every failure.
The script you stopped pitching might be the one that finally gets made. Don't let it sit in a drawer. Send it over.
The Mountain: a fantasy short made with the new @openart_ai Director 🚀
A24 Explains Why AI Deal With Google Exists: 'We'd Rather Have a Seat at the Table Than on the Sidelines' variety.com/2026/film/news/a…
A new teaser from the next episode of Legend. Made with Seedance 2.0 in @dreamina_ai

























