Musicologist at @BGSUCMA. I write about opera, new music, American music. Bylines: @nytimesmusic, @operanews, @newyorker, @newmusicbox. he/him/his

Bowling Green, OH
Joined September 2013
Didn't have a tuba quartet medley of Tainted Love, Paint It Black, and Sweet Dreams on my bingo card today, yet here we are.
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CALL FOR PAPERS SPECIAL ISSUE ON MEREDITH MONK The new editorial team of American Music is excited to invite submissions for a special issue that will explore topics, issues, & debates surrounding the art & music of Meredith Monk. Details at: press.uillinois.edu/journals…
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Ryan Ebright retweeted
The finding aid for the Pauline Oliveros collection is published! Oliveros was an avant-garde composer born in 1932. She studied music at the University of Houston (1949-1952) and San Francisco State College (1954-1956) and was a pioneer in electronic music.
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Of the many U.S. opera companies formed after WWII, few were as adventurous as @mnopera. For the July issue of @OPERANEWS I wrote about the founding & radical early years of the company, which celebrates its 60th anniversary this year. operanews.com/features/2023-…
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The image above comes from John Gessner and Wesley Balk's "Faust Counter Faust," which sounds truly wild. Here's a snippet from Donal Henahan's 1971 review in the NY Times:
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Henahan liked it; audiences did too, per a company memo from 1972: "The Company has received the ultimate accolade: FAUST COUNTER FAUST and MOTHER OF US ALL were pirated from the Hunter College performances and are being sold at $25 per show in New York's recording black market."
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Composers being fathers: a thread.
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Fantastic news! The @librarycongress music division is top-notch.
NEWS: The Library has acquired the music manuscripts and papers of contemporary American composer, conductor and writer John Adams. Learn more: go.loc.gov/41vR50OOtP8
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Minimalism was always more than its pioneering “Big Four.” This playlist by “On Minimalism” authors @kerry_ob & @seatedovation explores an alternative history of minimalism in music by John Coltrane, the Velvet Underground, Éliane Radigue, and many more. van-magazine.com/mag/alterna…
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I had a wonderful time talking to @daifujikura back in 2019 when his Shamisen Concerto premiered. You can read about it here: nytimes.com/2019/08/01/arts/…
Replying to @Ldn_Sinfonietta
Here's a clip of Hidejiro playing last night 🤩 If you like what you hear, tickets are still available for our Fireworks concert tonight, where he'll play @daifujikura's Shamisen Concerto: bit.ly/3LsbUj7
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I wrote a short history of Scott Joplin's Treemonisha for @OPERANEWS in advance of not one but two(!) new productions/re-imaginings of the opera that open in the next few weeks, at @OTSL & @Luminato. You can read it here: operanews.com/features/2023-…
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We’re thrilled that this important work is getting so much attention! Our production of Treemonisha opens this Saturday, May 20!
I wrote a short history of Scott Joplin's Treemonisha for @OPERANEWS in advance of not one but two(!) new productions/re-imaginings of the opera that open in the next few weeks, at @OTSL & @Luminato. You can read it here: operanews.com/features/2023-…
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Season 3 of Sound Expertise starts tomorrow!!! A sneak preview of our season debut: talking Joni with @annkpowers Subscribe on all your fave podcast platforms; more at soundexpertise.org
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May 12 is the last day to watch @missymazzoli & Royce Vavrek's The Listeners in it's premiere production at Norwegian National Opera, directed by Lileana Blain-Cruz Don't miss your chance to watch this beautifully filmed world premiere - or watch it again! operavision.eu/performance/l…
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The music of Florence B. Price is having a renaissance, and new, foundational details about her life and racial identity are still being discovered. Here are some recent findings. nyti.ms/438jxmN
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Detroit Opera announced its 2023/24 season and it looks good. detroitopera.org/detroit-ope…
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