Andrew Roberts retweeted
Matthew Rankin destroys any previous classification of national identity. @robatss reviews the filmmaker's latest hallucinatory remix documentary #TIFF26
thatshelf.com/ladies-and-gen…
Andrew Roberts retweeted
Anthony Chen completes his "Growing Up" trilogy in We Are All Strangers, but it relies too heavily on despair to feel fulfilling. #TIFF26
thatshelf.com/we-are-all-str…
Andrew Roberts retweeted
Filmmaker Cristian Mungiu leaves his native Romania to explore cultural polarization in Norway with an earnest curiosity. @robatss reviews the widely celebrated Palme d'Or winner, Fjord, at #TIFF2026
thatshelf.com/fjord-review-t…
Andrew Roberts retweeted
Replying to @robatss
@robatss chats with filmmaker Christopher Beaulieu about his feature film debut, Otium and capturing Toronto on film.
thatshelf.com/christopher-be…
Andrew Roberts retweeted
Brother filmmaking duo Rish and Kanish Arhant-Sudhir sit down with That Shelf's @robatss to discuss their new yoga horror film, #Namaslay, and incorporating masala in their creative process.
thatshelf.com/interview-rish…
Andrew Roberts retweeted
Ice cream, blood, and... artificial intelligence? Although Eli Roth's latest foray in ultraviolence will make genre fans happy, controversy may dissuade most other audiences.
thatshelf.com/ice-cream-man-…
Andrew Roberts retweeted
Director Bryce Hodgson talks with That Shelf's @robatss about his first feature, Thanks to the Hard Work of the Elephants, ahead of its @FutureFilmShow debut. #FOFS2026
thatshelf.com/interview-bryc…
Andrew Roberts retweeted
Gregg Araki is back, asking pertinent questions about why Gen Z doesn't want to talk about (or have) sex. But does I Want Your Sex give us any answers?
thatshelf.com/i-want-your-se…
Andrew Roberts retweeted
#GirlsLikeGirls delivers on fans' desire to see a well-drawn onscreen lesbian romance. @robatss reviews Hailey Kiyoko's directorial debut based on her viral music video.
thatshelf.com/girls-like-gir…
open.substack.com/pub/robats…
It all started from an eerie photo anonymously posted to 4chan in 2019. The photo shows an empty, unfurnished storeroom or office space, featuring grimey carpeting, visually assaulting yellow walls and fluorescent lighting.
#Backrooms
Andrew Roberts retweeted
Virtual Girlfriends is an aggressively accurate and bleak look at the OnlyFans industry, where a majority of models struggle to make it work. #HotDocs2026
thatshelf.com/virtual-girlfr…
Andrew Roberts retweeted
Doc #MySpace is a missed opportunity to truly unpack the social platform's legacy, instead aiming for overly congratulatory pats on the backs of influencers and founders.
#HotDocs2026
thatshelf.com/myspace-review…
Andrew Roberts retweeted
All is Fine in '89 has a unique central idea and is unashamed to go to some dark places, but progresses in predictable ways.
thatshelf.com/all-is-fine-in…
Andrew Roberts retweeted
As McLuhan's theory of autoamputation suggests, the more media companies evolve to entertain us, the more they can learn and use it against the consumer.
Link in bio
#media #mcluhan #television #art
Andrew Roberts retweeted
Lars von Trier's film Dogville tells us that the search for perfection can bring about sinister results
Link in bio
#larsvontrier #dogville #urbandevelopment #film #art
Andrew Roberts retweeted
Learn what makes Canada's most popular independent theatre tick through the accounts of people on the inside!
Link in bio.
#movies #theater #popcorn #movietheater #cinema
Casted my vote for the clear best picture 💉
The #Oscars are this weekend! We spoke to Cineplex moviegoers to find out who you want to win! 🙌🏆
Lastly, we're talking the biggest prize of the night —Best Picture!
Who are you rooting for? Let us know in the comments 👇
Andrew Roberts retweeted
every human filmmaker, no matter how talented, is prone to making mistakes. with the power of AI, we can restore these little errors and see the films the way they were meant to be seen! here's just one example:
New smart film take on my Substack!
open.substack.com/pub/robats…
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