This is the clone effect, and you can build it in 3 steps with the invideo editor. Stack your takes on separate tracks, ask the agent to rotoscope each one, then have it add flash transitions for the reveal. Here’s how it came together.

This is the object clone effect, built entirely with the invideo editor by chatting with the agent. Load your audio, ask the agent to beat-sync your clips and rotoscope the subjects, then have it duplicate and stack each clone across the beat. Here’s the breakdown.

This is the echo trail effect, and you can build it with the invideo editor in under 30 seconds. Duplicate your clip, rotoscope the subject, and ask the agent to build a Colorama-style echo trail with glow, blur and distortion. Here’s exactly how it came together.

The invideo editor allows you to build your own transitions on your timeline itself. You do this by describing the transition to an agent that works with you on the timeline, in real time. What you get is the transition with a custom control panel to adjust every parameter, hue, speed, easing, colour palette and more, after the transition is coded. Save it as a preset and apply variations of it across your edits.

Launching: Effects in the invideo editor. Build any effect you want on your timeline by describing it in chat, or providing a reference video for it. With each effect, you also get a custom controls panel to adjust things like intensity, direction, length, mix, etc. so that the effect feels like your own. And to top it off, 90+ inbuilt effects that you can drag-drop for free.

This paper cut transition was built entirely through a conversation with an editing agent on the invideo editor, and that's how every effect and transition on it works. Here's how this one came together.

We just made image models free for all existing and new annual users this September. Use GPT 2, Nano Banana Pro, and Nano Banana 2 - completely free. Whether you're using these models through the invideo agents, or manually accessing them inside invideo, no credits will be charged. Go crazy.

Launching the invideo editor. The future of editing looks something like this. Agents taking care of the grunt and execution, so that editors focus on their craft and skill. Link to the editor in the comments below.

Introducing the invideo x @SonyPictures partnership. You can now stream invideo originals on @SonyLIV . The barriers and gates to showcase your craft no longer exist. If you have an idea for a film, you can now show it to the world.

GPT-6 Astra + the free invideo editor = a sick mixed media video We gave Astra the vibe and style using plain text, it built the entire edit on the editor. just had a holy s*** moment.

If you're using match cuts in your video, the invideo editor + agent gives you the fastest, most seamless experience to do it. Here's what we did to create this in ~40 minutes: ~Picked an image with a circle in the centre. Used that image as a reference to generate other images with circular subjects (but you could always just use your own footage). ~Uploaded the audio track I wanted to use into the invideo timeline, and asked the agent to detect all beats and place markers there. ~Asked the agent to then place all my generated images against those markers. ~Used rulers in the editor to maintain clip/subject alignment.

This is the boomerang effect, and we created this using the 'invideo editor'. invideo Editor is a professional video editor with AI editing agents you can assign real work to. The editor itself is completely free to use.

The invideo editor is live. A professional editor with AI editing agents that can help you build your base cuts, add SFX, sound design, color grade, and so much more. More coming soon..

Everyone assumes an ai film means actors on a green screen. This episode is us killing that assumption, from experience. We’ve done these shoots before, and there’s a reason we’ll never do one again. This is episode one of building a feature film in public. Wait for episode two to know what the real plan is. @HridayeN

A multi-player semantic editor is the new frontier of video editing. We are rolling this out over the next 2 weeks as capacity expands. Servers are burning as agents are using this in the background. It's agentic, in the browser, collaborative and can work offline. Comes with a Digital Asset Management system. It was a loooong build cycle

Day 12 of 12 Days of Agent Two. Months of work by engineers and filmmakers, all leading here. The same platform Fortune 500s, global agencies, and film studios use is now in your hands. These 12 days were never about what we built. They're about what you'll make with it.