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I'm a bit late, but here's a recap of all my VFX work in 2025. It's been a crazy year, and this one has been even crazier so far. Can't wait to show you what I've been cooking. In the meantime, enjoy!
youtube.com/watch?v=Mhjy3cvL…
Made all these VFX in 2024. Here’s to another crazy year! youtu.be/T_3FZRkS4QA?si=GCm4…
Watching the last episode of #Adolescence, literally sobbing when the credits rolled. And of course @netflix decides to fucking ruin everything cutting to some cunting trailer for some other bullshit show at like 9K decibels. All emotion gone. Nice work. Truly infuriating shit.
My new soundtrack for the short film 'I Nostri Giorni' is now available everywhere: distrokid.com/hyperfollow/ar…
I was also in charge of all visual effects for this amazing project, directed by Jacopo Marchini. Check out the VFX breakdown I assembled: youtu.be/jUhGFG5dBC8?si=2oz6…
ora che so che Conti ha privato questa tempolinea di un evento come l’apparizione dei fuckyourclique a #sanremo2025 sono molto arrabbiato: Carlo questo è il motivo per cui la gente sfotte noi toscani lo vuoi capire diahane
Judging by the credits on IMDb could be @bufvfx, Toybox, @cinesite, Computercafe, PLF, R!OT pictures, CIS, @digitaldomaindd - would love to know more! Thanks for inspiring a silly 16 year old back in 2002 💚 [2/3]
For my version of this shot, all CG and comp was done in Blender (rendered in Eevee). @Mrdodobird & Nathan Vegdahl’s Compify tool was a lifesaver! #b3d #blender @Blender [3/3]
Definitely watched PanicRoom way too often as a kid: that signature Fincher shot is so iconic that I had to homage it in this short film I worked on as a VFX supe. Credit for @thekillermovie: Savage VFX. Wonder who did those shots in PanicRoom? @FincherAnalyst @beforesmag [1/3]
Last year I worked on ~ 40 VFX shots for this amazing short film. I also composed the soundtrack. So proud! youtu.be/jUhGFG5dBC8?si=vEgw…
Armando Marchetti retweeted
Color grading is a subjective choice that many people want to treat as a technical decision because everyone has access to DaVinci Resolve now.
You can’t be an expert in something that has no definitive rules - "you need natural skin tones" - Why?
You wonder why everything starts to look the same? It's because a lot of filmmakers are shamed into making things look "correct" instead of simply realizing their vision.
I wish more filmmakers took more liberties with color (and cameras) like Steven Soderbergh has over the years.
A while ago I decided I'd try to recreate the iconic #ParanormalActivity rooms in isometric 3D. Wanted to do all six entries in the Katie/Kristi saga, but ultimately Halloween came and I only made the first three movies 'cause I'm slow as heck. See you next year I guess! #b3d
Babe wake up my new VFX breakdown just dropped 👀 youtu.be/WJ02D2Uaovk?si=mZbe…
Did a ton of VFX last year using #Blender and #Fusion and I had a blast! Still a lot more to do, can't wait to show you what I've been cooking this year! youtube.com/watch?v=NY9Gihoe…



















