corey

1/ gm Marfa. Introducing the @glitchmarfa track for @artblocks_io Weekend 2026.

dying is not enough 'the next 1000x' by @glitchmarfa the first, last, and only episode @toadswiback x @derekedws

when will you realize that dying is not enough @toadswiback x @glitchmarfa

on September 23 2023, glitch Gallery exhibited ‘beef brothko’ by @toadswiback beef brothko the title announces its reference plainly: Mark Rothko's stacked color fields, refracted through the lens of the artist’s signature abattoir aesthetics the 666 works in the collection were hand painted, photographed, then put through an LLM for die’s first generative AI collection each composition borrows Rothko's formal vocabulary: soft-edged horizontal bands, luminous gradients, meditative composition but the palette has been brutally ironized reds recall not spiritual transcendence but raw tissue the canvas is a battlefield. paint drips down like rendering fluids the work belongs to a lineage of desublimation where Rothko sought the sublime, diewiththemostlikes offers the abject the gesture is not parody but inversion the same forms, the same silence, reoriented toward flesh and decay there is no abstract, no figurative, no revolution. there is only the physical reality of the flesh together with @TransientLabs, glitch Gallery presented ‘beef brothko’ alongside a performative ‘Pawn Stars Marfa’ flea market during Art Blocks Weekend 2023 in Marfa, Texas hundreds of flea-market patrons piled in bartering. yelling. mayhem. objects exchanged with atmosphere tipping toward frenzy the installation collapsed the distance between art fair and debauchery between acquisition and consumption while the flea market unfolded, the entire scene was broadcast on social media. the 666 digital works, made available for .0369 ETH, began trading on the internet a performative collapse of the digital and the physical today, our curation team is honored to immortalize diewiththemostlikes ‘beef brothko’ exhibition at @glitchmarfa, as a digital exhibition poster on the ethereum blockchain first, to our @glitchmarfa full set holders, our community of passionate art collectors since 2023 all unique ‘Full Set’ holders – a total of 187 unique wallets – were airdropped one of these digital exhibition posters earlier today you can now view your poster directly from any wallet interface, or at transient.xyz/@glitchGallery… for all other @glitchmarfa supporters or diewiththemostlikes collectors – we’re excited to give folks the opportunity to redeem any number of ‘‘beef brothko’ posters – until July 13th, 2026 – using @TransientLabs ‘burn and redeem’ product instructions: if you own *any* previous ‘Exhibition Poster’ from @glitchmarfa, from now until July 13th, 2026 you can ‘burn and redeem’ any single poster from the ‘Exhibition Posters’ contract and immediately receive a ‘‘beef brothko’ poster in return, at the below link on @transientlabs: transient.xyz/redemption/eth… please redeem as many posters as you’d like during the window, which will end on July 13th, 2026 @ 8:00 AM (PT) as always, we’re grateful for your support long live crypto art your glitch curators - @magey_mage, @maltefr_eth, @derekedws

on October 17 2025, glitch Gallery exhibited ‘Plinths’ by @Pakmanscoop unveiled during Art Blocks Weekend 2025, Plinths marks the object designer's first collection the series consists of seven light sculptures, each a rectangular form emitting programmed light together they trace a familiar emotional arc – the ebb and flow of euphoria and anguish rendered as light, colour, and rhythm presented at glitch Gallery, it was also the artist’s first large-scale collaboration alongside the static installation, the gallery premiered ‘Shadow Box’, an interdisciplinary performance situating the sculptures within live improvisational dance choreographed by @harriet_waghorn in collaboration with gallery director @magey_mage, the performance treated the objects not as backdrop but as participants, their shifting light shaping the movement in real time each linked to an individual ethereum object, ‘Plinths’ materializes crypto art beyond the screen the work insists on physical presence, on the object as a medium for generative design seven states, seven forms a meaningful study in repetition and variation today, our curation team is honored to immortalize Pakmanscoop’s ‘Plinths’ exhibition at @glitchmarfa, as a digital exhibition poster on the ethereum blockchain first, to our @glitchmarfa full set holders, our community of passionate art collectors since 2023 all unique ‘Full Set’ holders – a total of 187 unique wallets – were airdropped one of these digital exhibition posters earlier today you can now view your poster directly from any wallet interface, or at transient.xyz/@glitchGallery… for all other @glitchmarfa supporters or Pakmanscoop collectors – we’re excited to give folks the opportunity to redeem any number of ‘Plinths’ posters – until July 13th, 2026 – using @TransientLabs ‘burn and redeem’ product instructions: if you own *any* previous @glitchmarfa ‘Exhibition Poster’ from @glitchmarfa, from now until July 13th, 2026 you can ‘burn and redeem’ any single poster from the ‘Exhibition Posters’ contract and immediately receive a ‘Plinths’ poster in return, at the below link on @transientlabs: transient.xyz/redemption/eth… please redeem as many posters as you’d like during the window, which will end on July 13th, 2026 @ 8:00 AM (PT) as always, we’re grateful for your support long live crypto art your glitch curators - @magey_mage, @maltefr_eth, @derekedws

on November 11 2022, glitch Gallery exhibited ‘Computer Cowgirls’ by Molly Dickson the collection is composed of 201 animated artworks on ethereum Dickson hand assembled and collage-animated each figure, one by one, drawing on her practice at the intersection of photography and digital collage as a result, each cowgirl appears to ‘shimmy’ her way down a campy rhinestone road the work is unapologetically female in its aesthetic indeed, it is as much unserious as it is serious, skillful as it is improvisational – defining features of Dickson’s oeuvre notably, the collection originated as a response to restrictive legislation passed in Texas in early 2022 the cowgirl, a figure of American mythology and feminine self-possession, is repurposed here as a vehicle for dissent 100% of the collection's proceeds went directly to fund women’s health organizations in Texas, while the ‘Computer Cowgirls’ collection was covered across national news outlets in early summer 2022 in many ways, the collection led the charge for other crypto art projects to use blockchains as a mechanism for charitable donations and political change ‘Computer Cowgirls’ was the first exhibition presented during Art Blocks Weekend in 2022 interdisciplinary by nature, the show gave visitors multiple ways to engage with Dickson’s work – watching the cowgirls shimmy through AR technology, taking mugshot-style Polaroid selfies in the back of the gallery, scanning cigarette cartons to claim artist-designed merch today, our curation team is honored to immortalize Molly Dickson’s ‘Computer Cowgirls’ exhibition at @glitchmarfa, as a digital exhibition poster on ethereum first, to our @glitchmarfa full set holders, our community of passionate art collectors since 2023 all unique ‘Full Set’ holders – a total of 187 unique wallets – were airdropped one of these digital exhibition posters earlier today you can now view your poster directly from any wallet interface, or at transient.xyz/@glitchGallery… for all other @glitchmarfa supporters or Molly Dickson collectors – we’re excited to give folks the opportunity to redeem any number of ‘Computer Cowgirl’ posters – until July 13th, 2026 – using @TransientLabs ‘burn and redeem’ product instructions: if you own *any* previous @glitchmarfa ‘Exhibition Poster’ from @glitchmarfa, from now until July 13th, 2026 you can ‘burn and redeem’ any single poster from the ‘Exhibition Posters’ contract and immediately receive a ‘Computer Cowgirls’ poster in return, at the below link on @transientlabs: transient.xyz/redemption/eth… please redeem as many posters as you’d like during the window, which will end on July 13th, 2026 @ 8:00 AM (PT) as always, we’re grateful for your support long live crypto art your glitch curators - @magey_mage, @maltefr_eth, @derekedws

on October 16 2025, glitch Gallery exhibited ‘Moments of the Unknown’ by @justinaversano over the course of a single year, the artist travelled across seven continents to produce a continuous portrait of contemporary human presence each day would yield a single, ten-second, Super 8 video portrait at the end of the year, 366 video artworks no portrait was scouted or arranged in advance a child, an elder, a family, a stranger the gathering of these brief encounters around the world forms a meditation on time and the unscripted nature of human connection the work draws its sonic architecture from the Voyager Golden Record, the 1977 NASA artifact assembled under Carl Sagan's direction to represent Earth to unknown recipients in interstellar space @justinaversano repurposes these sounds as connective tissue between continents, folding a message once sent outward back onto its source across the collection, the subjects of Moments of the Unknown are not chosen – they are met duration is not edited, but lived what emerges is less a catalogue of difference, than an argument for continuity a year rendered as a single, extended gaze on April 22, 2026, Aversano released the collection of 366 video artworks together as a single, one hour, feature film made available for free to all on the internet xitter.cf/justinaversano/status/… today, our curation team is honored to immortalize Justin Aversano’s ‘Moments of the Unknown’ exhibition at @glitchmarfa, as an exhibition poster on the ethereum blockchain first, to our @glitchmarfa full set holders, our community of passionate art collectors since 2023 all unique ‘Full Set’ holders – a total of 187 unique wallets – were airdropped one of these exhibition posters earlier today you can now view your poster directly from any wallet interface, or at transient.xyz/@glitchGallery… for all other @glitchmarfa supporters or @justinaversano collectors – we’re excited to give folks the opportunity to redeem any number of ‘Moments of the Unknown’ posters – until July 13th, 2026 – using @TransientLabs ‘burn and redeem’ product instructions: if you own *any* previous @glitchmarfa ‘Exhibition Poster’ from @glitchmarfa, from now until July 13th, 2026 you can ‘burn and redeem’ any single poster from the ‘Exhibition Posters’ contract and immediately receive a ‘Moments of the Unknown’ ’poster in return, at the below link on @transientlabs: transient.xyz/redemption/eth… please redeem as many posters as you’d like during the window, which will end on July 13th, 2026 @ 8:00 AM (PT) as always, we’re grateful for your support long live crypto art your glitch curators - @magey_mage, @maltefr_eth, @derekedws

on september 21, 2023, glitch Gallery exhibited selected crypto artworks by @grantyun2 the marfa exhibition was titled, ‘An Evening With Grant Yun’ notably, the exhibition was Yun's first ever solo show, along with @glitchmarfa’s first ever solo exhibition at the gallery the works shown that evening placed these milestones within a broader artistic inquiry by the artist there is a longstanding affinity between modernism and the american landscape clean lines, sharp shades, blank expanses such terrain explored by Ed Ruscha and David Hockney, a world that sought to start over from a clean slate, unburdened by tradition Yun continues this inquiry in the medium of digital art, turning his attention to the geometric patterns latent in architecture and topography the works presented for Yun’s exhibition at glitch Gallery move between aerial views and architectural detail. colour palettes are severely restrained, often separated by only a few hex values forms hover between representation and abstraction the aesthetic draws on early computer graphics and virtual environments, lending the images a quality of memory or projection rather than direct observation Paul Klee wrote that art does not reproduce what we see but makes us see Yun's contribution is precisely this: the American landscape rendered visible through the logic of pixels and screens the pleasure of the work lies in its clarity: a world reduced to its essential forms at the september 2023 solo exhibition, @grantyun2 signed and editioned a total of 100 physical posters to commemorate the show outside the gallery doors today, we’re excited to immortalize the original exhibition poster for ‘An Evening With Grant Yun’, where it will forever live as a limited edition exhibition poster on the ethereum blockchain the exhibition poster artwork was designed in full in 2023 by @grantyun2 himself, in the weeks leading up to the solo exhibition a few thank you's from our team first, to our @glitchmarfa full set holders, our community of passionate art collectors since 2023 all unique ‘Full Set’ holders – a total of 187 unique wallets – were airdropped one of these digital exhibition posters earlier today you can now view your poster directly from any wallet interface, or at transient.xyz/@glitchGallery… for all other @glitchmarfa supporters or @grantyun2 collectors – we’re excited to give folks the opportunity to redeem any number of ‘An Evening With Grant Yun’ posters – until July 13th, 2026 – using @TransientLabs ‘burn and redeem’ product instructions: if you own *any* previous @glitchmarfa ‘Exhibition Poster’ from @glitchmarfa, from now until July 13th, 2026 you can ‘burn and redeem’ any single poster from the ‘Exhibition Posters’ contract and immediately receive ‘An Evening With Grant Yun ’poster in return, at the below link on @transientlabs: transient.xyz/redemption/eth… please redeem as many posters as you’d like during the window, which will end on July 13th, 2026 @ 8:00 AM (PT) as always, we’re grateful for your support long live crypto art your glitch curators - @magey_mage, @maltefr_eth, @derekedws