We’re making some changes to how we communicate with you. We will no longer be posting updates on X.
You can continue to connect with us on our other platforms – LinkedIn, Instagram and our website.
RightShare® '26 claims window is open. The process can feel unclear, time-consuming. Paul Seheult, PICSEL’s CEO, is offering one-to-one calls to answer questions,whether you’re a member or not. Email [email protected] or schedule a call scheduler.zoom.us/paul-seheu…...
RightShare® 2026 is now open for claims. Submit your claim by 20 February 2026 to maximise your share.
If you need support with your claim, email us.
Not a member yet? Email us!
[email protected]
Over on our insta @picselcollective we're rounding up our year - we're covering royalty numbers, advocacy & events.
Head to @picselcollective to check our Florian Koempel’s new video on big AI policy updates from the UK government.
#UKcopyright
#copyrightprogressreport
This month, we welcome @BridgemanImages to Member Monday.
They discuss how they support cultural organisations, showcasing a recent Ken Nwadiogbu x Avant Arte collab, their industry awards.
Head to @picselcollective for more!
#membermonday
Head over to our Instagram page for the second in a short, potted history about the medium we love - photography. @picselcollective
#daguerreotype
#historyofphotography
#Niepce
#Talbot
#PICSEL
At the ALCS APPG for Media event Dr Clementine Collett presented 'The Impact of Generative AI on the Novel'. The report explores the economic, social, literary & copyright implications of gen AI, highlighting its impact extends beyond copyright.
Read more @picselcolllective
PICSEL CEO Paul Seheult attended the quarterly BCC–IPO meeting, discussing copyright policy and international agreements. He shares his views over on our Instagram @picselcollective
@BritCopyright
@IPO
#Copyright
#PICSEL
The @BritCopyright has released new policy note as part of the UK’s ongoing debate on copyright and artificial intelligence - head to @picselcollective on Instagram for more info.
#Copyright
#FairDealing
#FairUse
#CreatorsRights
#UKLaw
#IntellectualProperty
We love getting feedback - Biddy Hayward, Director @ Arenapal visited us recently:
"It is rare to be offered 1-1 support from an expert (...) this level of support from PICSEL is fantastic, & because of that we have benefited from a year on year increase in our applications."
Be part of PICSEL - join up here: picsel.org.uk/home/how_to_jo…
The Anthropic Copyright Settlement has been announced in the US.
The case concerns allegations that Anthropic used pirated books to train its AI models. We encourage rightsholders to check if books they are co/ authors of (can inc photographers and illustrators) are eligible.
Check the details, and the list here: anthropiccopyrightsettlement…
We’re researching Digital Asset Management (DAM) systems and would love your input. Please let us know which DAM system you use - or, if you don’t use one, why not. This applies whether or not you’re a member.
Please drop a comment, a DM, or an email to [email protected], or, if you prefer, you can fill out the form via the link in our bio
#Poll
#digitalassetmanagement
Head over to our Instagram page for the first in a short, potted history about the medium we love, and a group of visual artists that form the spine of our membership – photography.
@picselcollective
#cameraobscura
#historyofphotography
#PICSEL
We’re really proud of how engaged our members are. Members help to ensure creators’ voices are heard where it counts by contributing to working groups, sharing experiences, and guiding PICSEL’s advocacy work. Your voice belongs here. Be part of the community. #PICSEL
Got a Question? Curious about anything? Need more information? We’re inviting all our members and followers to submit questions for our Board.
Please send us your question by 20 November via DM, comment or email [email protected]
Visit our Instagram feed @picselcollective to read our latest post on AI – we’re looking at the 1960s to the mid-70’s.
#HistoryofAI
#AIEthics
#MachineLearning
#CreatorsRights
