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My top Bollywood/Hindi albums of 2025
1) Metro ..in Dino by Pritam
2) Dhurandar by Sashwat Sachdev.
3) Ba**ds of Bollywood by Sashwat Sachdev ( he's had a stellar year)
4) Aap Jaisa Koi by Justin & Rochak Kohli
5) Tere Ishq Mai by Rahman.
Yeh Mera Dil To Pagal Hai from Gardish. Did I tell you how much I love this song by RD. youtu.be/7AjiKd07N5I?si=4V16…
Is Bollywood Losing Great Music? Good podcast with Taurani bros ( TIPS) on the music industry. Don’t agree with everything but a good no nonsense podcast. youtu.be/tIk86atDg1M?si=fAA3…
Quite enjoying the thriller “Below” on Netflix. Would love to visit the fictional town of Snooks Arm.
Kyon - Barfi. One of the best by Pritam. His ability to conjure up melodies in big films consistently is unparalleled. Production is always ace. youtu.be/Rq7tyOcVgLQ?si=5ThF…
Aisa Kabhie Hua Nahin | Yeh Vaada Raha (1982). What an album by RD youtu.be/iz-Ljvi-Fjo?is=rWUY…
Tumse Milke Zindagi Ko - Chor Police. RD and Nida Fazli. A beautiful melody. youtu.be/9ucGP0iBCVM?is=zztP…
Another fab garba song by Sachin Jigar. Gori Radha Ne Kalo Kaan - Wrong Side Raju. A staple of Navratri. youtu.be/ccqg6e2rfLU?is=C1Qy…
Manish Parikh retweeted
Bandook Meri Laila - A Gentleman. This groovy song by Sachin Jigar has ace production. youtu.be/wdxebKzUfIM?si=PYba…
Manish Parikh retweeted
One of my favorite garba songs is by @SachinJigarLive . "Radha Ne Shyam Mali Jashe" sung by Sachin and Shruti Pathak. youtu.be/tTfF5klskmo
😔
Veteran actor Nana Patekar passed away at 5:20 AM today after suffering a severe cardiac arrest at his residence.
Despite 45 minutes of continuous CPR, he could not be revived. A medico-legal case (MLC) has been registered, and a post-mortem will be conducted: Dr. Shekhar Salkar, Chief of Oncology Department, Manipal Hospital
Woah. This Boston boy is uber talented.
Ben Affleck reveals he writes Python, understands convolutional neural networks, worked extensively with GPUs, and used his celebrity status to get private looks at Google and OpenAI’s video models
“I’ve always been kind of into computers since I was young. Then, when film started to move from analog film to digital, I became more interested in that aspect of it. The visual-effects workflow for many years has included machine learning, so I can write pretty shitty Python scripts and stuff like that.
“With convolutional neural networks, which were the precursors to what the transformer can do, which is much more computation simultaneously, you would do things like look at what’s called a tensor. That’s the numerical translation of a visual image in numbers, like the batch number, the frame number and the red, green and blue values of each pixel in each frame. It’s just that simple. That numeric is called a tensor.
“You’d use a convolutional neural network to identify patterns that reveal what’s called edge detection or feature extraction, which is identifying patterns well enough to know, this is where the window ledge is, so we can more easily take the green-screen image out and replace it with something.
“That was familiar to me early on because, prior to Artists Equity, I had a small visual-effects company. I’ve worked with GPUs a lot too. The visual-effects guys said, ‘Hey, you should see. There are a couple: Google and this other company, OpenAI, are doing really interesting stuff with transformers in video.’
“I’ve learned that I can actually just call up and go, ‘Hey, it’s Ben Affleck. Can I come see what you’re doing?’ Sometimes people say yes, to my astonishment.”







