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Para

@parakerman

compassion & solidarity ~ they/them ~ writer ~ horror fiend 🦇

letterboxd.com/parakerman/
Joined January 2020
  • Tweets2.1K
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  • Followers606
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Photo by Para (@parakerman)Photo by Para (@parakerman)Photo by Para (@parakerman)Photo by Para (@parakerman)Photo by Para (@parakerman)Photo by Para (@parakerman)Photo by Para (@parakerman)Photo by Para (@parakerman)Photo by Para (@parakerman)Photo by Para (@parakerman)
Image from lynn🔪 (@lesbovvitch)
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There are so many movies to watch and people to love and conversations to have
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Fire Walk with Me
Image from barred out bishounen (@oujisamas)
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Folks, I wrote about six horror films I'd recommend to anyone looking for something to watch this month, including a found footage favorite of mine, an underrated late Hammer, and a BBC folk horror masterpiece. Link in bio and below
newsletter title page: Six Horror Films For October, from Long Library. The background is an image from Demons of the Mind (1972), featuring an exposed bell tower against an evening sky

ALT newsletter title page: Six Horror Films For October, from Long Library. The background is an image from Demons of the Mind (1972), featuring an exposed bell tower against an evening sky

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Sicily! (1999, dir. Straub-Huillet)
Image from Av 🇵🇸🇨🇺 (@AvalynWu)
Image from Av 🇵🇸🇨🇺 (@AvalynWu)
Image from Av 🇵🇸🇨🇺 (@AvalynWu)
Image from Av 🇵🇸🇨🇺 (@AvalynWu)
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Image from Daniel Gorman (@DanielGorman20)
Image from Daniel Gorman (@DanielGorman20)
Image from Daniel Gorman (@DanielGorman20)
Image from Daniel Gorman (@DanielGorman20)
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Bonsoir (Myriem Roussel - 'Prénom Carmen')
Image from Marie Ruiz-Vidal (@RuizVidal7)
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Venice
Image from Isabel Sandoval (@Isabelvsandoval)
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Fassbinder has made so many movies about how fascism never left Germany and he was proven right since
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thinking about christine pascal today <3
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coming of age
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Para retweeted
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para@parabatz2Aug 18
zombi 2 / zombie flesh eaters (1979, dir. lucio fulci)
Image from para (@parabatz2)
Image from para (@parabatz2)
Image from para (@parabatz2)
Image from para (@parabatz2)
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self deceit #5 (francesca woodman, 1978) // the wolf knife (laurel nakadate, 2010)
Image from ijbol adjani (@onbeinganangel)
Image from ijbol adjani (@onbeinganangel)
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rip to a true filmmaking hero
Image from 💽 heather (@C05M1C57R4N63R)
Image from 💽 heather (@C05M1C57R4N63R)
Image from 💽 heather (@C05M1C57R4N63R)
Image from 💽 heather (@C05M1C57R4N63R)
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Para retweeted
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para@parabatz2Aug 13
Christine (1983, dir. John Carpenter)
Image from para (@parabatz2)
Image from para (@parabatz2)
Image from para (@parabatz2)
Image from para (@parabatz2)
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Still feels surreal saying this, but I interviewed Kiyoshi Kurosawa for @FilmmakerMag!! We talked at length about how the experience of making The Samurai and the Prisoner challenged his long-held filmmaking philosophy. open.substack.com/pub/filmma…
Image from jawni han | 한겨울 (@kimchimarx)
Image from jawni han | 한겨울 (@kimchimarx)
Image from jawni han | 한겨울 (@kimchimarx)
Image from jawni han | 한겨울 (@kimchimarx)
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Para retweeted
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para@parabatz2Aug 11
finding out @slayyyter is a fellow rob zombie girlie made my dayyy. the devil's rejects💘
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fascinated by this exchange between godard and chantal akerman
Image from novy sovetsky chelovek (@iamagodard)
Image from novy sovetsky chelovek (@iamagodard)
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Need to find an outlet willing to run a piece on HOPE that discusses how it became a critical hot potato in Korea and why it’s such a welcome intervention in the national cinema still living under the tyranny of cheap realism
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Para retweeted
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para@parabatz2Aug 7
Adrienne Shelly in Teresa’s Tattoo (1994, dir. Julie Cypher)
Image from para (@parabatz2)
Image from para (@parabatz2)
Image from para (@parabatz2)
Image from para (@parabatz2)
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