@nudoru

Digital designer & generative artist. Find me on Bluesky 🦋 https://xitter.cf/t.co/Rq7gRR9Yhx Or https://xitter.cf/t.co/60yvVUOr7T

 Charlotte, NC
mattperkins.me
Joined February 2008
  • Tweets36.7K
  • Following4.7K
  • Followers9.6K
2KMedia
I'm finally updating my website and creating a pattern to showcase much more of my art. I've added my Rodeo work for easy browsing; more is coming soon! mattperkins.me/?gallery=rode…
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North East@north_east_co13h
創造的な革新を促すタイプデザイン。 『Support Independent Type II』 buff.ly/P7jV8rc デジタル・フォーマット、印刷物、触覚的な書体を含む書体見本のコレクションを特集しています。
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TYPE01@type01_19h
SLTF Arcilla #typeface by @silverstagtype What started as just a single font weight, SLTF Arcilla has expanded into a fully equipped variable contemporary serif built for the full range of editorial, branding, and packaging work. Free to trial > 🔗 bit.ly/4yCGCx4
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kynd.info
@kyndinfo7h
Strokes This page explains how strokes are constructed. A drawing tool must turn the pointer's path into a mark. Several established methods do this, each with its own advantages and disadvantages. kynd.info/unlock/strokes/
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for(float i,g,e,s;++i<99.;o.rgb+=.01-hsv(.1,g*.016-e*.3,s/2e2)){vec3 p=vec3((FC.xy-.5*r)/r.y*5.+vec2(0,9),g)*rotate3D(-1.1-cos(t*.15)*.1,vec3(1,11.+sin(t)*.15,-1.5));s=2.;for(int i;i++<19;p=vec3(.08,4,-1)-abs(abs(p)*e-vec3(3,4,3)))s*=e=7.1/dot(p,p*.51);g+=p.y/s;s=log2(s)/exp(e);}
独楽回しeddy@EKey221013 Dec 2025
280文字でこれが出来るの本当意味不明…。 #SESSIONS_Party
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conrad house@DlSPUTEDOct 19
continuous studies of hatching.
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kynd.info
@kyndinfoOct 19
Basic Stroke On this page, we build a basic stroke class that turns a path and a width into drawable geometry, along with a few simple variations. kynd.info/unlock/basic-strok…
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Tezumie@TezumiesOct 19
gm
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Heft
@heft_galleryOct 18
See the series here: heftgallery.com/series/light…

Heft Gallery – Artworks + Shows

View the artworks and shows at Heft Gallery.

heftgallery.com
Heft
@heft_galleryOct 17
The public sale for Lightfield Studies by @zachlieberman will be on Wednesday at 9am est After first access to Heft Circle, the wait is mostly about opening it up to Zach’s 223,000 ig followers, so if you want access to a 1/1/56 before then, dm us your @verse_works username : )
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Xor
@XorDevOct 18
AI slop. Almost everything is mislabeled or wrong. Allow me to explain...
steven
@slashskill_Oct 17
If you are new to procedural generation within game dev, here is a great starting point on how to leverage noise!
Readers added context they thought people might want to know
This infographic is AI-generated and mislabels several noise functions and their visual outputs. The post author acknowledged the graphic was generated by AI: x.com/slashskill_/st… A breakdown of the inaccuracies is detailed here: x.com/XorDev/status/…
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awwwards.@awwwardsOct 17
The Honor Awards for September have been decided! awwwards.com/honors/winners Congratulations to all the winners, and thank you to all the community members who voted! ❤️
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pocobelli
@pocobelliOct 18
Modern & Contemporary
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Fabio - abduzeedo
@abduzeedoOct 17
Good Saturday for some posters! Hungarian designer Molnár Péter is back with PLAY 2 WIN Vol. 2, a 17 poster series full of 1980s tech references. The NASA one in blue and red is my favorite, haha. abduzeedo.com/molnar-peters-…
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Beatriz
@mandolinaesOct 18
There’s a strange tension between creating what you love and creating what people react to. Which one wins when the two disagree?
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EP
@eptwtsOct 17
contrary to popular belief, vibe-coding a good product is still very hard.. requires a good understanding of what you're trying to build, UX, & hella back/forth to translate your vision to the agent creating a product that you expect 1000's of people to use requires a lot of testing + attention to detail, it's not the same as building quick internal tools that only serve one purpose
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Bornosor
@BornosorOct 17
gm Can’t believe that i finally got to visit a dedicated generative art show in Tehran, after years of being obsessed with it myself and having no one to talk to about, especially in the Iranian art scene. Interestingly the organizers were almost entirely NFT agnostic and zero knowledge of Squiggles, Fidenzas, Mimizu and the usual subset of generative bodies of work we are used to, Just a bunch of enthusiastic computer nerds who happened to love the idea of creative coding and the efforts and ethos of @ProcessingOrg, Which made it even more exciting to see some works from familiar names in the exhibition like @nudoru, @_NatSarkissian, @annaluciacodes, And @zolfaqqari You love to see it
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hal_0009
@hal_chemyOct 16
Wormwhere in Time
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Is everyone with a limited AI budget changing their subs each time one lab outperforms the others? You can’t pay $200 or even $100 a month to all of them.
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LittleJS now does 2D and 3D! 🚂🎉 The same tiny, fast, open source JavaScript engine. Now with a full 3D renderer in the same canvas as your 2D game, level editors built in, a particle effects library, a faster core, and tools for making games with AI. frankforce.com/littlejs-is-2…

LittleJS is 2D and 3D now

LittleJS just got the biggest update since it launched! It is still the small, fast, dependency-free HTML5 game engine it always was. Now it also has a full 3D renderer sharing the canvas with your…

frankforce.com
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[An Ensemble of Female Creation: When Thought Condenses into Circles Through Code] — Tabee Check Video > instagram.com/reel/DehD6z_TO… When different people, movements, sounds, and code come together at the same time, what do we create? – at Taipei City, Taiwan
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For decades, "generative art" was art created by human-made algorithms. Then it became JPGs created by "generative" AI image systems. Now it's back to code, but algorithms created by AI, not humans. What a world.
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