
Previously designer @cred_club · 🎙️ @WhiteboardFM
Bangalore / Mumbai
Joined July 2016
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Mayank retweeted
“designing much faster than the others” — this so daft and makes it clear they don’t understand design at all. “Designing fast” (or slow) is just not a thing. If you conflate “producing ui by piecing together stuff” and “design” then the former (which is a form of assembly-line practice) can surely be fast or slow.
What makes the practice of design challenging is not how to put a ui or poster together, it’s what the pieces are, what the message is, what is being communicated, how it all works together.
So many of today’s “design” AI tools focus almost exclusively on the production part, on putting stuff together. I’d love to see an AI design tool that forms a deep understanding of a problem over the course of days or months and works like a creative partner. Call me on my bullshit, thinks about the whole, isn’t concerned really about the final arrangement of elements as much as it would understand the story and the message.
Revolut's designers are moving off Figma.
Storonsky spotted one team designing much faster than the others. What they did:
1. Gave an LLM Revolut's design system at the code level
2. Prompted it to build new flows on top of that system
3. Got a live interface they can click through on a laptop or phone, instead of static frames
Result: 3-4x faster. Now he's pushing it to every designer at Revolut.
His job, as he describes it: find what works in one team and spread it across the company.
Full breakdown here:
productmarketfit.tech/p/revo…
Mayank retweeted
The story of tech and design:
In 1976, Apple figured out that design, taste, and quality make better products.
Ever since, everyone in tech has wanted to be like Apple and “do design,” while remaining completely oblivious to what design, quality and taste actually means
“designing much faster than the others” — this so daft and makes it clear they don’t understand design at all. “Designing fast” (or slow) is just not a thing. If you conflate “producing ui by piecing together stuff” and “design” then the former (which is a form of assembly-line practice) can surely be fast or slow.
What makes the practice of design challenging is not how to put a ui or poster together, it’s what the pieces are, what the message is, what is being communicated, how it all works together.
So many of today’s “design” AI tools focus almost exclusively on the production part, on putting stuff together. I’d love to see an AI design tool that forms a deep understanding of a problem over the course of days or months and works like a creative partner. Call me on my bullshit, thinks about the whole, isn’t concerned really about the final arrangement of elements as much as it would understand the story and the message.
Hi, it's Darshita. I am a designer.
And I'm pitching myself in public 'cause I'm done with a year full of anxiety.
Everyone says design is dead and AI killed it. But the real parasite was hiding in plain sight.
So here's my film, DESIGN IS DEAD. She's bold, fearless and very PINK 💖
Hiring? My DMs are open.
Mayank retweeted
Write more. Write to think. Write until you're no longer confused. Write about the problems you already solved. Write for the person you were 2 years ago. Write so you never lose what took you years to figure out. A simple writing habit can change absolutely everything.
Mayank retweeted
You can't legitimately call yourself a DJ unless you use physical records!! Feat. Andrew Garfield
Mayank retweeted
it's a misconception that design eng means "exceptional at design and engineering."
it's someone who can do *unique* things because they straddle two disciplines.
things a designer + engineer duo could never do bc it takes two people in one to even see the opportunity.
The reason why my personal site has just one font size, monchrome colors, and looks “boring” is simply because I don’t consider myself a great designer.
By using as little variation as possible, I limit the amount of design mistakes I can make, and instead, I try to make the content itself (hopefully) interesting.
I know a few tricks to not make my work look like shit, but it’s far from the skills of a designer working at Linear for example.
To expand on that, from what I’ve seen, most “design engineers” excel at either design or code, not both. I never believed I can be exceptional at both, and I haven’t seen many people that are really, really great at both.
To me, trying to be great at both is like 2-in-1 shampoo conditioner, it never really works as well as two separate products designed specifically to do one thing well.
That’s why I made open source projects like Sonner and Vaul, that require some design sense, but these are far from sharing design kits for example.
And again, there are exceptions, but you shouldn’t expect all design engineers to design and build absolutely amazing things on their own.
I think most design engineers (including me) are just engineers that care about design, but that doesn’t necessarily mean they are good at designing (and vice versa).
To me, the title design engineer is misleading in that it’s more of a description of where one’s interests overlap instead of actually indicating high skill in both disciplines.
Mayank retweeted
The stunning design of the Toronto Reference Library, created by Raymond Moriyama in 1977.
It’s my dream to build products the way the @bot team has. They’ve thought so much, executed and unshipped so much and come up with a product that feels ridiculously easy and exciting to use. It could easily be perceived as a product that’s barely something but it can do anything
Grok @Bot is the hottest new AI product in the world right now. I'm absolutely hooked.
It all started a few months ago as a tiny team holed up in a separate part of the office, building from scratch.
Four weeks after the first line of code, the whole company was obsessed. Three weeks later, it launched to the world. Less than a month in, millions of Grok Bots are already helping people get work done.
Roman Ugarte (@romanugarte_) incubated, launched, and now leads product for Grok Bot. This is the first time he's told the story:
🔸 Why they started fresh instead of building it into Cursor
🔸 The two non-obvious bets that made it such a success
🔸 What they learned from manually onboarding the first 200–300 users
🔸 Why they spent the weeks before launch *unshipping* features
🔸 The first prompt to try when you open it
Watch the full episode right here on X 👇
Mayank retweeted
You all know about Marvel's iconic comic book annual/quarterly reports from the 90s, right?
It wasn’t just the covers. Charts and management commentary were illustrated too.
Mayank retweeted
I wrote an in-depth article on how I made @cursor_ai’s icons. Read it if you want to know:
- How to keep 600+ icons consistent
- Why I made optical adjustments nobody can see
- Why the icon stroke weight is 1.25px (who does that, really?)
- Why I drew 156 almost identical versions of a hamburger icon
…and much, much more!
minoradventures.co/blog/the-…
Mayank retweeted
I moved to New York when I was 17. I waited tables at a vegan restaurant, worked the night shift at Dunkin Donuts on 3rd Ave, and finally found out about bike messengering, which I figured was a great long-term career option if I wanted to focus on feminist zine/book projects and hitchhiking back and forth across the country. A bad car wreck and a broken heart ended that fantasy. Eventually, I got jobs in design and product departments at fashion companies and then in the art world.
Years later, I became fixated on building an astrology app. I wanted it to capture something my friends in the punk scene and in the political world had taught me: how to find recognition away from the gazes of a world we’d been told was important, but wasn’t, really. We read like maniacs, found our peers in history, a pantheon of writers who could describe our realities as they existed, reaching out across continents, languages, and sometimes centuries to explain our realities. Words that capture our experiences and make us feel utterly and completely seen.
I built Co–Star in the same tradition, mixing in that same pantheon of writers with the oldest technology (astrology) and the newest (AI). Nine years later, we've reached 35% of young people in the US with tens of millions of app downloads and a profitable business.
Along the way, I became friends with David Holz, who was similarly interested in the very old and the very new. He later started Midjourney: a weird AI lab, focused on beauty, imagination, and supporting human thriving with technology. Using Midjourney feels like uncovering something subliminal and new about yourself. It feels like being seen.
Today, Midjourney is acquiring Co–Star, and I’m joining Midjourney to lead a unified product, design, and frontend team across all Midjourney projects.
We're at a crazy moment in history. At a time when it feels like many labs are pushing toward replacing humans with computers, David and I are taking a different approach. We share the belief that computers can be tools that reveal our humanity to ourselves. Tools that show you what you mean, how you feel, what you're imagining, before you can articulate it yourself.
Co–Star will continue as Co–Star. The same app you know and love, now with Midjourney's support behind it. And as a part of Midjourney, we’ll help to develop new kinds of technology focused on humans, on making us more creative, more knowing, more alive in the world.
So, thank you: to the Co–Star team, the Co–Star community, our first decade, the next ten – and to the void itself.
Love,
Banu
Midjourney is acquiring Co-Star. CEO @banu__guler is now Chief Design Officer at Midjourney. She's building a cross-functional design, product and frontend team for all our efforts. The Co-Star app will continue to operate under Banus complete control. Welcome Banu and team <3


















































