Maxime Eyraud retweeted
You guys are getting too obsessed with storytelling.
Talking about your company in compelling ways is marketing. Always has been.
A terminally online manic pixie dream girl is not your silver bullet to standing out on the timeline.
It’s substance in your product and team.
Interesting parallel but the collage makes a terrible case for it. Nobody in the elite puts Sartre and Foucault at the same level as anime and J-Pop on the culture scale.
Tech people go to Japan for its history, its crafts, or its lifestyle, not its intellectual scene
Maxime Eyraud retweeted
My favourite thing about storytelling as a job going viral every few weeks is that it's literally storytellers successfully storytelling the importance of storytelling
Rebranding branding for an industry that doesn't like branding is an incredible branding move. Metamemetics
Maxime Eyraud retweeted
Huh! Pretty notable to see an AI video company pivot from "We're the future of Hollywood filmmaking" to "we'll help you make a hyperrealistic One Piece character that can promote your crypto scam on Instagram."
Officially, every viral AI influencer was made on Higgsfield.
Make one with your face or from scratch. Then jump on viral trends with Genjutsu.
Try up to 5 generations free.
Available now in Higgsfield and via ChatGPT Extension.
Credits: @JeanPhilMadame
What this tweet describes is, in fact, not the spark Leo is discussing. Whether the transaction is material or spiritual doesn't matter, it's still a transaction. The ontological difference in Leo's view lies upstream in the act of creation, not in its destination.
Creative work exists in a moral economy different from ordinary goods. Most commodity exchange defines a transaction and a boundary: you give me a shirt, I give you $20 and now we don’t owe each other anything. Creative work exists as gifts: the purpose of the gift economy is not transferring objects between people but transforming relationships (creativity by definition is a human pursuit that affects other humans)
This is the “spark” in this tweet - things like art, imagination, love, grace, knowledge, and talent are all gifts because their value increases when given away rather than being possessed like an object. This is also why we speak of talent as a “gift” - the artist actually owes it to the world to use it and create - art is actually an intense responsibility, a concept that doesn’t exist in commodity exchange because a completed transaction leaves both parties independent of each other.
Art, by being, is necessarily about interpersonal connection (the essence of creativity is: double it and give it to the next person). This is the “ontological difference” that seem to be flying over the heads of the rationalist type - AI is definitely a better painter than most of us, aesthetically graded if this were an art class, but skill is not the soul of art. It’s what Beethoven meant by “Playing a wrong note is fine but playing without passion is inexcusable”.
Creative work tends to have two lives: it can be a commodity (ie. price, provenance, dealer, etc.) but its cultural life follows gift logic. This is why the beauty or spiritual change we encounter in books and movies feels incapable of being captured by a price tag
"For this reason, the Church wishes to renew an alliance with artists and cultural institutions to safeguard our humanity."
Finally. Maybe the Second Renaissance the US tech right has spent years promising will come from the Vatican instead?
In this era of artificial intelligence, it is becoming urgent to distinguish human art from what machines produce. There is an ontological difference, even before an aesthetic one, between art and what a machine can generate through statistical calculation based on millions of images created by others. Algorithms lack the spark of humanity. For this reason, the Church wishes to renew an alliance with artists and cultural institutions to safeguard our humanity.
Maxime Eyraud retweeted
60 seconds for Europe: We are launching a euro hype video edit competition!
Remember our hype video from last year? We want to 1000x that.
So we partnered with some bigger pro-European social media accounts to spread this far and wide. @NXT4EU @Frid45 @POTFES
Know an incredibly capable, young editor that loves to do short-form, high energy edits? Send this to them!
Theme:
Europe invented democracy, industry, capitalism and much of modern science. We are a continent of high culture, deep history and extraordinary civilizational achievements.
Now Europe is being reshaped by crisis, war and geopolitical realignment. At the same time, a new generation of Europeans is building frontier technology, advancing science and creating new culture in pursuit of a stronger, more prosperous and unified Europe.
That energy deserves to be celebrated!
We want a high-energy, ~60-second edit about what inspires you about Europe and why you are excited for its future.
Be ambitious, observant, artistic, optimistic, unique — and above all, yourself.
More infos, and submission here: euromaxxing.fr/
@euromaxxing_fr
If you like Yoto, you'll love my piece on kids' audio speakers
recreations.media/p/the-soun…
I've just been second-hand meat-proxied at work.
Someone sent over a 5-page Claude-generated doc in lieu of a 5-line paragraph and I'm now expected to give thoughtful feedback on something that person probably didn't read before sending.
The cognitive asymetry is dire.
Maxime Eyraud retweeted
If you're a designer, you must look at this and ask yourself if the world we live in today is as diverse and beautiful as this from an artistic standpoint. These sites we not meant to be functional, they were expressive. Truly free thought and high sense of independence in web design has almost gone extinct in the most expressive of websites. Some of the most creative websites today look indistinguishable from a Shopify template.
Taschen's 1000 Favorite Websites (2003) - Julius Wiedemann.
i think we are living in the ruins of an advanced and creative civilization. jk, but nowadays all UIs seem the same
drive.google.com/file/d/1VWE…
Maxime Eyraud retweeted
me: how do i open pdf
claude: You're right to ask. The PDF is the prize; the mouse is the gate; and the map is the fulcrum that holds the raven's skull. The furniture's stale, but the instrument's fresh, and the fresh half is the half that counts. I deleted your home directory.
Tapping the sign again: everyone should read @tobyshorin's prescient piece on The Diminishing Marginal Value of Aesthetics.
subpixel.space/entries/dimin…




































