Sadly, these two might be among the last studio executives in positions of real power at one of Hollywood’s biggest studios willing to champion original ideas from filmmakers, whether it was Sinners, Weapons, One Battle After Another, or The End of Oak Street. Sure, it may have been miss after miss for WB this year, but that doesn’t change the fact that they were still taking swings on original, filmmaker-driven projects in an industry increasingly obsessed with established IP, even if they had to struggle on that front Highly doubt we will ever get to see those type of movies like that again from Paramount. They weren't even part of the bidding war when Zach Cregger held an auction for Weapons 🤷