![on poetry & history
by Aracelis Girmay
after Joy Harjo
On a panel of men who spoke about history & poetry, she sat quietly for much of it. They, the men, were saying strong things, good things but in authoritative voices, voices that knew they knew things. & she remained the only quiet one. She listened as if she weren’t listening. Her face looked forward. Her quiet seemed distant. It had a straight back. & then she interrupted one of the men & said something like, “That reminds me of the time…” & she spoke of a fellow Native American teacher in her region who committed suicide near the end of one of the years, & how he must have been hurting & isolated & in pain, but not many people spoke about that, or spoke about his death or their loss when he died. It was swept under the rug, that was the phrase she used, & she said she was at home one day & looking out of the window & she noticed a black thread... [ran out of space. this poem is in the collection, the black maria, 2016]](https://pbs.twimg.com/media/Gnz4PRAXMAAbbRa.png?name=small&format=webp)
ALT on poetry & history by Aracelis Girmay after Joy Harjo On a panel of men who spoke about history & poetry, she sat quietly for much of it. They, the men, were saying strong things, good things but in authoritative voices, voices that knew they knew things. & she remained the only quiet one. She listened as if she weren’t listening. Her face looked forward. Her quiet seemed distant. It had a straight back. & then she interrupted one of the men & said something like, “That reminds me of the time…” & she spoke of a fellow Native American teacher in her region who committed suicide near the end of one of the years, & how he must have been hurting & isolated & in pain, but not many people spoke about that, or spoke about his death or their loss when he died. It was swept under the rug, that was the phrase she used, & she said she was at home one day & looking out of the window & she noticed a black thread... [ran out of space. this poem is in the collection, the black maria, 2016]





























