
technologist + artist https://xitter.cf/t.co/82J97kQY2t 𝘮𝘰𝘷𝘦 𝘲𝘶𝘪𝘦𝘵𝘭𝘺 𝘢𝘯𝘥 𝘱𝘭𝘢𝘯𝘵 𝘵𝘩𝘪𝘯𝘨𝘴 prev: @songcamp_
Los Angeles
Joined March 2009
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m҉a҉r҉k҉ retweeted
Brilliant convo between three of my favorite people in the AI music space. @dadabots have a refreshing, mind bending take on the space and Mark is the perfect host, with a deep knowledge of music, culture, tech and AI.
AI music is "the collective consciousness through a hall of
mirrors." - @dadabots
Each generated track reflects training data warped through layers of algorithmic interpretation.
m҉a҉r҉k҉ retweeted
Google Magenta @GoogleMagenta RealTime + music sentiment analysis + prompt block game = A twist on the lo-fi anime girl.
👉 You need to play to keep her studying.
If the music gets too quiet → she falls asleep 😴
If it’s too danceable → she starts dancing 💃
m҉a҉r҉k҉ retweeted
new dadabots podcast out w/ @markredito
such a pleasure!
- prompt jockeying at the UN
- livecoding w/ tidalcycles
- building control into diffusion models
- 22nd century music
- simulating music critics
- ai song contest
- high-effort creating
- world premiere of MF U UP 🥳
AI music is "the collective consciousness through a hall of
mirrors." - @dadabots
Each generated track reflects training data warped through layers of algorithmic interpretation.
AI music is "the collective consciousness through a hall of
mirrors." - @dadabots
Each generated track reflects training data warped through layers of algorithmic interpretation.
Human music history works the same way. Genre fusion, cultural collision, artistic influence. All mirrors reflecting mirrors.
@dadabots live performances make this visible. When they generate "twinkle trap" or "ghost pepper salsa" in real-time, they're not just making new sounds. They're revealing how creativity has always worked.
more on this episode:
redito.substack.com/p/from-2…
m҉a҉r҉k҉ retweeted
I think @LILINTERNET has outdone himself with this one
soundcloud.com/newmodels/nm-…
m҉a҉r҉k҉ retweeted
Explorer - Music and Artificial Intelligence: Artistic Trends-- Interactive analysis of 337 AI music projects from 2017-2025
Check it out! >> domenicostefani.com/ai-music…
Thanks @dom_stefani for giving Dadabots our own button 🫠🫠
Question for musicians & music-tech folks: What's your ideal AI music workflow?
AI plugins in DAWs?
Native AI-DAWs?
Desktop/mobile/web?
Non-DAW interface?
I think there's opportunity to rethink AI music workflows to be more dynamic. Thoughts?
m҉a҉r҉k҉ retweeted
I wrote in praise of slop. In this essay, I surveyed a few moments from the past to argue that popular commentary about AI art looks more like a defence of cultural authority than of artistic integrity 🎭
Link below
m҉a҉r҉k҉ retweeted
We’ve put 12.4 million of the most beautiful images in the public domain into an image-text dataset with community governance.
Public Domain 12M is completely free. Its 30+ terabytes of images are hosted on AWS, so downloading them is fast and won’t negatively impact the cultural heritage organizations who originally shared them.
m҉a҉r҉k҉ retweeted
Ted Chiang's essay made some good points about art and intentionality, but it is premature to debate about AI making art. For now, AI doesn't exist autonomously. Humans make art with AI models trained on humans.
We train our own models on our own datasets. This project took 18 months to prompt. I see making models as art.
m҉a҉r҉k҉ retweeted
When something generates enough steam to warrant people writing long essays about how it’s not art, it’s probably art
m҉a҉r҉k҉ retweeted
To all of you who have made it this far, a big kudos to my fellow internet sociologists!
Live coding vs DAW:
According to live-coder/music produce R Tyler, live coders (algoravers) are not bound by developer decisions and restrictions in making music/tools. To a special kind of artist, this is attractive and liberating.
full ep below
+ algoraves, microtones, evolution of music tools (ai included), reflections on electronic music + more
full ep:
redito.substack.com/p/creati…





















