the people who listen to stove are not under 25 I’m sorry, his fans know who Swizz are.
this is a logical overlap.
Swizz worked on the Clipse album and that turned out fine
This gonna sound like hate but skipping his underground phase to work with washed greats may have not been a strong move for the music
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Lu retweeted
Btw Oobah is one of the OG goats of stunt - well packaged content. He really did pioneer this era content. Constantly cited him at MrBeast and now I still see his work find its way into tech circle ideas
Exposing the truth, one scam at a time.
#OOBAH: SCAMS FOR A BETTER TOMORROW premieres on November 22.
nytimes.com/2026/10/21/arts/…
Shoutout the ARTium family
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cohen making 3 stacks an hour for sure, this experience translates. look how easily he foretold and broke it down accurately.
The Chris Brown plea is a masterclass. Three heavier counts dropped, left with affray — a 3-year max the court almost never maxes out. First UK conviction, guilty plea credit, no trial. I'm calling it now: suspended sentence, he goes home.
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"Bitter Sweet Symphony" earned almost $5 million in publishing, Billboard estimated, and Richard Ashcroft, who wrote it, got $1,000.
Asked in 1999 whether the deal was fair, Keith Richards said: "If the Verve can write a better song, they can keep the money." Once it sold, the band says, the demand became 100% or the record came out of the shops.
22 years later, sunglasses on, in front of the Ivor Novello Awards press wall, Ashcroft says Mick and Keith have given him the royalties back.
In June 1997 Ashcroft was 25. The Verve had looped 4 bars of an old orchestral cover of the Stones' "The Last Time" and built a new song on top, with 24 string players and his words. Virgin had cleared the recording with Decca, but the composition belonged to ABKCO, the company of former Stones manager Allen Klein.
Klein refused clearance, saying the band had used more than agreed. The settlement gave ABKCO 100% of the publishing and put Jagger and Richards on the writing credit. In 1998 Nike ran the song in a TV ad, which the band's management said it would never have agreed to.
In 2018 Ashcroft said someone stole "God-knows-how-many million dollars" off him in 1997.
The 1998 Songwriter of the Year statuette is solid bronze. The publishing on his biggest song sat in New York for 22 years.
In April 2019, after his managers asked, Jagger and Richards signed over their future songwriter royalties. The 22 years before stayed where they were.
If your song had paid someone else for 22 years, would you thank them on stage when they stopped?
Tinashe - Melatonin (Official Music Video) youtu.be/Zh4t2TaeA38?si=6xnV…
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Lu retweeted
Angel Reese is one of the biggest phenomenons in sports right now
Her offensive bag is like Zach Randolph, she play defense like Draymond Green, & she talk shit nonstop like Gary Payton but she look like an IG model
Just a hilarious combination of shit
REPOSTING THIS FOR THE SAME REASON
Replying to @lu_owmg
my last placement was with a guy whose sole contribution to the record was mailing my client a splice sample and claiming it as his own.
This is a major label placment
im cutting this shit out right now.
y’all got to learn music or get a job
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Lu retweeted
A lot of ppl ain’t gone like this….. but I see black executives every single day NOT help black creatives in the music industry. So when I see these layoffs I keep scrolling. I’m not happy or sad. It’s a lot of us that’s BEEN on this grind by ourselves anyways.




















