poet, dad, editor, reviewer ~ place, bodies, belonging, the end of the world ~ masthead @VariantLit @PhillyChapbook ~ he/him 🪐💀🏳️‍🌈🍃

St Petersburg, FL
Joined December 2014
(e)laments is now available from @stone_corp85690! This collaboration with @gr8earlofhell is available from the publisher in PDF (free!) and print ($7 + shipping). I will send you a signed copy with a bespoke, hand-written short-form poem for $15 (shipping included), DM me
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It's a good day to send us some poems or stories!
We've increased our honorariums and can pay $25 for longform fiction and $15 for poem, flash, or micro-series. No fee to submit and we'll reply within three months.
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"you painted eyes on your toenails they watched us while we slept ten cameras they didn't see us they didn't see our dreamlife" - "Eyepoem II," in AFTER SUNSTONE by Dustin Cole (@FarthestHeaven)
If you’re one of those people who have their toes out most of the summer, allow me to make an AWESOME suggestion…
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This is my Q and A with @MagazineVersion , dealing in part with the circumstances of readying After Sunstone for print with @20gaShotgun and @TomWill72550626 of @FarthestHeaven
The transformational quality of text and the discursive space of conversation and critique—Q and A with @itinerant_male surrounding his collection, After Sunstone. version9magazine.com/after-s…
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"Loving language and loving syllables. Kwon seems to think these are the same thing. But language is more than the sounds it makes."
Glad @SXTHWXNG dissects in this thorough review of R.O. Kwon's latest a kind of "rhythm-forward" prose I find maddening—and unrewarding to sort out. Was confused by esteem in which it is held and thought it's just how my brain is wired, but Wang cuts to the heart of the matter:
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The limbs of the fighters move like a bundle of mating snakes. DIRTY by Mary Sfaelos Klein ↓
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☠️ 🎃 👻 call for spooky stuff tomorrow, from Aaron & Crow 👻 🎃 ☠️ • 800 words or fewer • for micros & poetry, up to 3 pieces (<800 total) allowed • open to all genre • Subs will open on Thursday, October 15 @ 4pm ET • Submissions capped at 200 havehashad.submittable.com/s…
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2017
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Emily Dickinson They fling their Speech
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hearing things
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Today’s air despite its intermission’s become a semblance of its self when without lemons - Bernadette Mayer, “Possessives and Apostrophes”
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"I think a poem, when it works, is an action of the mind captured on a page, and the reader, when he engages it, has to enter into that action. His mind repeats that action and travels again through the action, but it is a movement of yourself through a thought." --Anne Carson
Went back to her Paris Review interview
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We've increased our honorariums and can pay $25 for longform fiction and $15 for poem, flash, or micro-series. No fee to submit and we'll reply within three months.
Variant Lit is seeking poetry, flash and micros, speculative fiction, and short stories. Submit before November 20th variantlit.com/submit/
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Congrats to our BotN Nominees! - “Jane Goodall’s Hologram Comforts Tapioca, Earth’s Last Remaining Chimpanzee” by Jared Beloff - “Ley Lines” by Nick Daoust - “The Naming” by Sara Hovda - “Octopus Years” by Jason Zhang (1/2)
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Agree with Ezra Pound that “poetry tends to atrophy when it gets too far from music”, and I also think Anne Carson is never that far from music
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been reading this at bedtime with 6yo lately. he loves the reptiles page. the other day he wrote his own poem inspired by ancient Egypt, and is working on a nonfiction pamphlet on how to make different crafts. parenting is a challenging delight
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so much for my standing desk setup. lap desk doing heavy duty lately
BRUISER (broke my leg biking home from work)
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Variant Lit is seeking poetry, flash and micros, speculative fiction, and short stories. Submit before November 20th variantlit.com/submit/
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one of my favorite Carson pieces, from Float.
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