Lori retweeted
Fun fact. Skims’ factories are rated lower than Shein’s, and received a 0 out of 150 on their Fashion Accountability Report. They are not transparent about their factories and labor practices overseas + have sweatshop accusations and faced domestic labor lawsuits in California.
Lori retweeted
AJUDE AKIN! 🙏🏽😔 Por favor, venho pedir muito a ajuda de vocês para custear o tratamento do meu gato que tá internado há 5 dias com pancreatite, além de ser renal crônico. Ele está sofrendo bastante e nossas dívidas já ultrapassaram os 5 mil. vakinha.com.br/vaquinha/ajud…
Lori retweeted
La clau del projecte (absolutament personal) d'Scorsese és la reconstrucció gairebé arqueològica dels estils de vida de l'alta burgesia novaiorquesa del 1870. En cap cas el triangle amorós (força simple).
Una aposta per l'estilització lleugera és una condemna per a la sèrie.
First look at the series adaptation of Edith Wharton’s ‘THE AGE OF INNOCENCE.’
Premieres February 18 on Netflix.
🔗 vanityfair.com/story/age-of-…
Lori retweeted
One of the inspirations for the Otherworld Midwich Elementary School, when I modeled it.
Other sources of inspiration include a 1990 film Jacob's Ladder and Kowloon Walled City, etc.
Lori retweeted
Anecdotal but all the vegans I've met were nice well adjusted people that get ragged on by loud obnoxious people that cant fathom someone else having a different diet
Lori retweeted
Cashew é um doce, só tem 1 ano de idade e gosta muito de denguinho!
Apesar de ter sido abandonado pela antiga tutora em um imóvel caindo aos pedaços, ele não deixou de ser um fofo à espera de uma nova chance de ser amado de verdade! 🩷
adote@catland.org.br
Lori retweeted
100% pure class. Our First Monkey
Robbie Williams defends Olivia Rodrigo after she was accused of copying his song “Candy” with “take me home (4 christmas)”:
“Artists deserve to be protected. But there’s a difference between protecting your work and treating every vaguely familiar sequence of notes as a winning lottery ticket. It sounds to me as though she may have accidentally stumbled across a musical echo of mine in one of her new songs. And do you know what? I couldn’t care less. I don’t know whether there’s technically a publishing issue, a copyright issue, or no issue whatsoever. And I don’t want to know. I’m not going after her. Because I think at some point, some f**king sanity has to prevail […] We all stand on the shoulders of people who came before us. Sometimes consciously. Sometimes without even knowing it. That’s how music works. If we keep punishing people for accidentally arriving somewhere somebody else has already been, eventually we’re going to frighten the creativity out of everyone.”
