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The trusted name for cinema updates & box office data. DM/Email for enquiries [email protected] ✉️
Los Angeles, CA
Joined January 2019
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#Ramayana’s Mumbai event was delayed by nearly 5 hours which was supposed to start at 1.30pm started off at 6.30pm, with the media left waiting and barely any communication from the organizers. Reports say the publicity team told journalists, “If you want to leave, you can leave”
Salute @NameisNani 🫡 You will be celebrated beyond the films you make.
I have seen all your reactions and responses. I’ve received all your love and equally enjoyed your hilarious trolls. I’m heartwarmed by the way audience have owned the film, and also learnt from the flaws that critics and reviewers have pointed out.
Thank you for everything is all I can say.
We have made #TheParadise with a lot of blood and sweat to give you a unique experience, and it’s all yours to celebrate or judge.
With the excitement you had for the film and the affection you showed on me, I am filled with gratitude ♥️
Nani
MR Beast at Ramayana Promotions, day by day the inexperience to position the film of this scale gets evident. #Ramayana
#LoveAndWar — 21st January 2027.
Ranbir Kapoor - Vicky Kaushal - Aliaa Bhat.
VICKY KAUSHAL!!!! First look from Sanjay Leela Bhansali’s #LoveAndWar
Anirudh performed #Jailer2 unreleased at Singapore pre-concert fans meet.
Lets Cinema retweeted
THE PR MAFIA EXPOSE: #TheVvaan IMDb/BookMyShow RATINGS MAKE NO SENSE!
Let’s forget the PR machinery for a moment and look at the numbers.
#TheVvaan is being promoted as a deeply rooted Indian-culture film, built around Chhath Maiya, our traditions, mythology and Indian cultural emotions.
So naturally, you would expect its strongest organic connection to come from Indian audiences.
But IMDb is telling us something VERY different.
#TheVvaan has only around 1.1K IMDb votes — with:
🇮🇳 India: 543 voters
🇺🇸 USA: 511 voters
Almost the SAME number of voters from India and the USA.
Now look at the 10/10 distribution:
🇮🇳 India: 449/543 = 82.7% gave 10/10
🇺🇸 USA: 498/511 = 97.5% gave 10/10
97.5% of the US voters gave this supposedly rooted Indian, Chhath Maiya-centric film a PERFECT 10/10.
Seriously?
A film marketed around Indian roots, Chhath culture, mythology and desi emotions is apparently receiving an even more unanimous response from American IMDb voters than Indians themselves.
And we're talking about a film whose visual presentation has already been mocked by many viewers for its cardboard-looking VFX and artificial-looking imagery.
Now compare this with #HanumanAnsh.
#HanumanAnsh has around 11K IMDb votes — roughly:
🇮🇳 9K+ votes from India
🇺🇸 974 votes from USA
That's what a much broader and more organically distributed audience sample looks like.
And then comes the reality check:
🇺🇸 #HanumanAnsh: ~$1.75M North America
🇺🇸 #TheVvaan: ~$35K North America
Yet somehow, among the tiny US IMDb sample for #TheVvaan, 498 out of 511 people allegedly decided that this was a 10/10 masterpiece.
That's the part that deserves scrutiny.
This alone doesn't prove that the votes are fake or generated by bots.
But the distribution is bizarre enough to raise serious questions about how representative these ratings actually are.
And IMDb is only ONE platform.
Now look at BookMyShow.
Normally, when a film opens with an extremely high rating, the rating tends to come down gradually as a much larger and more diverse audience starts watching it.
But #TheVvaan has been moving like this:
9.7 → 9.5 → 9.3 → 9.4 → 9.5 → 9.4 → 9.2 → 9.1 → 9.2 → 9.1
Down.
Then UP.
Then down.
Then UP again.
And this is happening despite the audience pool continuously expanding.
So what exactly is happening here?
A rooted Indian-culture film centred around Chhath Maiya and Indian traditions, supposedly connecting with audiences so overwhelmingly that almost 98% of its US IMDb voters give it 10/10 — despite doing only around $35K in North America?
Meanwhile, a film like #HanumanAnsh has a much larger and more geographically representative IMDb sample and has actually generated ~$1.75M in North America.
If the suspected/inauthentic 10/10 votes were removed from #TheVvaan's sample, the underlying rating could theoretically fall dramatically — potentially towards the ~4/10 range, depending entirely on which votes were excluded.
So no, the question isn't whether people are allowed to love #TheVvaan.
Of course they are.
The question is:
WHY DOES THE DIGITAL RATING DATA LOOK SO EXTREME?
Is this genuine audience enthusiasm?
Or is there a coordinated effort to manufacture the perception that a Chhath Maiya-rooted, culturally Indian film with heavily criticised/cardboard-looking VFX has achieved near-universal audience approval?
Because if ratings are being used as a PR weapon, then they're no longer simply reflecting audience sentiment.
They're manufacturing it.
And this is only the beginning.
IMDb. BookMyShow. Ratings. Box office.
Put all the numbers together.
THE PATTERN DESERVES A MUCH CLOSER LOOK.
#AliaBhatt’s sizzling first look from Sanjay Leela Bhansali’s #LoveAndWar — in cinemas from 21 January 2027.
Extended version of Avengers Endgame: Encore with new footages attached screening now at IMAX screens near you!!!
#TheVvaan Review: The film is an utter disaster from the first frame — the concept is good, but shady execution. Despite the potential in plot, the film is treated like a cheap Ekta Kapoor TV serial, taking the audiences for granted. Sidharth Malhotra is fine, so is Tamannaah — but the issue rests in everything else. Shweta Tiwari, Manish Paul and Sunil Grover tracks are loud and pointless. SKIP IT!!
#D56 — Banger cast and crew announced.
- Dhanush
- Preity Mukundhan
- Vadivelu
- SJ Suryah
- Uriyadi Vijayakumar
Directed by Tamizharasan Pachamuthu.
Sai Abhyankar Musical.
#Dorothy Review: The film is an intriguing rural saga powered by compelling work from Rishikanth, Sananth, & @KeerthyOfficial. @karthiksubbaraj crafts a layered narrative with raw emotion and shifting perspectives elevated by Ilaiyaraaja’s soulful score. The major genre turn in the second half, completely hidden from the teaser & trailer, is a shocking surprise. Uneven in places, but undeniably distinctive. WATCH IT!
BREAKING: Nani’s #TheParadise opened to ₹72.5 crores worldwide day 1 gross including premieres.
India - ₹50.7 crores.
Overseas - ₹21.8 crores.