Rafał Lemieszewski retweeted
I am a member of the Norwegian Nobel Committee.
There are five of us. Five people, appointed by a parliament most of the planet could not find on a map, who decide, once a year, which human being the world has agreed to call good.
I know. I know. I think about it on the tram.
We meet in a building on Henrik Ibsens gate, a street named after a man who wrote almost exclusively about people discovering they are frauds, which nobody on the committee finds funny except me. There is a room with a long table and the portraits of the dead laureates looking down, Mandela, the Dalai Lama, a great many earnest men in spectacles, and one portrait we do not discuss, which is Kissinger, 1973, awarded while the bombs were still falling, after which two of our predecessors resigned and the satirist Tom Lehrer said political satire was now obsolete. We keep him on the wall. A reminder. Every family has the uncle.
It is October in Oslo, which means the sun gives up around four in the afternoon like a civil servant, and it rains the particular Norwegian rain that isn’t quite falling, just hanging there, judging you. I arrive with wet shoes. I always arrive with wet shoes. There is coffee, because this is Norway and there is always coffee, we drink more of it per person than almost anyone alive, and someone’s wife has sent kanelboller, the cinnamon buns, and we sit, five Norwegians, damp, caffeinated, sugared, and we decide the moral standing of the entire species.
Let me tell you how it actually works, because the world imagines a cathedral and it is, I promise you, a book club with a mandate.
287 nominations this year. 208 people, 79 organizations. Anyone can nominate, that’s the secret nobody understands: a professor, a parliamentarian, a former laureate, so the “nominee” list is meaningless, it’s a suggestion box, and every autumn some congressman nominates his own golden retriever and the press writes “SHORTLISTED.” Nobody is shortlisted. There is no short list the public ever sees. There is us, and the coffee, and the rain, and the portraits, and a Norwegian stubbornness that is older than the prize itself.
We read reports. The institute’s advisers write them, thick dull documents, and we argue. Our chairman told the BBC once that in the final meeting “there is a high temperature.” High temperature, for a Norwegian, means someone slightly raised an eyebrow and then apologized for it. We don’t do high temperature. We do a long silence, and then Kristin says “well,” and everyone knows exactly what “well” meant, and it’s settled. That’s our shouting. “Well.” You’d have to be raised here to hear the violence in it.
Now. This year. I will not say the name, because we never say the name, but you know the name.
A certain head of state wanted this prize the way a child wants a thing in a shop window, which is to say loudly, and in public, and with the full belief that wanting it was itself the argument. He said he deserved it. He said he’d ended eight wars, a number that grew most times he said it, like a fish. He had other heads of state phone us. Israel’s prime minister posted it on the internet, “Give him the Nobel.” The leaders of Cambodia and Pakistan announced they’d nominated him, as though announcing it were part of it, as though we tally mentions. A man flew around the globe collecting endorsements for a Norwegian committee the way you’d collect signatures for a petition to the council about a noisy dog.
And here, uff da, is the detail I treasure, the one that makes me smile into my coffee. The nomination deadline is the 31st of January. He took office on the 20th. So for all the phone calls, all the posts, all the gilded lobbying, the only nominations that could possibly count for this year’s prize were filed in the first eleven days of his term, before he had, by his own arithmetic, ended a single one of the eight wars. He campaigned all year for a prize whose window had shut while he was still hanging up his coat. We didn’t have to reject him. The calendar did. We just watched. Norwegians are very good at watching. We have long winters.
People think we sit there weighing his deeds. We don’t. That’s the thing I can’t make the world understand. We’re not grading his homework. We don’t owe anyone the prize for a ceasefire, however real, however loud the announcement. “He made peace” is not a sentence that ends in a medal, the way he believes it does, the way he believes every good thing ends in his name on it. The will of a dead Swede says the prize goes to whoever did the most for fraternity between nations. A dead Swede, I should add, who made his entire fortune inventing dynamite and selling arms, and spent his last years horrified at his own obituary, which called him a merchant of death, and so bought his way to immortality as a man of peace. The whole prize is one guilty arms dealer’s attempt to launder his name. We are, all of us, administering a dead man’s public relations. I find this clarifying. It keeps me humble. It should keep everyone humble, and it keeps, by my count, no one humble at all.
So who did we give it to?
An eighty-five-year-old woman. A judge. Born in Durban, under apartheid, granddaughter of a Tamil man who came to South Africa as indentured labor, a bus driver’s daughter from the poor Indian quarter, who became the first non-white woman to run a law practice in her province, who defended Mandela’s people when defending them was dangerous, who sat on the Rwanda tribunal and the court at the Hague, and who, at eighty-five, is right now a judge weighing whether a genocide is a genocide. When we told the world, our chairman said the rule of law “underpins the system we have set up to ensure peace,” and that “peace requires justice.” She wasn’t even in Oslo. She was in Nuremberg. In courtroom 600. The actual room where they tried the Nazis. You cannot stage that. God staged that, and God, it turns out, is a better satirist than any of us.
She did not phone us. She did not post. No prime minister demanded it for her on the internet. She had, as far as our deliberations are concerned, the one qualification the loud man could never manufacture, which is that she wanted the work and not the medal. The medal finds those people. It flees the ones who chase it. This is not a rule we wrote. It’s just the only pattern the hundred-odd years of our mistakes has ever shown.
The reaction from across the ocean was immediate. His spokesman posted that we “place politics over peace.” Ja. Perhaps. We’re five damp pensioners in a rainy city; of course it’s political, it was always political, it was political when we gave it to a sitting American president nine months into his first term for the promise of things he had not yet done, and we have been quietly embarrassed about that one for fifteen years, so believe me, we had a particular reason this year to prefer a woman with fifty years of verdicts behind her over a man with eight wars in front of him and a deadline already behind him.
Here is what he will never understand, the thing I’d tell him on the tram if he ever took one. We are the one prize he cannot buy, cannot post his way to, cannot have a friendly dictator phone in for him. Not because we’re incorruptible, nei, we’re as vain and wrong and human as the portraits on our wall. But because the entire point of the thing, the only power a small cold country’s book club has ever held, is that it goes to the person not performing the wanting. The moment you demand it, you’ve proven you don’t understand what it’s for, and proving that is itself the disqualification. He ran the most expensive campaign in the history of the prize and the campaign was the reason. He was never losing to Navi Pillay. He was losing to the concept.
It’s dark now. Four o’clock dark. The buns are gone. Kristin said “well” an hour ago and we all went home. I’m on the tram with my wet shoes, and somewhere across the water a very powerful man is explaining to a camera that the prize is rigged, that we’re corrupt, that he’ll win it next year, and he genuinely might, we’re only five idiots and we’ve been wrong before, Kissinger is still on the wall.
But not this year. This year an old woman in Nuremberg, in the room where the law once stared down the exact kind of man who thinks wanting a thing loudly enough should make it his, got a phone call she didn’t ask for.
That’s the job. We don’t reward the man who ends the war and announces it.
We reward the woman who spent fifty years deciding what a war was.
He’ll never see the difference. That’s rather the whole point of him.
Takk for i dag. I have to change trams.
Rafał Lemieszewski retweeted
After many years of development, I’m excited to share the interior of the first electric Ferrari designed by LoveFrom. Tactile controls and digital interactions blend into one cohesive interface, shaped through deep collaboration across engineering, interaction, graphics, typography, sound, and industrial design. So incredibly proud of the thoughtfulness and care the team brought to every detail.
ferrari.com/en-US/auto/ferra…
Rafał Lemieszewski retweeted
If you put the Apple icons in reverse it looks like the portfolio of someone getting really really good at icon design
Rafał Lemieszewski retweeted
on the persistent dominance of visual interfaces, and why there will be more UI innovation, not less:
I find it difficult to imagine a future in which the graphical user interface becomes obsolete.
The current narrative suggests that conversational UI will dissolve the need for graphical user interfaces. The “no interface is the best interface” quote is spreading among agreeable YC disciples. Software is being reduced to chat boxes, with voice input as a prominent feature.
While conversational UI is useful, language does not offer a universal replacement for visual interfaces. A future in which software is predominantly abstracted to conversations is not necessarily ideal, or desirable.
We often underestimate how efficient, beautiful, and intuitive visual communication is. It can often say much more than words, and does not require a sophisticated translation algorithms to cross borders.
One button can encapsulate intent and execute in one click. Option menus can surface complex capabilities without prior knowledge. Layouts can encode process, workflows, and priorities. Images can convey meaning without linguistic fluency. Visuals can compress multiple prompts in accessible form. We don’t need to learn, explain, or converse - visual interface elements serve as shortcuts for understanding, navigation, and execution.
Despite LLM chats making up an increasing share of our computing interactions, my fundamental belief is that AI will drive more graphical UI innovation, not less.
Intelligence will be able to express itself in more fluid, adaptive, and contextual ways - potentially in a variety of shapes, materials, and behaviours. Interfaces will no longer be constrained to static representations of predefined logic. Software UI will be defined by its responsive properties, tailored to the user and informed by its environment.
This new type of undeterministic software will require a different manifestation. Our existing component libraries and design systems will need to evolve their form and function. The rendering of our data and workflows will be ours to reinvent.
This provides a unique foundation for novel visual interface primitives to be developed.
Emerging hardware categories will also introduce new surface areas for software artists to experiment with. Increased computational power will enable more immersive, interactive, and dimensional software UI.
We can extend our imagination of visual software surfaces beyond hardware. Screens may be integrated in our environment, or our environment may become an ambient display. AI may allow software to translate itself into visual form responsively, adapting to the material and context it is rendered in or projected onto.
All of this, in combination with more advancements we may not have contemplated yet, creates a vast playground for more visual interface innovation than ever before.
History suggests that visual styles, aesthetics, and expressions rarely converge towards uniformity. We can expect software visuals to follow the same pattern, potentially at an accelerated rate.
Interfaces are about more than functional utility and efficiency. They provide an experiential layer that engages and stimulates us. Creative UI will offer an “experiential premium” on top of commoditised software capabilities, making interface design an economic advantage for product companies.
If biology remains relatively constant, visuals will remain core to our experience of the world, including the software we interact with. Estimates suggest that 70-80% of our sensory information is visual, with 30-50% of our cerebral cortex allocated to visual processing. It would be short-sighted to conclude that graphical user interfaces will be displaced.
Humans have developed a variety of languages to express different things in different situations. This applies to software, where our choice of interaction modality depends on context, preference, and application. Code for development, visual manipulation for design, computer vision for context capture, keywords for retrieval, and now language for general-purpose instructions or conversation.
Users will be able to interact with software in the modality of their choice, with more options to choose from. This will enable software to serve a broader range of edge cases and appeal to a larger variety of preferences than ever before.
It a false dichotomy (and useless debate) to compare and predict the “future interface” for software. There is no interface singularity. There will be more UI innovation, not less. We are too creative, too expansive, and too ambitious to limit ourselves.
valtetu.framer.website/blog/…
Rafał Lemieszewski retweeted
See, big man, politics is harder than you thought.
Replying to @sikorskiradek
Be quiet, small man.
You pay a tiny fraction of the cost.
And there is no substitute for Starlink.
Rafał Lemieszewski retweeted
I made a few renders of what a new iOS design language could look and feel like
Rafał Lemieszewski retweeted
Remember when we said auto layout was coming to Sketch? It’s here. It’s called Stacks, and it’s part of our biggest release ever — out now.
There’s a lot to cover, so buckle up and we’ll give you a tour.
Also, stick around for a surprise at the end of the thread 👀
Let’s go ↓
Rafał Lemieszewski retweeted
Excited to share LoveFrom and OpenAI have come together to form io, a new company creating the next generation of AI products and interfaces.
I’ve rarely felt so inspired by a project and team!
openai.com/sam-and-jony/
This quoted post is unavailable.
Rafał Lemieszewski retweeted
Chris Dalton, who leads Rive's rendering team, set out to reinvent how graphics handle soft edges. Here's the unfiltered story behind Vector Feathering.🪶
rive.app/blog/how-rive-reinv…
Rafał Lemieszewski retweeted
Could Trump's tariffs spark a US factory & manufacturing renaissance?
Let's say they do.
Here's the problem, even if we double the number of factories the US has now. Even if we—somehow—start making microwave ovens and pleated-front chinos and pillow cases in the US again.
—>
Rafał Lemieszewski retweeted
After advising 50+ consumer companies over the last year, the one thing that separates those who can execute and those who can't:
Having a full-time designer in the room at all times
I've met with countless companies that have raised millions—and even one that has raised billions—that do not even have a designer on payroll.
This makes product development broken:
1/ You simply cannot have constructive conversations about ideas without visualizing them in real-time
2/ Your experiments will frequently have inconclusive results because users cannot discover features or they misunderstand how they work
3/ There is no one who can galvanize the team with a vision of what the product could look and feel like
And to be abundantly clear: I'm not referring to visual UI or graphics. I'm talking about someone who can think through the fundamental building blocks of product comprehension—like navigation, interaction and copywriting—and is technically savvy enough to visualize those components in high resolution.
There can certainly be exceptions to not having a designer, like where the CEO is an exceptional visual thinker, but that does not scale beyond a small team.
At the end of day, products live and die in the pixels: it's what the users see and tap. And without someone shepherding that process, you are effectively wandering the desert blind.
Rafał Lemieszewski retweeted
Reminder that it is possible to demonstrate the regular manipulation of 'election' results in Russia based on the official data
Rafał Lemieszewski retweeted
FROM MAGA TO CHINA
Here are four things MAGA is getting wrong, and why it's handing over the world to China.
(1) First, MAGA correctly understands that America’s economic position is in decline but thinks this is due to economic competition itself, rather than lack of competitiveness.
(2) Second, MAGA also understands that the US has wasted trillions abroad in foreign wars, but thinks the problem is global leadership itself rather than poor leadership.
(3) Third, MAGA knows that their Blue American enemies have allies abroad, but has incorrectly overreacted to this by treating every non-Red-American as an enemy.
(4) Fourth, MAGA sees the billions of dollars flowing from the US to foreign recipients, but isn't grasping that the US can only print those dollars in the first place so long as it's the hub of a global empire.
When you put these together you can both understand MAGA's actions and understand why they will not lead to the intended result.
Basically: MAGA is hyperfocused on cutting off any apparent flow of funds from Red Americans to Blue Americans and non-Americans. And they only have ~500 days in power. So they're trying to quickly shut off imports, close down institutions, and exit all wars.
OK.
Except the reason the imports exist in the first place is because US products aren't competitive relative to Chinese products (or Fed printing). The reason those institutions exist is because the US set them up to run the world. And the reason those wars are happening is not because of American leadership per se, but because of the absence of good leadership.
If you shut all of that down at once — if you abandon global competition and global leadership — you shut down American Empire, and with it the ability to print money. And then everyone in that empire has a very bad time.
Rafał Lemieszewski retweeted
WAKE UP EVERYONE, NEW JWST IMAGE DROPPED!!! 😭😭
A protoplanetary disc around a newly formed star 😱
Introduction - SITUATIONAL AWARENESS: The Decade Ahead situational-awareness.ai/
Dario Amodei — Machines of Loving Grace darioamodei.com/machines-of-…
Rafał Lemieszewski retweeted
🚀 Introducing DeepSeek-V3!
Biggest leap forward yet:
⚡ 60 tokens/second (3x faster than V2!)
💪 Enhanced capabilities
🛠 API compatibility intact
🌍 Fully open-source models & papers
🐋 1/n
Rafał Lemieszewski retweeted
A powerful way to think about user interfaces is as them being bases of a latent space manifold. There is a nascent niche of interesting experiments exploring these and I will try to curate some of these that came into my notice in this thread.

































