Jim Lambie 🇨🇦 (@lambiejim) header
Jim Lambie 🇨🇦 (@lambiejim) profile picture

Emmy Nominated Set Decorator | Photographer | Educator | Purveyor of Prop Phones | Writer of Lists (see previous)

Toronto
Joined February 2010
Photo by Jim Lambie 🇨🇦 (@lambiejim)Photo by Jim Lambie 🇨🇦 (@lambiejim)Photo by Jim Lambie 🇨🇦 (@lambiejim)Photo by Jim Lambie 🇨🇦 (@lambiejim)Photo by Jim Lambie 🇨🇦 (@lambiejim)Photo by Jim Lambie 🇨🇦 (@lambiejim)Photo by Jim Lambie 🇨🇦 (@lambiejim)Photo by Jim Lambie 🇨🇦 (@lambiejim)Photo by Jim Lambie 🇨🇦 (@lambiejim)Photo by Jim Lambie 🇨🇦 (@lambiejim)
Jim Lambie 🇨🇦 retweeted
Guillermo del Toro: “Be very angry about how the world is being fucked, how your craft is being pulled away from you, how people are trying to move you away from the arts and tell you they’re not important. Be angry that things are being controlled by socially barely functional people that have a lot of money. Be angry about something. Be enraged about something” (Video: anakinspadawan / TikTok)
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Jim Lambie 🇨🇦 retweeted
The name Lake Ontario comes from the Wendat word Ontari’io, which, appropriately, means “the lake is beautiful, the lake is big”. The name is more than 400 years old, predating both the Confederation of Canada and the Declaration of Independence of the United States of America. We know that America is changing. Their trading relationships, their foreign policies, their national monuments, their hydronyms. Canadians also know that naming reality means calling it Lake Ontario – then, now and always.
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Jim Lambie 🇨🇦 retweeted
I will ALWAYS be Lake Ontario!! My name will never change, no matter what someone says, or tries to do! Thank you.
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Jim Lambie 🇨🇦 retweeted
From Bob & Doug to Matt & Jay, and every Canadian dreamer in between: Presenting @globeandmail’s 100 Best Canadian Films — and No. 1 might surprise you! Bonus: Canada’s top directors pick their own homegrown favourites. theglobeandmail.com/culture/…
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Jim Lambie 🇨🇦 retweeted
In 1972, Alfred Hitchcock's "oner" leaves the murder to our imagination as the camera follows, then creepily retreats on a studio set. At the end, a hidden cut reveals the real location in London. Did he use a crane, jib or overhead track inside?
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Jim Lambie 🇨🇦 retweeted
🎥RAIDERS SHOT DESIGN🎥 Spielberg turns a cramped living room into 96 seconds of continuous cinematic choreography. A single moving shot gives Indy and Brody close-ups, wide shots, movement, exposition and visual variety without a single cut. Super elegant visual storytelling.
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Jim Lambie 🇨🇦 retweeted
Behind the scenes on CHILDREN OF MEN, the camera rig on the car used for the one-shot ambush scene.
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Jim Lambie 🇨🇦 retweeted
It was like someone threw a brick through the front window of rock n’ roll.  Imagine hearing this album for the first time. The Ramones debut record came out 50 year ago today. Side 1 - Track 1 : Blitzkrieg Bop
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Jim Lambie 🇨🇦 retweeted
In 1995, Martin Scorsese and Francis Ford Coppola helped restore and re-release I Am Cuba (1964). Considered a masterpiece, this continuous shot shows why.
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Jim Lambie 🇨🇦 retweeted
THE PARALLAX VIEW Legendary cinematographer Gordon Willis makes isolation visible. People are swallowed up by space, reduced to fragments inside systems too large to fight. A visual masterclass in framing and composition.
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Jim Lambie 🇨🇦 retweeted
"There's one thing that's worse than being uneducated and it's being badly educated. And Mr. Carney is very badly educated on economics." -- Pierre Poilievre says, as water dribbles down his chin
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Feels like a good day to post this. My first meme! #cpc
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Jim Lambie 🇨🇦 retweeted
RONIN (1998) - Director John Frankenheimer explains where he learned this sneaky in-camera film editing trick, which he used to merge a real Paris location with the bar set he had built on a studio stage.
RONIN (1998) A sneaky 'hidden cut' occurs when an extra walks past the camera to wipe the frame. The first shot is one location and the second shot is in a completely different part of the French town. A cool way to seamlessly connect different real-world locations.
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Jim Lambie 🇨🇦 retweeted
Director Robert Altman breaks down how he crafted an 8-minute "oner" with no cuts to start THE PLAYER (1992). They filmed 15 takes using 11 microphones to nail the choreography and blocking in this shot. The dialog was completely improvised.
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Jim Lambie 🇨🇦 retweeted
CHRISTOPHER NOLAN on why he would rather shoot on film than digitally.
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Jim Lambie 🇨🇦 retweeted
Burton Kramer’s 1974 redesign of the Canadian Broadcasting Corporation logo stands as a masterwork of Canadian Modernism. Known as the "gem," the logo features a central red circle representing the source of broadcasting, surrounded by radiating geometric segments.
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Jim Lambie 🇨🇦 retweeted
This year, 57 Oscar nominations went to productions #ShotOnFilm. We’re proud to manufacture that film right here in #RochesterNY—and even prouder to provide the canvas for filmmakers to bring their stories to life. View the full list nominees here: kodak.com/go/awardsseason
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Jim Lambie 🇨🇦 retweeted
A Toronto shout-out as FRANKENSTEIN’s Canadian team continues their #Oscars sweep with Tamara Deverell and Shane Vieau winning for Best Production Design. (Going unmentioned, thankfully: Grogu.)
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Jim Lambie 🇨🇦 retweeted
Kodachrome color reversal film photos of NYC in the 1950's. Kodachrome was introduced in 1935 and discontinued in 2009.
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