Patrik Moskera (@kuthuloms) header
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Rabon, inconforme, soñador, idealista, solitario, esperanzado, apasionado por la historia, amante del cine y porn-enthusiast. Mierda seré tan doble-moral como

Bogota
Joined February 2011
Photo by Patrik Moskera (@kuthuloms)Photo by Patrik Moskera (@kuthuloms)Photo by Patrik Moskera (@kuthuloms)Photo by Patrik Moskera (@kuthuloms)Photo by Patrik Moskera (@kuthuloms)Photo by Patrik Moskera (@kuthuloms)Photo by Patrik Moskera (@kuthuloms)Photo by Patrik Moskera (@kuthuloms)
Esta es la pinta para hoy: Jeans negros, Kelt militar, camiseta, poncho, converse de plataforma, aretes mexicanos, muchos anillos de calaveras, gorro y gafas oscuras en degrade! #BfW todo con La Agencia Models. #fashion #Catwalk
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This is the America they taught me about. Thoughts 💭 ⁉️
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This is Pauline Lumumba, the woman who watched them kill her husband and then walked half-naked in protest. You may not have seen the photo, but it shows a Congolese woman, bare-chested, with her hair shaved, walking in the street crying, with a child tied on her back. That woman is Pauline Opangu Lumumba, the wife of Patrice Lumumba, in 1961. Patrice was only 35 years old and had been Prime Minister of Congo for just 67 days. His crime was that he declared, "Congo is not Belgium's property. Our gold, our copper, and our diamonds will feed our children." Because of those words, Belgium, America, and his own army chief, Mobutu, decided that he must die. On January 17, 1961, they took Patrice, together with Maurice Mpolo and Joseph Okito, to Katanga. Pauline recounts what happened to him in harrowing detail. She said they beat him for hours, pulled out his teeth, and forced him to eat his own speech papers. Then a Belgian officer, Gerard Soete, shot him. After that, they cut his body into pieces with a saw and poured acid over it to dissolve him, so that no grave would ever exist. There was no body, no grave, only acid. When they told Pauline, she did not scream. In Congolese tradition, she shaved her hair to mourn her husband. She removed her top to show the world, "You have stripped me of my husband. I have nothing left." Then she walked barefoot from Leopoldville to the place where they killed him, a journey of 1,000 km, with her baby on her back, singing his name all the way. Mobutu, who took part in killing her husband, went on to become President for 32 years with US support. Belgium kept Lumumba's gold tooth as a souvenir in a police station until 2020. Patrice Lumumba died because he wanted a united Africa, like Gaddafi. Pauline died in 2014, still waiting for his body to be buried, and she never remarried. That is the price of saying, "Africa for Africans." And you still think Africa's poverty is because we are lazy?
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Qué decepción! Abelardo de la Espriella engañó a la gobernadora del Chocó, está cansada de tantas mentiras tuvo que poner en marcha un plan piloto para reparar y construir viviendas en Quibdó. La Patria milagro es mentira y más mentiras, Ustedes lo creen?
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I always thought it was 1 person singing lead on this song. 🎵 ☀️🫶🏾
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On this day in 1968, Shirley Chisholm became first black woman elected to the United States Congress.
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Black American Screamin' Jay Hawkins born Jalacy J. Hawkins on July 18, 1929, in Cleveland, Ohio. He died February 12, 2000, in Neuilly-sur-Seine, France. He was an American R&B and blues musician, singer, and actor. He is widely recognized as an early pioneer of SHOCK ROCK. His Signature Song that he is best known for is his 1956 hit "I Put a Spell on You", which was supposed to be a smooth balladbut after Hawkins and his band recorded it in an inebriated state, it was recorded with wild screams, grunts, and groans. The newly released raw track became a massive underground and commercial success (selling over a million copies), though its overt wildness and sexuality got it banned from many radio stations.
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Halloween...winner....
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This is exactly why people like Lupita still find it hard to get roles in Hollywood even though she’s an OSCAR-WINNING ACTRESS
you hear stories like this from black actresses and a lot of #things start making sense
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Sometime The Truth Hurts!!!!! 🎯🇺🇸
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Legends.
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FREE double screening of 'Capoeira: Fly Away Beetle' + 'Besouro' on Friday 27 November 2026 at 18:30 at The Black Cultural Centre Islington. Learn about capoeira and Afro-Brazilian History. Book here tinyurl.com/56zvycfb #capoeira #brazil #blackculturalcentreislington
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PORQUE LOS MITOS SON INMORTALES Aniversario número 34 del viaje al más allá del gran Jimmy Salcedo, el man que le metió marangüango al entretenimiento colombiano. Viejo Jimmy, usted no sabe la falta que le hace a este país.
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A young and beautiful Chloe Wofford who would later rename herself Toni Morrison. Before the world knew her as Toni Morrison, she was Chloe Anthony Wofford, a young girl growing up in Lorain, Ohio. Born in 1931, she was raised in a working-class family whose parents had migrated north from the South. Her father and mother filled their home with stories, music, and a strong sense of Black history and culture, influences that would remain visible throughout her writing. Morrison developed a love of books early in life and became an exceptional student. She graduated from Lorain High School with honors in 1949 and went on to Howard University, where she studied English and the classics. It was during this period that she began using the name Toni. Anthony had been the name she chose at baptism, and Toni eventually became the nickname by which the literary world would know her. After Howard, she earned a master's degree in English from Cornell University and began teaching. She later became an editor at Random House, where she played an important role in bringing the work of Black writers to a wider audience. Her own first novel, *The Bluest Eye*, was published in 1970, when she was 39. Morrison would go on to write some of the most influential novels in American literature, including *Sula*, *Song of Solomon*, *Beloved* and *Jazz*. Her work placed Black lives, memory, womanhood, family, trauma and history at the center of stories that had often been pushed to the margins. In 1988, *Beloved* won the Pulitzer Prize for Fiction, and in 1993 she became the first Black woman to receive the Nobel Prize in Literature. The young woman pictured here could not yet know where her love of language would take her. But the imagination, discipline and curiosity she developed in Lorain
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In 1851 a fourteen year old girl named Olive Oatman watched most of her family killed on a trail in Arizona and was taken. Five years later she walked into an Army fort with a blue tattoo across her chin. She spent the next forty seven years being asked about it, and the version everybody read was written by somebody else. The Oatmans were Mormons who had joined a splinter sect called the Brewsterites, following a man who said the promised land lay at the junction of the Gila and the Colorado. The party fell apart in New Mexico, and Olive's father took his own family on alone. On March 18, 1851, on the Gila River trail, a group of men approached the wagon and asked for food and tobacco. Royce Oatman gave them almost nothing. They attacked. Her parents and four of her siblings were killed. Her older brother Lorenzo was beaten, thrown down an embankment and left for dead. He survived. Olive, fourteen, and her sister Mary Ann, seven, were taken. Olive later identified the attackers as Apache. Historians now believe they were almost certainly Tolkepaya, a Western Yavapai group. The girls spent about a year with them, and that year was slavery. They hauled water and firewood, foraged, and were treated as property. Then they were traded to the Mohave for two horses, some vegetables, blankets and beads. The trade happened because the daughter of a Mohave leader, a young woman named Topeka, kept pressing for it. And here is where the story everyone has heard falls apart. The Mohave did not hold them as slaves. They took them in. Topeka's mother, Aespaneo, looked after both girls and arranged for them to be given plots of land to farm. Olive was given a Mohave clan name, Oach, along with a personal name. The clan name is the detail that matters. That is not something given to a captive. That is what you give to family. The Mohave tattooed both girls on the chin and the arms. Olive would later say it was a slave mark. It was not. Mohave women wore that tattoo. It was given to their own people so their ancestors would recognize them after death, and the pattern on her face is a Mohave pattern. They were marking her as one of theirs. Around 1855 a drought came and the food ran out. Mary Ann starved to death, and so did a great many Mohave. Olive nearly died with them. The reason she did not is that Aespaneo made gruel and kept feeding it to her. In 1856 word got to Fort Yuma that a white woman was living with the Mohave, and the Army sent for her. The Mohave did not want to give her up. It took trade goods and a threat of reprisal to settle it. Topeka walked with her the twenty day journey to the fort. She was nineteen. Within days she learned that Lorenzo was alive. He had spent five years looking for her. And then the rest of it happened to her. A minister named Royal B. Stratton wrote a book about her life, in her voice, published in 1857. It sold around thirty thousand copies and made her famous across the country. It described the people who had raised her for four years as savages, which is what the market wanted. Stratton took the proceeds and used part of them to send Olive and Lorenzo to university. Then he put her on the road, lecturing, with the tattoo on display, telling the story the way his book told it. But it kept leaking out around the edges. She spoke of the Mohave by name and with obvious warmth. She grieved for them. When the Mohave leader Irataba came to New York in 1864, Olive Oatman went to see him. There is no evidence she ever married a Mohave man or had Mohave children, despite a century of rumor. What the record actually shows is a woman who had two families and lost both of them. In 1865 she married a cattleman and banker named John Brant Fairchild, whom she met after one of her lectures. They moved to Sherman, Texas and adopted a daughter. She stopped lecturing. Stratton was not invited to the wedding and she never spoke to him again. Fairchild went looking for copies of Stratton's book and burned them. She had headaches and long stretches of depression for the rest of her life. She died of a heart attack in Sherman on March 20, 1903, at sixty five. She lived forty seven years after she walked into Fort Yuma, in a country that could not stop staring at her face. And the only full account of her life was written by a man who needed her to hate the people who kept her alive.
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Native American: “My ancestors lived on these lands long before all of you. All of you are immigrants to me. This is my land!”
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Denzel and Pauletta Washington helped Omari Hardwick when he was homeless. When he paid them back, they framed his check 🤝 Before becoming Ghost on Power, Omari struggled to find steady work and spent time sleeping in his car. The Washingtons gave him a place to stay. They also helped him keep his car when it was about to be repossessed. Pauletta became someone he would describe as “my mom away from my mom.” When Omari got back on his feet, he sent the family a check to repay them. He later shared that they had framed it, proud of how far he had come. We should definitely help others if we can. God blessings to Denzil and his wife ❤️
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El martes 27 de octubre de 1981, hace 45 años, el sello Fania Records publicó ‘Canciones del Solar de los Aburridos’, joya de la salsa y uno de los trabajos más destacados de la dupla Willie Colón & Rubén Blades. Grabado durante el verano de 1981 en Sound Works Studios y La Tierra Sound Studios de Nueva York, el álbum reunió siete canciones que combinaron magistralmente la música afrocaribeña con ritmos latinoamericanos, el humor y la crítica social. Pese a la controversia política que provocó ‘Tiburón’, cuya letra llevó a numerosas emisoras estadounidenses a limitar su difusión, el álbum logró convertirse en uno de los mayores éxitos comerciales de la dupla, recibió una nominación al Grammy en 1983 y terminó convertido en una de las grandes obras de ambos artistas. Incluye: ‘Tiburón’, ‘Te Están Buscando’, ‘Madame Kalalú’, ‘El Telefonito’, ‘Y Deja’, ‘Ligia Elena’ y ‘¿De Qué?’.
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This is Tina Bell, mother of grunge, Kurt Cobain was her roadie
I saw someone say she's appropriating white culture by being punk and it's very important to me that everyone knows the song played in this trailer is LITERALLY about a black woman being called a poseur by fellow punks because of her skin color 50 YEARS AGO
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Sister Souljah unapologetically reads Bill Clinton, who compared her to KKK Grand Wizard David Duke, 1992.
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Lets normalise afro hair in the black community again.
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