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Trademark™

Bracer Guild Cimahi Branch
Joined December 2009
Photo by Kun (@kun6manuk)Photo by Kun (@kun6manuk)Photo by Kun (@kun6manuk)Photo by Kun (@kun6manuk)Photo by Kun (@kun6manuk)Photo by Kun (@kun6manuk)Photo by Kun (@kun6manuk)Photo by Kun (@kun6manuk)Photo by Kun (@kun6manuk)Photo by Kun (@kun6manuk)
Beuh keren Baron masuk tv (mungkin banyak yg ga tau dia adiknya siapa)
ada 2 jenis manusia
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Unai having a breakdown is always a delight to watch 😂
🚨 JUST IN: ALL-TIMER interview from Unai Emery after conceding a 96 min equalizer vs. Manchester Utd
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Halfway through my trip and my Grab driver just casually blasted his audio speaker like this its as if he want to piss me off so bad 😭😭😭
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In my dessert cafe era because honestly if coffee is a person, I can’t look at anything beyond Purnama anymore I am marrying it, it’s the one.
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Got plenty of time to kill (my next showing is not until 20.35) and while this is not a dessert cafe, but found what turned out to be the best dessert I had in a long time (also indoor smoking fuckyeah)
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“Difoto dulu ga buat dessert minggu ini?” YAUDAAAH.
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Ayo mamnya dikunyah, Magnolia.
Normalize naming your children after 10/10 movies
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Also kinda explained why Mouse worked so much to me.
Millennials are the most nostalgic generation. We are homesick for a place that doesn't exist. Because it wasn't a place.. it was a time. A time with the perfect amount of social media, flip phones, burned CD's, local shows, and real human connection.
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Ain’t no way they finally told the lore behind one of my favorite scene(s) (And no wonder, turned out they’re real couple. Had a hunch about it and now I can sleep peacefully knowing this)
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Close enough welcome back MTV Ajang Ajeng
para lelaki kalo ngerayain ulang tahun temen tuh ada tradisi gini ya🤔
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Baru nonton dikit (akan kubalas di BWC) tapi ranking sejauh ini: 1. Mouse 2. The Samurai and the Prisoners 3. Fjord 4. Kill Me 5. The Beloved 6. Karma 7. Inherit
hasil favorit during JWC 2026 1. Gugu’s World 2. Possible Love 3. Fatherland 4. Minotaur 5. Fjord 6. All of a Sudden 7. Red Rocks 8. La Bola Negra 9. Woman Unknown 10. Moulin
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Lebih kaget lagi karena ternyata temanya mirip (banget) sama buku terakhir yang selesai dibaca, yaitu Old Soul-ny Susan Barker. Bener-bener baru kelar bulan lalu. Funny coincidence, I guess.
Pas ntn inherit semalem agak keinget the boxer’s omen karena ilmu hitam lawan ilmu hitam gt, tp inherit versi lebih pg nya, the boxer’s omen lebih menjijikkan. Ternyata banyak yg gasuka ya? Wkwk gw suka jg krn suka film2 b movie deh kyknya jd kek my type of movie aja
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‘That’ twist in Inherit got the audience cheering like it’s Messi scoring a match-winning goal you guys are wild 😭😭😭
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Buffering 30 minutes to watch a 2 minutes movie trailer.
Millennials, what was considered completely NORMAL in 2005 that would be absolutely unhinged today?
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Kasian yang nerjemahin sub indo Mouse bingung pas dialog “denial is not just a river in Egypt” 😂 (Harus berguru sama yang nerjemahin The Naked Gun)
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And this year’s Sorry, Baby Award; of movie that you wanna hug and tell “it’s gonna be okay” towards, goes to
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Impresi yang agak panjang.
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Again. I think, the most basic foundation of ANY human relationship (ga cuman orang tua ke anak), is trust.
fyi, rasa sayang orang tua ke anak yg sudah masuk usia dewasa itu dalam bentuk "trust", justru kalo ga dikasi "trust" pas dah gede tuh yg patut dipertanyakan lu disayang apa dikontrol????
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Marahin.
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Sad Girlz padahal terpantau sepi tapi tanggal segitu pas lagi gak di Bandung.
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We need to talk about American film critic’s allergies to maximalist films nowadays (Babylon, Digger, and now this)
“La Bola Negra,” a new film by Javier Ambrossi and Javier Calvo, dramatizes gay repression and liberation across three interconnected stories. At first, the year is 1937 and viewers are thrust deep into the Spanish Civil War, where a Nationalist soldier and a wounded Republican freedom fighter exchange furtive glances. By the end, it’s 2017, and a Madrid-based historian need only look to Grindr to satisfy an urge. The movie “wants to be a sweeping historical epic of gay longing—a film about what it means to be a man who desires other men in times of war and peace,” Justin Chang writes. Instead, the directors have produced “a film that insists, arrogantly and aggressively, on its own monumentality”. Even compelling performances from Glenn Close, Penélope Cruz, and Lola Dueñas fail to rescue the extravagantly overwrought film. Read Chang's full review: newyorker.com/culture/the-cu…
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