So, The Odyssey. Lol. It’s good, maybe Nolan’s best, and not even slightly “woke.” The right-wing hysteria is amazingly detached from reality. It’s a relentlessly masculine film, visually similar to Troy (2004) at times, but starker and bleaker, less flamboyant and less feminist. Circe, Calypso, Charybdis etc. are classic Nolan female chaos dragons. Penelope’s weaving is not dwelled upon. The costumes look good. The soundscape is relentless roaring and clanging that rings in your ears when you wander out of the theater feeling slightly overwhelmed by three hours of torchlit Mycenaean brutality. The brief presence of several black actors and one transsexual feels utterly natural in a mythological setting of seafaring travelers, and the fits of neurosis over it are extremely embarrassing for champions of the Master Race, whose ideological fanaticism and general hostility to aesthetic values has now exceeded the wildest excesses of left-wing media critique.