Mike Keating retweeted
How everyone at the concert sat down and shut up and listened to her. She was hypnotic.
Mike Keating retweeted
"Steppin' Out" was inspired by the excitement of New York nightlife after Joe Jackson moved there following his divorce. The sophisticated synth-pop classic became his biggest US hit, peaking at #6 on the Billboard Hot 100 and earning Grammy nominations for Record of the Year and Best Male Pop Vocal Performance.
The song found a new audience decades later after being featured on the Flash FM radio station in Grand Theft Auto: Vice City (2002). It later reappeared in Grand Theft Auto V/ GTA Online on Los Santos Underground Radio (as part of The Black Madonna’s set), introducing its sleek 1980s sound to yet another generation of players.
Mike Keating retweeted
Elvis wrote this as a protest song when the BBC banned the Sex Pistols God Save The Queen
Elvis Costello - Radio, Radio (Live 1978) ▶️
"Down in the Tube Station at Midnight" by The Jam, the second single from their third album, All Mod Cons. Released 13th October 1978
@NewWaveAndPunk @GCPunkNewWave @FatOldAnarchist @lee0969 @sineadmcfc
Mike Keating retweeted
Good morning amazing people.
Teddy is out on patrol after early breakfast and I’m fuelled up for training a bit later today as Sarah has a cake & coffee morning!
Then I have a nails 💅🏻 appointment some chores and one more sleep to Steve Hackett - if I can sleep it’s all getting excited now 😂
May as well get in the mood with a few clips from the Reading show in 2024. Enjoy them!
Everyday, Hierophant, Hairless Heart, Cinema Show.
Have a great day. Much love ❤️🤗😘🥰😻🎶🎸
m.youtube.com/watch?v=zfnwYd…
Mike Keating retweeted
According to Robert Smith, when he wrote this song, he told his bandmates..
"I'll never write something this good again"
The Cure - Just Like Heaven (Live in '95) ▶️
Mike Keating retweeted
I plan to have it all while I'm still young
And chase the fields across my dreams
In the shadow of the sun.
#WellerWednesday
Mike Keating retweeted
...Hey now, hey now🎵
Don't dream it's over
Hey now, hey now🎶
When the world comes in
They come, they come❤️
To build a wall between us
We know, they won't win...😉
This is a 80's Classic 🎵❤️
#80music #SaturdayNightGroove
Mike Keating retweeted
The border shootout in Sicario (11 today) was filmed on a full-scale replica of the Juarez–El Paso crossing, built in an Albuquerque rail yard. For safety/logistics, Denis Villeneuve couldn’t shoot there, so Patrice Vermette rebuilt it using helicopter footage, Mexico City B-roll, and Google Maps.
That practical set let them stage real cars and actors in a controlled space, then sell the scale by seamlessly combining it with real aerial shots and digital effects.
Mike Keating retweeted
🇬🇧 Netflix tiene unas cuantas series británicas estupendas que han pasado bastante más desapercibidas de lo que merecen.
Thrillers, espionaje, misterio y hasta superpoderes con acento londinense.
👇 Aquí van 6 para descubrir.
Mike Keating retweeted
The Style Council - "Long Hot Summer". (1983). Led by Paul Weller after The Jam called it quits, The Style Council cooked up a seriously rich sound, throwing together everything from New Wave and synth-pop to soul, funk, jazz, and pop.
Mike Keating retweeted
Paul Weller - Broken Stones
Beautifully weathered gospel-soul to remind us that no one gets through life unscathed. We all get battered, damaged, and kicked around, but we keep on keeping on anyway.
Later… with Jools Holland. 1996.
Mike Keating retweeted
If you needed proof that Big Audio Dynamite were (and are) untouchable ... Mick Jones and the crew detonate “E=MC²” live on Fallon during their 2011 reunion, underrated legends putting on a masterclass.
Mike Keating retweeted
One of The Smiths’ most beloved songs was never released as a UK single during the band’s lifetime. “There Is a Light That Never Goes Out” appeared on their 1986 masterpiece The Queen Is Dead, pairing Morrissey’s romantic fatalism with Johnny Marr’s sweeping arrangement. It eventually received a UK single release in 1992, years after the band split. On The Tube in 1986, The Smiths performed it during their final year together.
















