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GEMINI GEL at JONI WEYL was established in 1984 as the New York gallery exhibiting & representing the publications of the LA-based artists workshop Gemini GEL

New York City
Joined March 2013
Photo by Gemini at Joni Weyl (@joniweyl)Photo by Gemini at Joni Weyl (@joniweyl)Photo by Gemini at Joni Weyl (@joniweyl)Photo by Gemini at Joni Weyl (@joniweyl)Photo by Gemini at Joni Weyl (@joniweyl)Photo by Gemini at Joni Weyl (@joniweyl)Photo by Gemini at Joni Weyl (@joniweyl)Photo by Gemini at Joni Weyl (@joniweyl)Photo by Gemini at Joni Weyl (@joniweyl)Photo by Gemini at Joni Weyl (@joniweyl)
Dialogues Across Time presents a selection of prints old and new that allow us to see their historical connections and entanglements by exploring themes that have been fundamental to artistic expression for centuries.
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While Dorothea Rockburne makes the association explicit by titling a lithograph, Melencolia, after one of Dürer’s most celebrated engravings, other artists are less conscious of them, and perhaps indifferent to the history that underlies their work.
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Nonetheless, that history oftentimes emerges – intuitively, conceptually, and visually. Susan Dackerman
We are thrilled to announce the opening of “Dialogues Across Time: From Dürer to the Artists of Gemini G.E.L.”, a special exhibition curated by the renowned print curator and scholar, Susan Dackerman.
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Artists both document and produce history. They simultaneously exist in its stream while forging their own pathways. Printed images have always been a source of historical knowledge for artists, and printmaking, in turn, is a means of making their own histories visible to us now.
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Over the next few weeks we’ll be posting installation views and additional images that expand upon the five major themes in this show: Geometry and Proportion, The Sky Observed, Ornament, Nature Studies, and Artists Making Art.
Tacita Dean | LA Magic Hour A series of 15 hand-drawn lithographs Extended through May 21
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As references, Dean took many photographs of colorful west coast sunsets, which were then matched by master printer Jill Lerner through a complex technique of layering transparent and semi-opaque colors. Photograph © 2021 Suzanne Felsen
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In this photograph, the artist poses in front of a wall of early color trial proofs for the LA Magic Hour series (most of these prints shifted in color and composition as the project evolved over time). Photograph © 2021 Sidney B. Felsen
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ON VIEW NOW Analia Saban: Line to Thread to Wire to Cable to Line Featuring two new series of aquatint etchings and unique editions. "Circuit Boards" and "Transcending Grids"
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additional installation views of the Red, Yellow, Blue, Black, and White versions of the artist's "Transcending Grids" 1-color softground etchings with linen chine collé 17 1/2 x 16 5/8" each Editions of 28
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No other artist is more deserving and more equipped with the tools needed to help guide this vital American institution through the aesthetic, intellectual, and socio-political challenges of the 21st century. Congratulations, @JulieMehretu!
The artist Julie Mehretu just had a major retrospective at the Whitney. Now she is joining the museum's board. nyti.ms/3lBGNG6
When No means Yes. Thank you, California voters! Bruce Nauman No (1981) 2-color lithograph 30 x 43 inches Edition of 21
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Bruce Nauman studying proofs of his lithograph "No" Photo © 1981 Sidney B. Felsen
"Though the small prints are treats to see, Six Bardos, a massive suite of aquatints named for the Buddhist intervals between life and death, steal the show." JULIE MEHRETU: A DECADE OF PRINTMAKING AT GEMINI GEL @TheArtNewspaper LAST DAY: Saturday 9/18 theartnewspaper.com/review/t…
During the pandemic, Tacita Dean completed 2 films, designed ballet sets and costumes, and with help, created 100 largely handmade editions for a project titled "Monet Hates Me." Read more from the interview with Julie Belcove for @RobbReport: robbreport.com/shelter/art-c…
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