john pozo (@johnP0Z0) header
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traditional artist to nfts https://xitter.cf/t.co/FIq6NA09Xy https://xitter.cf/t.co/O7CNApoHYB

Unknown Dimension
Joined April 2021
Photo by john pozo (@johnP0Z0)Photo by john pozo (@johnP0Z0)Photo by john pozo (@johnP0Z0)Photo by john pozo (@johnP0Z0)Photo by john pozo (@johnP0Z0)Photo by john pozo (@johnP0Z0)Photo by john pozo (@johnP0Z0)Photo by john pozo (@johnP0Z0)Photo by john pozo (@johnP0Z0)Photo by john pozo (@johnP0Z0)
I truly thought this was genuine… but sadly, it’s the same B.S. The moment I realized it was a competition, I felt bad energy. There’s no real curation, no real jury. I saw some incredible artists, and others that made me wonder, “who chose these artists?” #thepeoplesartist
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john pozo retweeted
ESCORIA is an exploration of the residues of perception within technologically mediated environments. The piece presents visual fragments that seem to evoke landscape (horizons, surfaces, matter), but never fully cohere. These images emerge and decompose continuously, traversed by digital noise, interference, and signal-based structures. Rather than representing the world, the work reveals its degradation: A memory attempting to reconstruct itself through systems that fail. In this context, technology does not appear as a transparent tool, but as a filter that transforms, fragments, and reinterprets human experience. What we see is not the landscape, but its residue: an incomplete, unstable translation. Escoria poses a central question: what happens to perception when it depends on systems not designed to preserve the human, but to process it? The work exists at that threshold where experience becomes data, and where the human persists only as a trace. Mi Retratito 🌟
ESCORIA es una exploración sobre los residuos de la percepción en entornos mediados por tecnología. La pieza presenta fragmentos visuales que parecen evocar paisaje (horizontes, superficies, materia), pero que nunca llegan a consolidarse. Estas imágenes emergen y se descomponen constantemente, atravesadas por ruido digital, interferencias y estructuras propias de la señal. En lugar de representar el mundo, la obra muestra su degradación: una memoria que intenta reconstruirse a través de sistemas que fallan. En este contexto, la tecnología no aparece como herramienta transparente, sino como un filtro que transforma, fragmenta y reinterpreta la experiencia humana. Lo que vemos no es el paisaje, sino su residuo: una traducción incompleta, inestable. Escoria plantea una pregunta central: ¿Qué ocurre con la percepción cuando depende de sistemas que no están diseñados para preservar lo humano, sino para procesarlo? La obra se sitúa en ese límite donde la experiencia se convierte en dato, y donde lo humano persiste solo como rastro. Mi Retratito 🌟 Tag: @ErnestCisneros1 @GaiaMusique
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Untitled I At auction on @objktcom 24 hs
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New mint on @objktcom "The Dream of the Dragonfly" (3/3) 🔗⬇️ She never touched him. But she held him every night. Ritual Head Collection • Digital sculpture • Mixed media A manifesto of transformation, longing and soulflight.
Oracle of Circuits (3/3)🔗⬇️ A divided head, loaded with signs. Ritual Heads Collection: An open series in 3D. There is no sketch.There is no plan. Each head arrives when it wants, as if it possesses me. They are not characters.
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Se abren las puertas del Jardín xitter.cf/i/spaces/1yNGaLMvAodKj

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🔴Attention🔴 This Tuesday: We have a Special Guest • Poet / Preforming Artist / Photographer @MiRetratito Make Sure To follow Our Queens @Lizmej12 & @Vongelic1 Set reminder 👉 xitter.cf/i/spaces/1OyKAZjrlVbGb
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After the unveiling of the HOPE IN ACTION art exhibition at the United Nations General Assembly in New York last year, I am excited to share that it will now travel to Rome for the 2024 @UN @SDGAction Awards Ceremony.   This exhibition features 25 powerful artworks from @thehugxyz community, thoughtfully curated by @SDGaction and @UNYouthAffairs, and I could not be more thrilled to see the power of using art for good get recognized on a global stage.   🎟️ Join me in tuning into the ceremony live tomorrow on 29 Oct at 1PM ET by registering here: sdgactionawards.org/   📰 Learn more about HOPE IN ACTION: unsdgaction.medium.com/creat… Here’s to a more sustainable, equitable, and peaceful world, and thank you again to all the artists who shared with us your vision for what that means 🌎✨
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john pozo retweeted
GM Monday on @rodeodotclub Volver a los lugares de siempre aunque yo ya no sea el mismo. Returning to the usual places though I am no longer the same. ABSTRACT LIFE PROJECT, 2024.
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CONJUNCTION – version 03 is part of my drop #2 on @drip_haus follow me on DRiP link in the comments
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Hello, I'm Christian Arregium from Patagonia, Chile, an abstract artist and poet with 25 years of experience in art and literature. I entered the crypto art space in early 2021, exploring various blockchains and platforms. Will you let this technology connect us? Check out my minted work: linktr.ee/ARREGIUM In the thread you'll find links to my art on different blockchains.
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🧿🧿🧿NEW DROP🧿🧿🧿 I’m excited to announce my latest work of the series "Oneiric landscapes"🪄🔮 °°°°°°°°°°°°°°°°° Title: The farewell Price: 5 $XTZ Editions: 33 on @objktcom link: objkt.com/tokens/KT1AAnHbhsV… #tezosart #objkt #objktcom
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🐸FROP NOW 🚀 Enjoy of this amazing Smooth animation with hipe, pump and green🐸 Exclusive 1/1 Animation Hand draw frame by frame 24 fps video animation with audio HR Resolution 1080 x 1080 Link Below 👇
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GM 🐸ALERT 🚨 PEPE CALL YOU !👇📅 ZORA Mint Rotoscoping Technique handraw frame by frame 24fps with 🔊 PLAY #zora #pepe #pepecommunity #rotoscoping #animation
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Does #TEZOSTUESDAY works for anyone anymore? 🤣 Just saying, my system is broken, need some technical support 😁
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I only think of a stimulating and inspiring trip, where motivation and creativity fly, like a blue dream...
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I'm trying to get mints / votes for my work with @myRCnft and @SuperchiefNFT to be on the billboard in NY Much love and respect for your help Retweets or Reposts are appreciated superchief.props.app/token/4…
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